Fantasy/Animation

For this second archive episode, Chris and Alex revisit Episode 81 of the podcast [../../all-episodes/sub-saharan-african-animation-1966-2013-with-paula-callus] that gave listeners a quickfire journey through Sub-Saharan African animation with Paula Callus [https://staffprofiles.bournemouth.ac.uk/display/pcallus], a Professor in the National Centre for Computer Animation at Bournemouth University and an expert in Sub-Saharan African animation. The films covered in this instalment were Moustapha Alassane’s Bon Voyage Sim [https://www.youtube.com/watch?v=6SmIo-28mBw] (1966), Ng’endo Mukii’s Yellow Fever [https://www.ngendo.com/yellow-fever] (2013), Iwa [https://vimeo.com/4488258] (2009) from Nigerian filmmaker, illustrator and art director Kenneth (Shofela) Coker, the British/Kenyan animated television series Tinga Tinga Tales [https://www.youtube.com/watch?v=95KAgYyrtoI] (2010-2012), and the science-fiction allegory Pumzi [https://vimeo.com/46891859] (2009) from writer and director Wanuri Kahiu. Lots here on the cultural and historical specificity of fantasy storytelling, global animation practices, and the post-colonial legacies that guide how African animation has been culturally and critically understood. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts [https://podcasts.feedspot.com/london_education_podcasts/]**

To mark the return of the Fantasy/Animation archive instalments, Chris and Alex once more delve into the podcast’s back catalogue for this relisten of Episode 70 and their discussion of Space Jam (Joe Pytka, 1996) [../../all-episodes/episode-70-space-jam-joe-pytka-1996-with-paul-wells], which featured very special guest Professor Paul Wells [https://www.lboro.ac.uk/departments/aed/staff/academic/paul-wells/], Director of the Animation Academy at Loughborough University. Listen again at their analysis of Space Jam as emblematic of animation’s longstanding relationship with sport; the nostalgic callbacks that the film makes to Golden Age Hollywood stardom; sport, drama, metaphor, and society; Space Jam’s soundtrack and negotiation of black celebrity identities; and how Joe Pytka’s film provides the spectacle of stylistic hybridity through the lens of NBA basketball. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts [https://podcasts.feedspot.com/london_education_podcasts/]**

The current cultural “pervasiveness” of animated media and the medium’s durable status as a vital intermediary between ‘us’ and ‘the world’ is the focus of this latest Footnote episode, which tackles “Pervasive Animation” as it has been understood within Suzanne Buchan’s 2013 anthology of the same name. Chris takes Alex through the requisite methodological challenges, considerations, and conundrums when looking at animation’s many forms within contemporary moving image culture, as well as what Buchan says about the need to push animation’s multiplicity of definitions towards aesthetic and critical intersections with everything from fine art and sculpture to videogames and medical imaging. Other topics include what this critical re-conceptualisation means for the variant sites, spaces, and interfaces of animation beyond the screen; how interdisciplinarity can critically account for the “pervasive” spread of animation and the possibility of academically studying the medium outside Film and Media Studies; and what all this means for animation itself as a complex and chaotic scholarly object. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts [https://podcasts.feedspot.com/london_education_podcasts/]**

This podcast special was recorded live at the recent Popular Culture Association Conference [https://pcaaca.org/events/EventDetails.aspx?id=1872443&group=] in New Orleans, USA, April 2025, where Alex was delighted to be asked to participate in a roundtable discussion on Amazon’s prequel series The Lord of the Rings: The Rings of Power (Patrick McKay & J.D. Payne, 2022-). In a detour from our usual format, Alex is without Chris but joined by two fellow panelists, Alicia Fox-Lenz [https://fox-lenz.com] and Tim Lenz [https://www.mythsoc.org/leadership.htm] (both stewards of the Mythopoeic Society), alongside an enthusiastic room full of popular culture scholars taking part in a freewheeling and open discussion about the show. Listen for conversations on world-building, adaptation, concerns over representation in relation to the show’s depiction of race, gender, and sexuality, and plenty more. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot’s 25 Best London Education Podcasts [https://podcasts.feedspot.com/london_education_podcasts/]**

Fresh from last week’s discussion of Mickey Mouse [../../all-episodes/episode-157-mickey-mouse-with-david-mcgowan], Chris and Alex are once again joined by Dr David McGowan [https://www.animatedpersonalities.com/home] (Lecturer in the Contextual and Theoretical Studies of Animation at the University of the Arts London) to map the mythology of the Golden Age of Animation, and in particular how this phase of the medium’s history has been framed in relation to the cartoon’s move from silent to sound technology but also its emergent stability and security as an industrial art form. Listen as they cover animation’s artistic recognition, questions of distribution, and the economic dominance of the major players in Hollywood cartoon production; the precise terms of ‘golden’ as a descriptor for the business of U.S. commercial animation, but also how alternate histories and representations suggest its limits for certain studios and identities; technological innovation, Disney-level aesthetic qualities, and the solidification of ‘full animation’; and the sentimentality afforded to the Golden Age as a period defined as much by dead ends as the heralding of animation’s growing prestige and ambition.