Kyle Meredith With...

This time on Kyle Meredith With…, it’s a double bill of the most cerebral funk you’ve ever danced to, featuring none other than Talking Heads’ David Byrne & Jerry Harrison. Byrne – the patron saint of quirky frontmen, king of the oversized suit, and the only guy who can make anxiety sound like a party trick. Whether he’s turning nervous tics into chart-topping hits with Talking Heads, penning essays on music theory, or staging Broadway shows about joy, he’s always had one foot in genius and the other in “what even is this?” And then there’s Jerry Harrison – the Harvard-educated keyboardist/guitarist who somehow managed to be the coolest nerd in one of the coolest bands of the ’70s and ’80s. Before Talking Heads, he was in The Modern Lovers with Jonathan Richman, which is like indie rock’s version of being in a garage band with Zeus. Together, they helped turn new wave into an art form you could groove to. Listen to Talking Heads’ David Byrne & Jerry Harrison. Byrne chat about all this and more and please take the time to like, review, and subscribe to KMW [https://lnk.to/kylemeredithwith] wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network [https://consequence.net/category/consequence-podcast-network/]. Advertising Inquiries: https://redcircle.com/brands [https://redcircle.com/brands] Privacy & Opt-Out: https://redcircle.com/privacy [https://redcircle.com/privacy]

It turns out the man who helped write “Hotel California” also had a storage unit full of unreleased jams just waiting to be exhumed. Don Felder joins Kyle Meredith to talk about The Vault: 50 Years of Music, a new album that finds the former Eagle dusting off decades of demos—from slide-heavy ‘70s tracks to ‘80s disco bops to fresh cuts written in the last year. He shares the tale behind finding the original cassette of a track from the time he was joining the legendary group, recording vocals in the shadow of Henley, reinventing “Heavy Metal” with Toto’s rhythm section, and how Henley once told him to just “make something up” before performing one of the most iconic guitar intros of all time. No pressure, right? Listen to Don Felder chat about all this and more or watch it on YouTube [https://youtu.be/jG7E14IM7v8]. Please take the time to like, review, and subscribe to KMW [https://lnk.to/kylemeredithwith] wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network [https://consequence.net/category/consequence-podcast-network/]. Advertising Inquiries: https://redcircle.com/brands [https://redcircle.com/brands] Privacy & Opt-Out: https://redcircle.com/privacy [https://redcircle.com/privacy]

This archive episode from Kyle Meredith With… features two guests with wildly different claims to rock legacy. One helped define it, and one is currently protecting it: Ian Paice of Deep Purple and Jean Fogelberg. Listen to their interviews now. First up is Ian Paice, the last original member still keeping Deep Purple in the game over 50 years later. As the drummer behind “Smoke on the Water,” he’s one of the few humans whose tom fills have been played in every Guitar Center across America. But don’t let the legacy trap fool you, Paice is still bashing away with precision, fire, and probably a little tinnitus. Then, there’s Jean Fogelberg, widow of Dan Fogelberg who’s now taken on the role of curator, historian, and gentle myth-buster for one of soft rock’s most earnest voices. Jean’s been instrumental in keeping Dan’s memory alive through reissues, tributes, and some welcome reminders that sincerity isn’t a crime. One’s still writing the story, the other’s preserving the footnotes — and both have something to say about what it means to last in music. Listen to Deep Purple’s Ian Paice and Jean Fogelberg chat about all this and more and please take the time to like, review, and subscribe to KMW [https://lnk.to/kylemeredithwith] wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network [https://consequence.net/category/consequence-podcast-network/]. Advertising Inquiries: https://redcircle.com/brands [https://redcircle.com/brands] Privacy & Opt-Out: https://redcircle.com/privacy [https://redcircle.com/privacy]

You know Lizzy Greene from her Nickelodeon days (Nicky, Ricky, Dicky & Dawn), or more recently from A Million Little Things. Now, she’s stepping into a pair of dusty boots for Netflix’s Ransom Canyon, a Western drama where she plays Lauren Brigman, the small-town Texas sheriff’s daughter with big dreams of escape. The role is something of a full-circle moment for the Dallas native, who brought her own background in horseback riding and cheerleading to the role (with a detour to the ER after a Looney Tunes-style knee fracture during rehearsals). Greene opens up to Kyle Meredith [https://consequence.net/category/kyle-meredith-with/] about how growing up in Texas helped her find her way into Lauren’s world — even if it meant freezing in the Albuquerque snow and bonding with castmates over cow manure during “cowboy camp.” Greene also discusses her emo-punk side (she’s a huge fan of The Cure and The Smiths), her reunion with co-star Garrett Wareing in the upcoming Sweating the Small Stuff, and why Jose Gonzalez’s "Teardrop" cover in the show nearly made her lose it. Listen to Lizzy Greene chat about all this and more or watch it on YouTube [https://youtu.be/snLuhcf6Ny0]. Please take the time to like, review, and subscribe to KMW [https://lnk.to/kylemeredithwith] wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network [https://consequence.net/category/consequence-podcast-network/]. Read less Advertising Inquiries: https://redcircle.com/brands [https://redcircle.com/brands] Privacy & Opt-Out: https://redcircle.com/privacy [https://redcircle.com/privacy]

On this pair of archive interviews from Kyle Meredith With…, dive into the world of one of the most successful duos in music history: Daryl Hall and John Oates. One’s a blue-eyed soul pioneer with a voice built to cut through FM static. The other’s a mustachioed master of melodic restraint. Together, they blurred the lines between rock, R&B, and pop — then turned that blur into decades-long chart domination. We look back at a two interviews, one with Oates in 2018 regarding a solo album and the final Hall & Oates single, and another with Hall from 2022 in which he discusses teaming up with Robert Fripp, Todd Rundgren, and Eurythmics' Dave Stewart. Listen to Daryl Hall and John Oates chat about all this and more and please take the time to like, review, and subscribe to KMW [https://lnk.to/kylemeredithwith] wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network [https://consequence.net/category/consequence-podcast-network/]. Advertising Inquiries: https://redcircle.com/brands [https://redcircle.com/brands] Privacy & Opt-Out: https://redcircle.com/privacy [https://redcircle.com/privacy]