Butoh musing with Vangeline
Podcast de Vangeline
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9 episodiosIn this episode, while in Rome, Vangeline had a conversation with dancer, performer, and visual artist Melissa Lohman, talking about the body, dance, Butoh, and the practice of Noguchi Taiso. You can follow Melissa on Instagram @melissarlohman [https://www.instagram.com/melissarlohman/#] https://www.melissalohman.com/
In this episode recorded in Denmark, I had a conversation with actress Christine Albeck Borge and Ballet dancer and choreographer Oliver Marcus Starpov, following our week-long creative research project combining Butoh, theater, and dance, with also director Liv Helm. Here is our reflection on the interaction of Butoh, dance, and theater. https://www.instagram.com/allmyfriendsaresuperheroes/ https://www.instagram.com/christinealbeck/ @livhelm [https://www.instagram.com/livhelm/#]
In this episode recorded during the New York Butoh Festival 2024, Butoh dancers and teachers Eugenia Vargas from Mexico, Natalia Cuellar from Chile, and Doctor Alice Baldock from Oxford University and I had a conversation about women and Butoh, Butoh in Latin America, and our relationship to Butoh as women. Get to know these extraordinary women who play a very important role in advancing the art form in the world. Read their biographies here: https://www.vangeline.com/calendar-of-upcoming-events/2024/10/14/panel-discussion-women-latin-america-and-butoh
In this episode, you can listen to the Q&A after Vangeline's performance of the Slowest Wave in Singapore, organized by the butoh artist XUE and the Singapore Butoh Collective. During the Q&A, Xue, the audience, and Vangeline talk about topics such as the difficulty in describing Butoh, Butoh and neuroscience, The Slowest Wave, and the present and future of Butoh in Singapore. This episode was recorded on September 1st, 2024. Check them out: https://sgbutoh.co/ A couple of corrections: The first Butoh performance was Kinjiki, or Forbidden Ciolors, not Forbidden Flowers. Also, The two women neuroscientists who collaborated on the Slowest Wave, neuroscientists Sadye Paez and Constantina Theofanopoulou, dance flamenco, not tango. If you want to learn more about the Slowest Wave, read here: https://www.vangeline.com/research
In this episode, Vangeline has a conversation with her collaborator Emmy-Award winner Machine Dazzle, discussing their new project "Venus Ex Machina", costumes for MAN WOMAN, life as an artist, and the importance of saying yes. For more information about this new project visit www.vangeline.com and Instagram Instagram: @machinedazzle [https://www.instagram.com/machinedazzle/?hl=en#]@vangelinebutoh [https://www.instagram.com/vangelinebutoh/?hl=en] https://www.vangeline.com/news/2024/8/15/venus-ex-machina-machine-dazzle-and-vangeline [https://www.vangeline.com/news/2024/8/15/venus-ex-machina-machine-dazzle-and-vangeline] Machine Dazzle. Emmy award winner and beloved downtown bon vivant and all-around creative provocateur Machine Dazzle has been dazzling stages via costumes, sets, and performances since his arrival in New York in 1994. An artist, costume designer, set designer, singer/songwriter, art director, and maker, Machine describes himself as a radical queer emotionally driven, instinct-based concept artist and thinker trapped in the role of costume designer, sometimes. Machine designs intricate, unconventional wearable art pieces and bespoke installations. As a stage designer, Machine has collaborated with artists from the New York downtown scene and beyond – including Julie Atlas Muz, Big Art Group, Mx. Justin Vivian Bond, Taylor Mac, Basil Twist, Godfrey Reggio, Jennifer Miller, The Dazzle dancers, Big Art Group, Mike Albo, Stanley Love, Soomi Kim, Pig Iron Theatre Company, Opera Philadelphia, the Bearded Ladies Cabaret, the Curran Theatre, and Spiegelworld; and has created bespoke looks for fashion icons including designer Diane von Furstenberg and model Cara Delevingne for the 2019 Metropolitan Museum of Art Gala. Machine’s costumes and sets were featured in Taylor Mac’s Pulitzer Prize-nominated A 24-Decade History of Popular Music. A documentary feature film directed by Jeffrey Friedman and Rob Epstein and co-produced by Pomegranate Arts will premiere at the Tribeca Film Festival in 2023. In 2019, Machine was commissioned by Guggenheim Works and Process and The Rockefeller Brothers to create Treasure, a rock-and-roll cabaret of original songs including a fashion show inspired by the content. Recent collaborations include the Catalyst Quartet on Bassline Fabulous – a reimagining of Bach’s Goldberg Variations at the Metropolitan Museum of Art and his debut collaboration with Opera Lafayette, for the historic premiere of the never-before-seen Rameau comedic opéra-ballet, Io. Dazzle was a co-recipient the 2017 Bessie Award for Outstanding Visual Design, the winner of a 2017 Henry Hewes Design Award, and a 2022 United States Artists Fellow. He delivered a TED Talk at TED Vancouver in 2023. Machine Dazzle’s work has been exhibited internationally. His first solo exhibition, Queer Maximalism x Machine Dazzle, was held at the Museum of Arts and Design in New York City in 2022. https://www.vangeline.com/ [https://www.vangeline.com/] https://www.pomegranatearts.com/projects-and-artists/machine-dazzle [https://www.pomegranatearts.com/projects-and-artists/machine-dazzle] https://www.hbo.com/movies/taylor-macs-24-decade-history-of-popular-music [https://www.hbo.com/movies/taylor-macs-24-decade-history-of-popular-music]
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