My Man Godfrey (1936)

It's a Mad, Mad, Mad, Mad World (1963)

Cindy and Marty settle on a favorite large cast comedy, It's a Mad, Mad, Mad, Mad World (1963) Film Overview • Title: It's a Mad, Mad, Mad, Mad World (1963) | Director: Stanley Kramer | Screenplay: William & Tania Rose • Stars: Spencer Tracy, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney, Dick Shawn, Phil Silvers, Terry-Thomas, Jonathan Winters • Supporting: Jimmy Durante, Peter Falk, Buster Keaton, Don Knotts, Jack Benny, The Three Stooges, Edie Adams, Carl Reiner, ZaSu Pitts, and more • Budget: $9.4M | Box Office: $60M | Format: Technicolor / Ultra Panavision 70 • Runtime: 192 min (premiere) / 163 min (release) / 197 min (2014 Criterion restoration) • Opened November 7, 1963 at the Cinerama Dome — the very first film shown there Production & Behind the Scenes • Working titles: "Where, But In America?" then "One Damn Thing After Another." Kramer briefly considered a fifth "Mad." • His first comedy as director — and the hardest, he said, he ever made. • Shot summer 1962 during TV hiatus. Desert scenes in Palm Desert, CA — now mostly country clubs and golf courses. • Kramer let Silvers run crap games to keep actors nearby. Jerry Lewis, uncredited, reportedly lost $500. • ~80 of ~100 working U.S. stunt people appeared — 39 performers, $252,000. • Title animation by Saul Bass, executed by Bill Melendez, who hid his crew's names in the letters for three frames. Schulz saw it, called Melendez, and the Peanuts specials followed. • The NY premiere was attended by Robert and Ted Kennedy. President Kennedy was assassinated five days later. • UA cut the film from 192 to 163 minutes against Kramer's wishes; the 2014 Criterion restoration (197 min) is closest to his 202-minute original. The Cast • Spencer Tracy received top billing; co-stars listed alphabetically. He worked nine days at three to four hours daily, sharing no screen time with any co-star until two hours in. • Ethel Merman's role was written for Groucho Marx as a doctor. When that fell through, Kramer swapped the gender — Groucho later joked he was to have played Mrs. Marcus. • Terry-Thomas got the role after Peter Sellers asked too much. His stunt double painted a tooth black to match Thomas's famous dental gap. • Jack Benny's cameo went first to Stan Laurel, who pledged never to perform again after Hardy's death. The bowler hat was already in the scene — shot for a stand-in before the offer was made. • The Three Stooges, as firemen with no dialogue, drew the biggest audience reaction in the film. Their 1930 debut Soup to Nuts also had them as firemen. • ZaSu Pitts and Willis H. O'Brien both died before release — the final film for each. • Arnold Stang broke his forearm days before filming and wears mechanic's gloves throughout to hide the cast. Stunts, Effects & Locations • Frank Tallman flew the plane-through-the-billboard stunt. A miss meant a sheared wing; impact stopped one engine and the plane barely made it back. • The water tower fell before the truck hit it; Linwood Dunn used optical split-screen to sync them in post. • The blowtorch-into-stairs gag took 86 takes. • The fire escape finale used miniatures, reuniting King Kong (1933) pair O'Brien and Marcel Delgado — O'Brien's last film. Script & Story Notes • Durante's dying closeup is Ultra Panavision — the largest-format shot in the film and his final theatrical feature. • Allen Jenkins, Arnold Stang, and Marvin Kaplan had all starred in Top Cat (1961), inspired by The Phil Silvers Show. Silvers is also in this film. • Jim Backus as the drunken pilot says "It's the only way to fly" — the slogan of Western Airlines, whose animated mascot Backus voiced. • Six Oscar nominations. Walter Elliott won Best Sound Effects: "From all of us in the mad, mad, mad world... Thank you very, very much." • Subscribe on YouTube | Contact: ThePodTalkNetwork@gmail.com | Visit: ThePodTalk.Net

Father Goose (1964)

