Giving Back is Dead

Season 3 Episode 8 with Dr. Brigitte Nicole Grice

In this episode of Giving Back Is Dead, recorded at OFFSCREEN in Paris during our third year at the fair, we sit down with Dr. Brigitte Nicole Grice, president and co-founder of Chez Max et Dorothea, a 501(c)(3) nonprofit dedicated to preserving and expanding the legacy of Surrealism. But Surrealism is more than just an artistic style—it’s a way of seeing, questioning, and reimagining the world. Chez Max et Dorothea is not just a residency or exhibition space; it’s a living environment where artists, scholars, curators, and poets can explore the radical, boundary-pushing ideas that have shaped contemporary art. With an 8,000 sq. ft. headquarters in Los Angeles and a mission to acquire Max Ernst and Dorothea Tanning’s final home in Seillans, France, the organization is creating a bridge between historical Surrealism and its influence on today's cultural landscape. Brigitte shares her journey from academia to nonprofit leadership, the significance of Los Angeles in the Surrealist movement, and why preserving artistic legacies is essential for fostering new creative futures. Tune in for a conversation on how giving back to the arts isn’t just about preservation—it’s about keeping the spirit of innovation and imagination alive. Watch now and learn how you can be part of this extraordinary project.

Season 3 Episode 7 with Sophie Neuendorf

In this week’s episode of Giving Back is Dead, we’re joined by Sophie Neuendorf, Vice President at Artnet and Professor at IE University School of Humanities, for an insightful discussion on the evolving role of art in the market, social change and the importance of Giving.  Sophie shares how she and her brothers started an artist residency in Mallorca, inspired by their father’s legacy of supporting artists. The residency offers a serene space for artists to create, culminating in exhibitions and features on Artnet News. This initiative is a reflection of Sophie’s commitment to fostering creativity and supporting emerging artists beyond just financial means.  Sophie also teaches at IE University, where she helps students navigate the art market, not only as an investment but with a deeper understanding of art’s cultural significance. She emphasizes the importance of blending passion with financial insight and encourages students to see art as both a personal and financial asset.  The conversation touches on the growing influence of artists in addressing social issues, from climate change to movements like Black Lives Matter. Sophie sees today’s media landscape as providing artists with more opportunities to drive societal change through their work.  On the topic of data, Sophie points out that Artnet relies on secondary market data due to the challenges in verifying primary market information from galleries. While galleries play a key role, she believes accurate data is essential for making informed decisions in the art world.  Sophie also explores the importance of funding the arts, arguing that the arts have always been central to defining cultures and nations. She questions the morality of cutting funding to something so integral to society’s fabric.

Season 3 Episode 6 with Masha Bucher

In this special episode of Giving Back Is Dead, recorded at OFFSCREEN in Paris during our third year at the fair, we sit down with Masha Bucher [https://mashabucher.com/], Founder and General Partner at Day One Ventures [https://www.dayoneventures.com/]. Masha is an influential investor and entrepreneur whose vision for the future combines the power of technology with the cultural depth of art. Masha explores how technology can solve some of the most pressing global issues—like cancer, climate change, and inequality—but she also highlights a critical disconnect: as tech accelerates, the gap between innovators and the broader society widens, making it harder for solutions to reach those who need them most. Through an inspiring conversation, Masha reveals her belief in the transformative power of art in bridging this gap. She explains how involving artists in the development and dissemination of cutting-edge technologies can ensure that these solutions are not only understood but also embraced by the public. She sees museums as key spaces where tech and art can intersect, particularly in smaller, specialized institutions that are more open to experimentation. These museums can align with her vision by providing platforms to explore ideas around humanity’s future. Hosting workshops would bring together diverse thinkers—technologists, artists, and entrepreneurs—to foster cross-disciplinary collaboration. Hackathons could serve as a gateway, opening museum spaces to the tech community and driving organic innovation. By engaging with early-stage founders, museums can build trust and cultivate long-term relationships, supporting them before they achieve widespread success. Masha is also deeply inspired by history, particularly the Renaissance, and has been contemplating how a similar cultural and intellectual awakening can be sparked today. She believes that, just like in past eras, we have the potential to fuse art, science, and technology to ignite a movement that propels society forward. In her view, creating opportunities for artists and tech entrepreneurs to work together is the key to unlocking this potential.     Masha’s approach to innovation goes beyond funding or philanthropy; it's about creating genuine connections between people from different worlds—artists, tech entrepreneurs, and investors—through shared spaces and open dialogue. She believes that good taste, cultivated through art, is a universal muscle that enhances not just the appreciation of creativity but also the quality of tech products and business ventures. It's this philosophy that has helped her identify promising tech companies and entrepreneurs early on, offering a fresh perspective on how culture can influence the evolution of the tech industry.     Throughout this episode, Masha challenges us to think differently about philanthropy and giving back. Rather than simply donating or backing causes, she advocates for fostering environments where organic, meaningful connections can grow—connections that drive real, lasting change for both society and the industries shaping our future.

Season 3 Episode 5 with Chelsea Spengemann

Chelsea Spengemann joins Scott Stover on Giving Back is Dead to discuss Soft Network [https://www.softnetwork.art/exhibitions/], the nonprofit she co-founded and now leads as Executive Director. The organization collaborates with artist estates and archives to develop sustainable legacy models for historically significant artists who lack the commercial gallery representation needed to preserve and promote their work. Their goal is to ensure that these artists' contributions endure despite not achieving the commercial success required for broader recognition.  Chelsea has also created an email chain/group called Artist’s Foundation & Estate Leaders’ List or “AFELL” concerning best practices for people who are actively managing artist’s estates. AFELL currently has +300 members.  GBID is particularly interested in models which are not motivated by the market.

Season 3 Episode 4 with Elizabeth Dee

Elizabeth Dee joins Scott Stover on Giving Back is Dead for a conversation about her new non-profit initiative, the New York Gallery History Project at the Contemporary Art Library. Elizabeth holds a unique position and perspective in the New York art infrastructure as CEO and Co-Founder of the beloved Independent Art Fair. She has also been the curatorial advisor for the most important video art collection in the U.S., owned and operated an art gallery for 20 years, served as the founding director of an artist-endowed foundation, co-produced art movies, worked as an associate professor at NYU on the art market, and acted as a trustee at Mount Holyoke College Art Museum and the Filmmakers Cooperative at the New American Cinema Group. We speak to Elizabeth about who she is and how she got to where she is today, discussing her various positions in the art world. We explore the success of the Independent Art Fairs within the context of a very crowded art fair calendar and a nervous art market. Finally, we talk about the dominance of the U.S., with New York as its capital, within the global art market. The New York Gallery History Project "aims to showcase important and influential New York City gallery exhibitions from the past in an online archive that is free and available to all." It seeks to ensure that the historical record is accurately told and to provide scholarship for future generations of gallerists and curators.