Josiah Wedgwood - A Giant in the History of Ceramics - Part 1

George E. Ohr - The Mad Potter of Biloxi

Paul Greenhalgh and Stephanie Rozene travel to the American South at the end the 19th C to explore the life and work of George E. Ohr - otherwise known as the Mad Potter of Biloxi. Overlooked for much of his life this eccentric character worked tirelessly creating innovative, wild and exquisitely crafted art pottery. He was a renowned showman using slogans, banners and sales gimmicks to market his wares and was the self proclaimed "world's best art-potter". His life’s work remained undiscovered gathering dust in a garage for decades before an antiques dealer happened upon them in his son's auto shop. Today his legacy is firmly recognised as a founding father of the art pottery movement and there is a museum in his name, designed by Frank Gehry, in his hometown of Biloxi. Images of artworks and photographs in this episode: Pitcher, 1889-1910, George E. Ohr. Image courtesy of TheMET, N.Y. Vase (Blue/Twist), 1987-1900, George E. Ohr. Image courtesy of TheMET, N.Y. Vase (Red), 1895-1910, George E. Ohr. Image courtesy of TheMET, N.Y. Vase (pink/purple/pinched), 1897-1910, George E. Ohr. Image courtesy of TheMET, N.Y. Photo of George E. Ohr – The Mad Potter of Biloxi (1857-1918) Photo of George E. Ohr (1857-1918) – outside studio with signage Photo of George E. Ohr (1857-1918) – studio with “Greatest Potter on Earth” signage Photo of George E. Ohr (1857-1918) – inside studio with pots George E. Ohr, The Mad Potter of Biloxi. Harpers Magazine, 1892-1893 Burnt Babies, 1894, George E. Ohr Burnt Babies, 1894, George E. Ohr Vase (Red), 1895-96, George E. Ohr. Image courtesy of TheMET Tea Pot, 1897-1900, George E. Ohr. Image courtesy of TheMET Pitcher (Brown/Gold/Pinched), 1896, George E. Ohr. Image courtesy of TheMET Photo of George E. Ohr (1895-1918) - workshop Bowl (Green/Gold), 1897-1910, George E. Ohr. Image courtesy of TheMET Bowl (Pinched Clay), 1898-1910, George E. Ohr. Image courtesy of TheMET Vase (Black/Blue), 1900, George E. Ohr. Image courtesy of TheMET Vase (Red/Brown), 1890-1905, George E. Ohr. Image courtesy of TheMET Pitcher (Green), 1890-1905, George E. Ohr. Image courtesy of TheMet Clockface and Vase (Pink), 1898, George E. Ohr. Image courtesy of TheMET. (TBC) Photo of Ohr and O’Keefe Museum of Art in Biloxi, Mississippi – architect Frank Gehry. For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Joe Little Executive Producer: Emma Cahusac CHAPTERS * 00:00:00 Introduction: The Mad Potter of Biloxi * 00:04:20 Early Life and Civil War Era Biloxi * 00:07:01 The Misfit: Education and Early Jobs * 00:10:50 Discovery of Clay: The Duck Finds Water * 00:12:04 Research Journey and Return to Biloxi * 00:14:10 Building a Life: Marriage and Early Success * 00:20:08 World's Fairs and the Great Biloxi Fire * 00:26:26 The Golden Age: Reinvention and Masterworks * 00:31:29 The Mad Potter Persona and World's Fair Recognition * 00:38:51 Rejection and the End of Production * 00:44:29 The 50-Year Wait and Miraculous Discovery * 00:48:17 Legacy: From Forgotten to Greatest Potter on Earth

Funk and Nut Art with Clayton Bailey

Stephanie Rozene and curator Garth Johnson pick up the story of Funk Art and look at the life and work of artist Clayton Bailey who would go on to form the breakaway movement called Nut Art. Taking ceramics into a new realm of world making, eccentricity and humour, Bailey would inhabit an alter egos, stage pranks with the press and take the museum world on an unexpected journey. Ceramics and artwork in this week’s episode include: No Deposit No Return, 1961, Robert Arneson Critter Rider, 1960, Clayton Bailey His and Hers, 1964, Robert Arneson Clayton Bailey with Nite Pots, 1965 The Typewriter # 1 (Touch System), 1965, Robert Arneson Clayton Bailey with Nite Pots, 1965 Clayton Bailey with Jughead Pots, 2011 Country Dog Gentlemen, 1972, Roy de Forest Mountain on Wheels with Fox Fiddlers, 2019, Maija Peeples-Bright Frog Oreos, 1990, David Gilhooley Dr Gladstone (Clayton Bailey) uncovers Bigfoot skeleton in Port Costa, CA Clayton Bailey’s World of Wonders Store Front Clayton Bailey with Jughead Pots Garth Johnson - Curator of Kaolithic Curiosities, 2011 For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks CREDITS: Hosts: Stephanie Rozene and guest Garth Johnson Editor: Joe Little Executive Producer: Emma Cahusac CHAPTERS * 00:00:00 Introduction: Clayton Bailey and the Nut Artists * 00:00:52 Peter Voulkos and the Abstract Expressionist Revolution * 00:02:32 Harvey Littleton, Clayton Bailey, and the Wisconsin Connection * 00:04:12 The First Funk Object: Caterpillar with Flying Buttresses * 00:10:01 The Night Pots: Sex, Function, and Subversion * 00:08:38 Make It Ugly: Building a Ceramics Program in Whitewater * 00:13:24 Connecting with Robert Arneson and Moving to California * 00:17:23 The Vermilion Festival and Experimental Education * 00:23:59 Port Costa and the Birth of Nut Art * 00:25:47 World Building and Imagination: The Nut Art Aesthetic * 00:28:10 Dr. Gladstone and the Science of Kaolism * 00:31:54 The Bigfoot Discovery and Media Pranks * 00:32:38 The Wonders of the World Museum * 00:35:36 Performance Art and Compression Testing * 00:37:52 Partner in Mischief: A Personal Relationship * 00:44:06 Legacy: The Greatest Conceptual Ceramic Artist