Cindy and Marty talk about a favorite childhood movie and Marty remembers Black and White scotch THE FILM - Father Goose (1964) Director: Ralph Nelson  | Screenplay: Peter Stone & Frank Tarloff Based on the short story “A Place of Dragons” by S.H. Barnett Stars: Cary Grant as Walter Eckland  |  Leslie Caron as Catherine Freneau  |  Trevor Howard as Commander Houghton Cinematography: Charles Lang  | Music: Cy Coleman  |  Runtime: 118 min Box Office: $12.5 million  | Released: December 1964 February 1942. Commander Houghton of the Royal Australian Navy coerces Walter Eckland — a whisky-soaked American beachcomber who wants nothing to do with the war — into manning a remote Pacific coast-watching post, using his beloved boat and strategically hidden Scotch as leverage. Eckland’s plan for solitary, unkempt peace unravels when a rescue mission strands prim French schoolteacher Catherine Freneau and her seven young charges on his island. Two people who couldn’t be more unlike, trapped with nowhere to go.   Grant Against Type Cary Grant was Hollywood’s most reliably polished star — here he plays an unshaven, hard-drinking recluse who resents being disturbed. He later said Eckland was the role closest to his real personality. Does it show on screen? Is there something in Walter that reads as more relaxed, more genuine than his formal-suit roles? The Comedy of Incompatibility The central engine is two people who couldn’t tolerate each other falling in love anyway. Does the film earn that arc? Commander Houghton’s incredulous radio call — “Goody Two-Shoes and the Filthy Beast?” — may be the most efficient summary of the whole film. The Seven Girls Director Ralph Nelson deliberately avoided casting professional child actors. Only one of the seven had any prior experience. Trevor Howard by Radio Howard’s character communicates almost entirely by radio — heard more than seen, playing straight man to Grant’s chaos from a distance. He credited the environment Grant created on set with producing some of his best comedy work. The Late Grant Father Goose was Grant’s penultimate film. He made one more (Walk Don’t Run, 1966) and retired.   The schoolgirls don’t exist in Barnett’s original story — they were invented by screenwriter Frank Tarloff, who initially dismissed the project as “a poor man’s African Queen.” Grant turned down the role of Henry Higgins in My Fair Lady to make this. He tried to cast his Charade co-star Audrey Hepburn as Catherine — she was already committed to My Fair Lady. When Peter Stone accepted the Oscar for Best Original Screenplay, he said: “Thank you to Cary Grant, who keeps winning these things for other people.” The theme song “Pass Me By” (music: Cy Coleman / lyrics: Carolyn Leigh) became a hit after release and was later recorded by Peggy Lee and Frank Sinatra. Awards: Won the Academy Award for Best Original Screenplay (37th Academy Awards, 1965). Also nominated forBest Film Editing and Best Sound. Golden Globe nomination for Best Motion Picture — Musical or Comedy. Subscribe on YouTube @FadetoChat  | ThePodTalk.Net  |  ThePodTalkNetwork@gmail.com SYNOPSISDISCUSSIONTRIVIA

The Maltese Falcom (1941)

