One Poem Only

“Hija de tu madre.” by Elisha Fernandez | Handpicked Wednesday | One Poem Only

3 min · 27. maj 2026
episode “Hija de tu madre.” by Elisha Fernandez | Handpicked Wednesday | One Poem Only cover

Beskrivelse

Wednesdays on One Poem Only are Handpicked, a new feature where I go deeper into the poem of the day and discuss what made it stand out to me. “HIJA DE TU MADRE.” ELISHA FERNANDEZ > “Eres hija de tu madre.” > “You are your mother’s daughter,” is a phrase I heard growing up, > from strangers, > family members, > friends, > most repeated by my own mother. > > I wanted to claw myself out of my skin > Panicked by the implication > That I did not belong to myself > I could not crawl above my station > > Limited to the constraints and expectations people thrust on me, > Like a hermit crab forced to stay in a shell too-small, > No room to grow or become my own person > Keeping me trapped against the wall, a doll stuck between pavement, > yearning to bloom > > My achievements, struggles, and experiences > No longer my doing, the credit stripped away > Loneliness taking over as I stay, rewatching the events of the past twenty-some years > Through the lens of someone else’s existence > It was so unbearable > I eventually avoided the topic altogether > > It felt easier to snip the thread we twined, connecting us, > so that I could cement my own self, my own role > In your mind, in mine > > The separation frayed us both, > But I learned that it was healthier for us to co-exist > Side by side, free from the harm we imposed on each other > Than to be attached at the hip > > And that time apart > Gave me the space to see you, truly, > To take you down from the pedestal, > To get to know you fully > > I think I’ve accepted that I am my mother’s daughter, > In the sense that it’s true, > I inherited her stubbornness and pride, > Her love for words and witty sayings, > Her craving to be important, the hunger to be accepted, > I inherited her precision and wide-eyed curiosity > > Beyond the superficial, it’s hard to admit that while she birthed me and learned me, > she also weaved her own insecurities and doubts into the fabric of my being > She tried, and failed, to love me in her way, staining me with blood and tears and loathing > She imparted her wisdoms and her wrongdoings, > I see the person I could’ve become, had circumstances been different > > I may have been born in her image, > But I stitched myself into the likeness of what I desired > I became unraveled; > A bolt of cloth to gather anew > I hemmed the tattered edges, patched up the holes, > And threw out the patterns I had always followed > > Soy hija de mi madre, > But can’t I also be my own? > Can’t I exist > Without relinquishing to the image of > An identity I don’t claim > And acknowledge > That I am also my mother’s daughter, > In the sense that I mothered myself More from Elisha Fernandez ↓ * @artistaelisha [https://www.instagram.com/artistaelisha/] on Instagram Watch Handpicked Wednesday A new feature where I go deeper into the poem of the day and discuss what made it stand out to me. Watch on Instagram [https://www.instagram.com/reel/DY3JyZipFfU/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==] at @rembrandts.cure [https://www.instagram.com/rembrandts.cure/]. Support + Stay Connected to OPO If you’d like to support the show, Substack [https://rembrandtscure.substack.com/] and Patreon [https://www.patreon.com/c/OnePoemOnly] members receive a copy of my book, For My Daughter, along with episodes from the audiobook. Two poems. One poet. Let the words keep moving.

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episode All I Have by Rachel Turney after Avalon | One Poem After cover

All I Have by Rachel Turney after Avalon | One Poem After

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episode “Everywhere, a surround of mirror glass blue” by Kay Medway after Amy Laessle-Morgan | One Poem After cover

“Everywhere, a surround of mirror glass blue” by Kay Medway after Amy Laessle-Morgan | One Poem After