Robert Arneson - Funk Art

Join Stephanie Rozene and guest Garth Johnson as they travel back to 1967 and the West Coast of the USA where an exhibition named Funk would showcase ceramics as a provocative art form. Using humour, satire, colour and form these Funk artists critiqued the world around them and changed ceramics forever.  No longer utilitarian vessels - this was art that shocked. Artwork in this episode: Banded White Bottle, 1958, Robert Arneson Spouted Footed Vase, 1959, Robert Arneson No Deposit, No Return, 1961, Robert Arneson Jack and John Trophy, 1964, Robert Arneson His and Her’s, 1964 ,  Robert Arneson John with Art, 1964, Robert Arneson Typewriter #1 (Touch System) 1965,  Robert Arneson Self Portrait of the Artists Losing His Marbles, 1965, Robert Arneson Alice House Wall, 1967, Robert Arnson Assassination of a Famous Nut Artist, 1971, Robert Arneson Portrait of George, 1981,  Robert Arneson Other Images: Relax in Electric Chair (Dirty Guy),” 1965, Peter Saul Rocking Pot, 1956, Peter Voulkos, Hole in One, 1978, Peter Voulkos, Bottle, circa 1955. Antonio Prieto Fur Rat, 1962,  Joan Brown Cakes, 1963, Wayne Thiebaud For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Fraser Watson Executive Producer: Emma Cahusac CHAPTERS * 00:00:00 Introduction * 00:02:16 San Francisco in the 1950s * 00:08:15 The Origins of Funk * 00:13:30 Robert Arneson's Early Life * 00:21:04 The Volkos Revelation * 00:34:19 The First Funk Ceramic Object * 00:38:53 UC Davis * 00:46:21 The Toilets: Censorship and Validation * 00:54:01 The Typewriter * 01:02:48 New York Success * 01:08:57 Legacy

Hector Guimard - The Father of French Art Nouveau

How Art Nouveau transformed Parisian Architecture.  In this episode we travel to France to meet Hector Guimard the father of French Art Nouveau and the sweeping organic forms that came to define one of the most exciting eras in European culture. We’ll be exploring how ceramic tiles became a  key element in the architecture at the turn of the 19th and 20th centuries, and we venture underground, down into the Paris Metro where to this day tiles continue to reign supreme. Ceramics and artwork in this week’s episode include: Hector Guimard, 1867–1942 Café-Restaurant Au Grand Neptune, 1888, Hector Guimard Tassel House, Brussels, 1892—93,  Victor Horta Photo: kat_hly.1608 / Wikimedia Commons (CC BY 2.0) Illustrations to Salome by Oscar Wilde,  Aubrey Beardsley The Art Nouveau Bing Pavilion, Paris Exposition, 1900, Siegfried Bing Courtesy of V&A Museum Castel Béranger, 1895—98, Hector Guimard Wikimedia Commons (CC BY 1.0) Alexandre Bigot, 1862—1927 Photo: Absecon 59 / Wikimedia Commons (CC BY-SA 4.0) Inside Castel Béranger, 1895—98, Hector Guimard 29 Avenue Rapp, Paris, 1899—1901 Photo: marsupilami92 / Wikimedia Commons (CC BY 2.0) Photo: Pline / Wikimedia Commons (CC BY-SA 3.0) Maison Coilliot, 1898—1900 Illustrations to Salome by Oscar Wilde, Aubrey Beardsley Porte Dauphine Metro Station, Paris, 1900 Photo :Jean-Pierre Dalbéra / Wikimedia Commons (CC BY 2.0) Abbesses Metro Station, Paris, 1913 Hector Guimard — Andrzej O / Wikimedia Commons (CC BY-SA 4.0) Thesupermat / Wikimedia Commons (CC BY-SA 3.0) Porte Dauphine Metro Station, Paris, 1900 For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Alessandro  Ruocco Executive Producer: Emma Cahusac Chapters: 00:00 Introduction: Hector Guimard and French Art Nouveau 00:25 Tile as Architecture: The Third Component of Ceramics 03:57 Guimard's Early Life and Training in the Decorative Arts 08:34 The 1889 Paris World's Fair and New Technologies 10:38 Travels to London and Brussels: Discovering Art Nouveau 12:54 Defining Art Nouveau: Curvilinear Lines and Organic Forms 18:06 Art Nouveau as the First Modernism 19:48 Castel Béranger: Guimard's First Major Building 22:03 The Golden Age of Tile: Technology and Innovation 29:43 Alexandre Bigot: The Chemistry Teacher Turned Ceramic Artist 36:17 Maison Coilliot: Ceramic Architecture in Lille 43:51 The Paris Metro Commission: Art for the People 46:55 Designing the Metro Stations: Cast Iron and Subway Tile 52:38 Controversy and Politics: Art Nouveau Under Fire 55:20 The Decline of Art Nouveau and Rise of Nationalism 1:00:23 Guimard's Later Years and Legacy