Marty and Cindy review the great film noir classic. Film Overview Title: The Maltese Falcon (1941) Director: John Huston | Screenplay: John Huston (based on Dashiell Hammett's 1930 novel) Stars: Humphrey Bogart as Sam Spade | Mary Astor as Brigid O'Shaughnessy | Peter Lorre as Joel Cairo | Sydney Greenstreet as Kasper Gutman Supporting Cast: Gladys George, Barton MacLane, Lee Patrick, Ward Bond, Jerome Cowan, Elisha Cook Jr., Walter Huston (uncredited cameo) Cinematography: Arthur Edeson | Studio: Warner Bros. Pictures Budget: $375,000 | Box Office: $1.8 million | Running Time: 101 minutes Release: October 3, 1941 (NYC); October 18, 1941 (wide) Production & Behind the Scenes The third film adaptation of Hammett's novel; the first was in 1931, the second a loose version titled Satan Met a Lady (1936) starring Bette Davis. Huston storyboarded every scene with shot-by-shot instructions. Not one line of dialogue was changed in the final edit. Given six weeks and $375,000, Huston finished two days early and $54,000 under budget. The climactic confrontation runs nearly 20 minutes — one-fifth of the film — and took over a week to shoot. Producer Henry Blanke's advice to Huston: "Shoot each scene as if it was the most important scene in the film." The Cast Sydney Greenstreet's film debut at age 60. His wardrobe and a chair for the hotel room scene had to be custom-built. George Raft turned down Sam Spade, reportedly unwilling to stake his career on a first-time director. Bogart was cast after Warner Bros. lifted his suspension. The role of Brigid was first offered to Geraldine Fitzgerald; others considered included Ingrid Bergman, Rita Hayworth, and Olivia de Havilland. Mary Astor's real-life scandal — a public diary from a custody hearing — made her perfect for the part. Peter Lorre was always Huston's first choice for Cairo and later called the film his personal favorite of his own work. Walter Huston — John's father — plays Captain Jacobi in an uncredited cameo, reportedly fumbling his walk-on as a joke and forcing multiple takes. This marks the first pairing of Greenstreet and Lorre, who would appear in nine more films together. The Falcon Props Eight statuettes were made — two lead, six plaster — for under $700 total. Three originals survive, each valued at over $1 million. One, owned by Leonardo DiCaprio, appears in Once Upon a Time… in Hollywood (2019). Screenplay & Literary Notes Hammett's Sam Spade bears no resemblance to Bogart — in the novel he's tall, blond, and described as looking like "a blond Satan." Spade's use of "gunsel" sailed past censors who thought it meant gunman; it's Yiddish-derived slang for a fall guy. Effie's single word "Gardenia" upon handing Spade Cairo's card is a celebrated example of Hays Code-era queer coding. Legacy & Recognition Among the first films selected for the National Film Registry in its inaugural year, 1989. Ranked #23 on AFI's 1998 list of the 100 Greatest American Movies; #31 on the 2007 update. Ranked #6 on AFI's Greatest Mystery films (2008). Sydney Greenstreet received an Academy Award nomination for Best Supporting Actor — his only Oscar nomination. After being cast in Casablanca, Ingrid Bergman watched The Maltese Falcon repeatedly to study Bogart's technique. A plaque at Bush and Stockton Streets in San Francisco marks where Miles Archer was shot — described by tourism officials as the only city marker commemorating a fictional event. Subscribe on YouTube YouTube.com/@FadeToChat Contact us: ThePodTalkNetwork@gmail.com Visit the network: ThePodTalk.Net

High Society (1956)

Cindy and Marty talk about High Society, a musical pairing of Sinatra and Crosby with Grace Kelly . Title: High Society (1956) Director: Charles Walters Screenplay: John Patrick (based on The Philadelphia Story, 1939 play by Philip Barry) Stars: Bing Crosby as C.K. Dexter Haven | Grace Kelly as Tracy Samantha Lord | Frank Sinatra as Macaulay “Mike” Connor Supporting Cast: Celeste Holm, John Lund, Louis Calhern, Louis Armstrong and His Band Cinematography: Paul C. Vogel Music: Cole Porter (original score) | Orchestrations: Conrad Salinger & Nelson Riddle | Conducted by Johnny Green Production & Behind the Scenes • High Society is a musical remake of The Philadelphia Story, based on Philip Barry’s 1939 play. • The setting shifted to Newport, Rhode Island, to showcase the early Newport Jazz Festival. • Filmed in VistaVision and Technicolor for MGM; budgeted at $2.8 million and earned $8.2 million. • Producer Sol C. Siegel paid Cole Porter $250,000 for his first original film score in eight years. • Arrangements were handled by Conrad Salinger and Nelson Riddle under conductor Johnny Green. • Elizabeth Taylor was first considered for Tracy Lord before the role went to Grace Kelly. • The mansion exterior later became infamous as the Claus von Bülow estate tied to the events dramatized in Reversal of Fortune. • Another 1955 film titled High Society was mistakenly Oscar-nominated before the error was corrected. • The opening mansion is the Kirkeby Mansion in Los Angeles, later famous as the Clampett home on The Beverly Hillbillies. The Cast • This was Grace Kelly’s final film, released shortly after her marriage to Prince Rainier III. • Kelly wore her real Cartier engagement ring from Rainier during filming. • Kelly was 26 during production; Frank Sinatra was 40 and Bing Crosby was 53. • The principal cast included four Oscar winners: Kelly, Sinatra, Crosby, and Celeste Holm. • Louis Calhern died shortly after filming, making this his final screen appearance. • Kelly and Crosby had previously starred together in The Country Girl. • As of 2026, Lydia Reed is the film’s only surviving credited cast member. Music & Cole Porter • Sinatra joined the project largely because Crosby had been his childhood idol. • “Well, Did You Evah?” was added late and reused from Porter’s 1939 musical DuBarry Was a Lady. • “True Love,” sung by Crosby and Kelly, became a million-selling platinum hit — likely the only platinum record credited to a reigning princess. • Kelly sang her own vocals despite early dubbing plans. • “Who Wants to Be a Millionaire?” later inspired the title of the global TV franchise launched in 1999. • “Now You Has Jazz” features Crosby introducing each member of Louis Armstrong’s band individually. Legacy & Connections • In 2025, High Society was added to the Library of Congress National Film Registry. • The film appears in 1,001 Movies You Must See Before You Die. • The sailboat “True Love” still operates as a tour boat on Seneca Lake, New York. • The Newport Jazz Festival was only two years old when the film was made and was still defining its identity amid class and cultural tensions. • During “Well, Did You Evah?” Crosby’s character reads Touring Topics, predecessor to Westways magazine. Contact us: ThePodTalkNetwork@gmail.com Visit the network: ThePodTalk.Net YouTube: YouTube.com/@FadeToChat