One Poem Only is a daily poetry podcast offering a quiet moment with a single poem—read aloud, without analysis or noise. Today's poem is by Kay Medway after Amy Laessle-Morgan: Everywhere, a surround of mirror glass blue. River rain, grey, falls from a peak with a stain of rose window, and the stickiness, syrup of a theatre fair. I was held in a bridge moment, thin black iron rail and all, veering from waters to stone. A water thread of moment. Sweetened air, as if by berries, a safe steam of teapot smoke, a tale passed till as a tradition as a wind. More from Kay Medway ↓ * @medwaykay [https://www.instagram.com/medwaykay/] on Instagram And now for the poem this was written after: Butterscotch by Amy Laessle-Morgan: Somewhere between the amberblush streetlight of Division and the butterscotch stain on the back of my throat, there was a glasslike moment nearbent but not yet breaking. Half-formed, honeydrunk on the hour slipping past the soft machinery of becoming unbecoming rewinding rethreading. Warm, butterfat air washing in subtle breathing through the cracked window taxicab teacuplight broken open on my cheek whispering nothing is permanent except the way we almost changed. There was always something burning— toast bridges the last good version of me I kept resuscitating with mouth-to-mouth-watering memory. Tonight, I’ll wear that dress you loved in the color of skinbrushed apologies while the past rides shotgunsilent adjusting the mirror like it still matters how I see myself because when mirrors grow honest the corridors echo less— as everyone pours out. Let us go then, you and I through the goldblood hours where no one teaches you how to bleed pretty— not in the swanpale wrist pressed to cold porcelain tile way half-lit in someone else’s forgetting. You learn it knees to marble cheek to linoleum in radio silence buzzing through your teeth playing love songs that didn’t learn the language. He liked it leaning in disrepair so I sucked the ghostsweet butterscotch slow. I let it split goldenglass hard and sharp the bloom red blooming— behind teeth a salty flood. It cut me— but I didn’t spit it out. I kept it I kept it all. More from Amy Laessle-Morgan ↓ * @ultramarine_poetry [https://www.instagram.com/ultramarine_poetry/] on Instagram * Her book, Live Wire [https://www.amazon.com/dp/B0GNHHCFGR/ref=asc_df_B0GNHHCFGR1775041200000], is available now. Support + Stay Connected to OPO If you’d like to support the show, Substack [https://rembrandtscure.substack.com/] and Patreon [https://www.patreon.com/c/OnePoemOnly] members receive a copy of my book, For My Daughter, along with episodes from the audiobook. Poetry sustains. Thank you for supporting the podcast.

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episode Hawk Feather by Connie Helena after Peyton Michelle Bryant | One Poem After cover

Hawk Feather by Connie Helena after Peyton Michelle Bryant | One Poem After

A daily reading from One Poem Only—a quiet space for a single poem, read aloud. 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episode Dear Unknown Ancestor Naked in the Woods by Danielle Eleanor La Valle after Chris Kads | One Poem After cover

Dear Unknown Ancestor Naked in the Woods by Danielle Eleanor La Valle after Chris Kads | One Poem After

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Bones by Toni Young after Ella B. Winters | One Poem After

One Poem Only is a daily ritual: one poem, center stage, just for now. BONES TONI YOUNG after Ella B. Winters it doesn’t take much to see through skin, through blood, through bones i’ve etched poems in each rib this cage can only hold so many stories see how this poem is stuck in the marrow see how this poem is caught in the hollow do i have to break these bones for you to read me More from Toni Young ↓ * @toniyoungpoems [https://www.instagram.com/toniyoungpoems/] on Instagram * @toniyoungpoems [https://substack.com/@toniyoungpoems] on Substack And now for the poem this was written after. UGLY BONES BY ELLA B. WINTERS ELLA B. WINTERS Behind the dusty radiator, green splashed like blood spray in a B-film, from that time when you decided to paint our bedroom in the middle of the night, I keep my poems hidden in a puce manila file so unremarkable, it chameleons into the background, pink tongue unfurling to swallow my words into the shadowy crevice. Mostly, I don’t want you to see them, as though, in the starkness of the early hours, when our walls demand another change, they might reveal my ugly bones through the translucent skin. But sometimes, I forget they’re there, as well. Imagine leaving them behind when we move on. Who will I be when unsuspecting tenants pull me out word after word like a magician’s string of endless gauzy scarves? How will they piece my naked bones together? What colour will they paint the room? More from Ella B. Winters ↓ * @ella.b.winters [https://www.instagram.com/ella.b.winters/] on Instagram * @ellabwinters [https://substack.com/@ellabwinters] on Substack Support + Stay Connected to OPO If you’d like to support the show, Substack [https://rembrandtscure.substack.com/] and Patreon [https://www.patreon.com/c/OnePoemOnly] members receive a copy of my book, For My Daughter, along with episodes from the audiobook. Feed yourself poetry every day.

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