Double Entry

Blackjack to Kill

Originally Aired: December 10, 1951 Suspense #451, "Blackjack to Kill," presents the chilling story of Johnny Damon, a cold-blooded assassin who makes his living killing on contract. When crime boss Moyer deals the high card to Johnny among five hired guns, Johnny wins a lucrative job: travel to Havana and eliminate a target for ten thousand dollars up front, with another fifteen waiting when he returns. The assignment takes an intriguing turn when Johnny meets his employer, Jose Deonte, a wealthy Cuban businessman who reveals the target: Penny Cullen, a deported American gangster who has fled to Cuba and is now trying to muscle in on Deonte's operations. For Johnny, this becomes personal - Penny Cullen is a man from his past, someone he once fingered and had deported, and someone he deeply hates. Johnny accepts the job with cold professionalism, employing the methodical approach Penny himself once taught him. He spends three days observing Cullen's routine through binoculars, watching as the exiled crime boss sits on the same bench each evening at six o'clock, feeding breadcrumbs to pigeons and gazing out over the Havana waterfront. As Johnny meticulously notes every detail of Penny's habits, the stage is set for a fourth day when the hunter will strike.

A Murderous Revision

Originally Aired: December 3, 1951 Suspense #450, "A Murderous Revision," takes listeners inside the increasingly volatile relationship between Christopher Turner, a frustrated radio scriptwriter, and Ken Avery, the demanding producer of the show "Murder Please." After two years of writing a murder a week for Avery's program, Chris has reached his breaking point. When Avery butchers yet another script ending and then fires him, Chris snaps and vows to show his producer what a real murder sounds like. In a chilling act of premeditation, Chris begins secretly recording what he calls "an actual murder" using concealed microphones in his office. Chris carefully orchestrates his deadly plan by luring Avery's daughter Lois to his office under the pretense of offering her scriptwriting advice, knowing this will eventually bring Ken himself to the scene. As he speaks into his hidden microphone, Chris narrates every step of his preparations, from loading his gun to making his calculated phone calls, all while creating what he believes will be his masterpiece: a real murder recorded for radio broadcast, dedicated to the very producer who drove him to this desperate act.

The Hunting of Bob Lee

Originally Aired: October 29, 1951 Suspense #445, "The Hunting of Bob Lee," brings listeners a dramatization of one of Texas's most notorious feuds. Bob Lee, a prosperous rancher returning home after the Civil War, finds himself targeted by his less fortunate neighbors who resent his success. When Lee rides into the village of Pilot Grove wearing a distinctive plumed hat, townsman Hugh Evans and his allies confront him, mocking his fancy dress as an insult to their poverty. The confrontation turns violent, and Evans dies in the scuffle. Though Lee insists it was a fair fight and accidental death, the men of Pilot Grove—including Bowerin, Sam Bear, and others—vow revenge. What begins as a street brawl escalates into a deadly manhunt. Lee returns to his ranch, preparing for the worst with his brother Henry and wife Cloy by his side. When two apparent Union soldiers arrive to arrest him for murder, Lee surrenders peacefully, trusting in military justice. Too late, he discovers they are imposters who deliver him directly to his enemies in Choctaw Bottom, where he finds himself tied to a tree, surrounded by the very men who want him dead.

The Log of the Marne

Originally Aired: October 22, 1951 Suspense #444, "The Log of the Marne," presents a harrowing true story of a British gunboat trapped on the Yangtze River under relentless Communist fire. When HMS Marne is ambushed by Chinese batteries while on a routine supply mission, the devastating attack kills the captain and most of the crew within minutes. Lieutenant Bennett Moore, critically wounded with shell fragments in his lung, struggles to maintain command as the ship runs aground with its communications and weapons systems destroyed. Lieutenant Hugh Fraser arrives on the shattered bridge to find carnage all around, and together they desperately try to save what remains of the vessel and crew. As casualties mount to over thirty dead and dozens wounded, Lieutenant Commander James Harland arrives by seaplane to assume command, bringing a medical officer and limited supplies. Now Harland faces an impossible situation: trapped 140 miles from help with only 41 men left from an original complement of 149, no functioning guns, damaged communications, and burned navigation charts. With the Communists continuing to shell the crippled vessel, Harland must decide whether to attempt refloating the Marne and making a desperate run for safety.

The Flame

Originally Aired: October 15, 1951 In Suspense #443, "The Flame," Cornell Wilde stars as Andy, a troubled young man whose dangerous obsession with fire threatens to spiral out of control. When Andy's sister Mary Lee asks him to help Mr. Boyerjean, a kindly dry goods store owner whose wife is gravely ill, Andy agrees to mind the shop. But when Mr. Boyerjean mentions in passing that he wishes his store would burn down so he could collect the insurance money to pay for his wife's medical care, something dark awakens in Andy's mind. His late-night fixation with fires and his compulsive need to draw and color pictures of flames suddenly finds a terrible purpose. As Andy begins planning to "help" Mr. Boyerjean by setting fire to the store, his sister Mary Lee grows increasingly concerned about his strange behavior. She worries about his aimless life, his nighttime wanderings, and his obsessive sketching. When she catches him conducting suspicious experiments with her cake tin, the warning signs become impossible to ignore. The story builds tension as Andy's pyromaniac tendencies threaten to destroy not only property but innocent lives, while those around him remain unaware of the danger lurking in their midst.