The Seven Year Itch (1955)

Marty and Cindy converse about the male urge for infidelity after seven years of marriage as depicted in The Seven Year Itch (1955) Title: The Seven Year Itch (1955) Director: Billy Wilder Screenplay: George Axelrod & Billy Wilder (based on Axelrod's 1952 Broadway play) Stars: Marilyn Monroe as The Girl | Tom Ewell as Richard Sherman Supporting Cast: Evelyn Keyes, Sonny Tufts, Oscar Homolka, Robert Strauss, Carolyn Jones Cinematography: Milton R. Krasner Music: Alfred Newman (with Rachmaninoff's Piano Concerto No. 2 featured prominently) Studio: 20th Century-Fox (the only Fox film Wilder ever made) Budget: $1.8 million | Box Office: approximately $12 million Running Time: 105 minutes Release: June 3, 1955 (New York City); June 17, 1955 (Los Angeles) Production & Behind the Scenes Monroe's Fox contract required all her films in color. She believed she looked more glamorous on color film. Ewell won the 1953 Tony Award for Actor in a Drama. He played Richard Sherman 730 times on Broadway before reprising the role on film. Gary Cooper, James Stewart, and William Holden were all considered. Wilder screen-tested Walter Matthau but Fox wouldn't risk an unknown. Marilyn Monroe. No one else was ever considered for The Girl. Monroe agreed to appear in There's No Business Like Show Business (1954) before Fox would release her for this film. George Cukor was the original choice to direct. When he passed, Wilder took it — his only Fox film. Saul Bass created the animated title sequence — his only work for a Wilder film. The dress sold for $4.6 million ($5.5 million with fees), topping the previous record of $923,000 set by Audrey Hepburn's dress from Breakfast at Tiffany's. The New York premiere was June 1, 1955 — Monroe's 29th birthday. Joe DiMaggio was on set and reportedly furious at the attention Monroe received. Wilder had deliberately invited the press for publicity. The Film Itself: Plot, Censorship & Details The original Pennsylvania Station (demolished 1963) and the IRT Third Avenue elevated line both appear — the elevated line closed just three weeks before the film premiered. Brief Encounter (1945, David Lean) also used Rachmaninoff's Concerto No. 2. Wilder often called it his favorite film of all time. In the play, Sherman and The Girl actually have sex. The Hays Code reduced this to suggestion — three kisses only. Axelrod complained it gutted the third act. Bell Brand Potato Chips — slogan: 'If It's Bell, It's Swell!' The film made them nationally famous; they operated until 1995. In the Broadway production, Ewell's character sarcastically says '...and I've got Marilyn Monroe in the kitchen.' The film kept the line — where he actually does. Carolyn Jones (Nurse Finch) later played Morticia Addams in the original Addams Family TV series (1964). The visible theater marquee showed Creature from the Black Lagoon, but the front still listed Lili (1953). The contradicting marquee photo was kept in Fox's photo department for decades. Captain Video and His Video Rangers (1949). Despite huge popularity, tapes were wiped around 1970 — only eight complete episodes survive. Ranked #51 on the AFI's 2000 list of the Top 100 Funniest American Movies. Victor Moore (the Plumber) and Donald MacBride (Mr. Brady) both made their final film appearances here. YouTube: YouTube.com/@FadeToChat Contact us: ThePodTalkNetwork@gmail.com Visit the network: ThePodTalk.Net