17. When Breath Becomes Air by Paul Kalanithi

21. Everything is Not Enough by Lola Akerstrom (Sequel to Episode 4: In Every Mirror She's Black)

This is a sequel to Episode 4. We continue the journey of several black women trying to find their spaces. This episode contains a lot of swearing. I have never realized how much I use the F word in my daily register. I record the same way I speak, and I am not an excellent editor, so I could not take them out, and if I did, it would distort the flow. Which reminds me, there are several mistakes in word choices; I could not take them out, and I am too lazy to rerecord, so there you have it. Enjoy!!!

20. The Chain by Adrian McKinty

The Chain by Adrian McKinty We all have our biggest fears. Something that we feel that if it happened to us, we would not survive. But sometimes, for those unlucky enough to experience them, we find that those fears are nothing compared to reality. For parents, the big fears are usually getting a call that your child has been in an accident, your child is missing, or the stuff of movies, your child has been kidnapped. This is the story of Rachel, who receives what turns out to be her worst phone call ever. Her daughter has been kidnapped. This is horrible in itself, but if they are calling, that means there’s a chance she can get her child back, right? Wrong, this is just the beginning. These are not normal kidnappers, as they introduce themselves. They are something called The Chain. Sure, they want the money for ransom, but they also demand something else from you. Something worse. To get your child released, you pay the ransom, which is relative to your financial status, but you also have to kidnap another child. And this does not guarantee your child’s release. Your child will only be released once your hostage’s family kidnaps another victim. And you can only release your hostage once your victim’s family, and their victim, complete their task. And so on, and so forth. This chain has its own self-repairing mechanism, and once you are on it, you are on it forever. It has been in existence forever, and they make you understand just how far their reach is and what they are willing to do. Follow Rachel as she works to complete her task and how her family deals with being victims, perpetrators, and accomplices of these heinous acts. If this was you, what would you do? How far are you willing to go to protect your family? And does doing it for your family absolve you? Does it give you the right to put other families through their own worst nightmares?

19.5 The Testaments by Margaret Atwood (Part Two)[Sequel to Episode 18: The Handmaid's Tale]

Part Two: Baby Nicole This is the final chapter in our four-part journey through Gilead. By now, we understand something important: regimes like Gilead do not collapse overnight. They are weakened slowly and painfully through years of resistance, sacrifice and ordinary people refusing to let the bastards grind them down. Sometimes, the people fighting back never see victory. Sometimes they die believing they failed. But as Winston Smith understands in Orwell's 1984 (Episode 6 of this podcast), the truth must survive somewhere, for someone. Whether that future arrives in ten years or ten thousand, someone has to preserve the possibility that the world can be different. So people resist, some quietly, some loudly, imperfectly but relentlessly. In this final part of The Testaments, we follow the efforts of the Mayday resistance as they work to chip away at Gilead from within. We follow women risking everything because fear is no longer enough to stop them. This is not exactly a happy ending, but it is as close to hope as it can get in Gilead. The Testaments answers some questions from The Handmaid’s Tale, written 30 years after it. Remember to listen to Episode 18 (Part One and Two) and Part One of Episode 19 before listening to this one.

19. The Testaments by Margaret Atwood (Part one)[Sequel to Episode 18: The Handmaid's Tale]

Part One: Aunt Lydia You are now familiar with Gilead. You understand how it works, how the women are oppressed and exploited, reduced to their bodies. You try to understand the Wives. You excuse the Marthas. You even make sense of the Jezebels; they are surviving the only way they can. But there are the Aunts. The only women who, for some reason, are allowed to read and write. The women who train other women into submission. Who shape Handmaids into compliance. They do not just enforce Gilead; they believe in it. Or do they? Who were they before? What kind of women step into power in a world built on the destruction of other women? Were they among the architects of Gilead, or are they masters at adapting to any environment? Because these aunts do not just obey, they understand the system better than anyone else, and know how to work within it, survive, and even thrive. In this Episode, we follow Aunt Lydia, a prominent figure in The Handmaid’s Tale, and more so in The Testaments. We listen as she defends her actions, explains, and justifies everything she has done ever since the fall of the old world. We listen, and we definitely judge. We will also follow the stories of two young women, one who grows up in Gilead, accepting its truth and teachings. And the other one grows outside it, studying Gilead in school. Enjoying all the rights and freedoms of women, while sanctimoniously judging Gilead from a distance, as we all do when we read these books. The Testaments answers some questions from The Handmaid’s Tale, written almost 30 years after it. Disclaimer: Listen to Episode 18 before listening to this one. Part Two is coming soon.

18.5 The Handmaid's Tale by Margaret Atwood (Part Two)

Part Two: Offred Imagine waking up one day and everything has changed. The rights and freedoms you enjoyed, took for granted even, erased. You are no longer a person. You are considered a national treasure. But make no mistake, it's not you who is treasured, just your body. Because of what it can produce. You are not protected; you are controlled. Step out of line, and your body is no longer yours in ways you can’t even begin to imagine. We like to believe that if something like this ever happened, we would fight. We would resist. We would be brave. We would be the rebels. We would not let the bastards grind us down. But it’s easy to be brave from a distance. In The Handmaid’s Tale, we follow Offred, not a hero, not a symbol of rebellion, but someone real. Someone who compromises. Someone who makes choices that don’t always feel brave, but feel possible. As you walk with her, you’re forced to confront a harder truth: if this was you, would you really be different? Or would you bend, adjust, survive, maybe even worse than you think? Totalitarian regimes don’t just exist, they endure. Because their architects know exactly how to break you, how to make you conform, how to grind you down. You can fight and die fighting, or you can conform and survive. This is not a story of victory. There is no triumphant ending waiting for you here. Just the harsh truths of what you would or not do if the worst happens. And the uncomfortable realization of what that might cost. PS. I advise listening to Part One before this.