Josiah Wedgwood - Part 2 - Turning Pottery into Politics

How did Wedgwood combine pottery with politics? Paul Greenhalgh is joined by Sir Tristram Hunt to discuss the life and work of potter and abolitionist Josiah Wedgwood who created one of the most famous ceramic companies in British history. Ceramics and artwork in this week’s episode include: Dinner Plate ‘Frog Service’, 1773, Josiah Wedgwood & Sons Courtesy of V&A Museum Plate ‘Frog Service’, 1773–1774, Josiah Wedgwood & Sons Courtesy of V&A Museum Portland Vase, 1790, Josiah Wedgwood & Sons Courtesy of V&A Museum Vase (Creamware), 1764–68, Josiah Wedgwood & Sons Courtesy of V&A Museum The Founding of Australia. By Capt. Arthur Phillip R.N., Sydney Cove, Jan. 26th 1788 Algernon Talmage Medallion, 1790–95, Josiah Wedgwood & Sons Courtesy of V&A Museum Vase (Black Basalt), 1775–80, Josiah Wedgwood & Sons Courtesy of V&A Museum Milk Jug, 1785—95, Josiah Wedgwood & Sons Courtesy of V&A Museum Saucer, 1795—1810 , Josiah Wedgwood & Sons Courtesy of V&A Museum Portrait Medallion, 1775–80, Josiah Wedgwood & Sons Courtesy of V&A Museum Vase, Circa 1800—10, Josiah Wedgwood & Sons Courtesy of V&A Museum Dancing Hours Plaque, 1778, Josiah Wedgwood & Sons and John Flaxman Courtesy of V&A Museum Dancing Hours Salt Cellar, 1786—90, Josiah Wedgwood & Sons and John Flaxman Courtesy of V&A Museum Vase, Circa 1800—10, Josiah Wedgwood & Sons Courtesy of V&A Museum Teapot and cover (Black Basalt), 1810, Josiah Wedgwood & Sons Courtesy of V&A Museum Bust (Black Basalt), 1770–80, Josiah Wedgwood & Sons Courtesy of V&A Museum Teapot (Caneware), 18th Century, Josiah Wedgwood & Sons Courtesy of V&A Museum Edward Gibbon, 1737–94 Portland Vase, Circa 1–25 AD Portland Vase, 1790, Josiah Wedgwood & Sons Courtesy of V&A Museum Josiah Wedgwood statue, Stoke-on-Trent, 1862–3, Edward Davis Anti-slavery medallion, Circa 1787, Josiah Wedgwood & Sons Courtesy of V&A Museum For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Hosts: Paul Greenhalgh & Stephanie Rozene Additional Research: Catherine Ingram Editor: Alessandro Ruocco Executive Producer: Emma Cahusac CHAPTERS * 00:00:00 Introduction: Josiah Wedgwood - Turning Pottery into Politics * 00:01:32 The London Shop and Marketing Genius * 00:04:26 Art Meets Commerce: Wedgwood's Philosophy * 00:06:12 Global Ambition: 80% Export Market * 00:11:29 Countering Porcelain: Creamware vs European Tradition * 00:13:09 Black Basalt and the Innovation of Jasperware * 00:15:40 John Flaxman and Ceramics as High Art * 00:20:03 The Portland Vase: Artistic Triumph and Commercial Challenge * 00:22:03 Free Trade and Empire: A Businessman's Contradictions * 00:24:34 Radical Patriotism: Politics and Revolution * 00:29:24 The Abolition Badge: Pottery Against Slavery * 00:35:37 Legacy and Decline: After Josiah's Death in 1795 * 00:40:27 The Wedgwood Brand: Surviving 200 Years of Mismanagement * 00:43:16 Conclusion: Wedgwood's Enduring Importance to Ceramic History