Ep. 47 Eva Yaa Asantewaa: How to Dwell in Possibility
The Architecture of Poetry
This episode is a really fun one for me. I only knew my guest Eva Yaa Asantewaa [https://substack.com/@evayaaasantewaa] from a handful of interactions on Substack. I always enjoyed the things she wrote or restacked, and I noticed her generous enthusiasm for amplifying other voices. Since Eva does so many things — writer, editor, dance critic, novelist, Tarot guide, animist spirit worker — I wasn’t sure how to approach the theme of this conversation. Then I noticed a very familiar line at the end of her bio — one that coincided with a gift I made my best friend, whose birthday happens to be shared with the poet of that line, Emily Dickinson.
I DWELL IN POSSIBILITY artwork. [https://allisonmoorephoto.squarespace.com/config/pages/63914c2e76d9d7010c497bc5]
So instead of analizing alchemical idioms, in this conversation, we spent our time like two friends visiting rooms in a museum, wading in the words of this poem and in the visual branches of a treehouse painted by Francesco Clemente, and opening up to the realm of possibility.
MY TREEHOUSE by Francisco Clemente [https://www.instagram.com/p/DT08cCbEVfe/]
Eva recommended The NY TIMES 10-Minute Challenge [https://www.nytimes.com/spotlight/10-minute-challenge] if you’d like to increase your visual insightfulness like we experienced in this episode.
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Emily Dickinson (by Me) [https://www.groundbreakinggirls.com/]
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