David Gibson: Street Photography, Gender Representation & Storytelling

Sandra Cattaneo Adorno: Why Street Photography Is Not About the Street

Sandra Cattaneo Adorno joins Eyeshot 50mm to discuss street photography, memory, Brazil, abstraction, light, and the freedom of starting photography later in life. In this episode, Sandra reflects on how the street can become more than a place to document reality. Through color, reflections, bodies, gestures, gold, silver and fragments of everyday life, her work transforms ordinary moments into something poetic, personal and dreamlike. From Rio de Janeiro to New York, she shares how photography changed the way she sees the world and why street photography can move beyond the decisive moment.

Dave Jordano: The Secrets of a Documentary Photographer

In this episode, we sit down with acclaimed documentary photographer Dave Jordano. Dave Jordano did not come to documentary photography through the street. He came through still life, three decades of commercial work in Chicago with an 8x10 camera, planning every detail, controlling every light. When he returned to personal work around 2000, he brought that patience with him: the tripod, the long study, the frame decided before the shutter. He is, by his own account, the opposite of a street photographer. In this episode of Eyeshot 50mm he talks about treating the world as a still life, about why he refused to photograph Detroit as a fashionable ruin when "people still live here", about consent as a slow method built on conversation and returned prints, and about the one rule that held a fifty-year life together: love what you do, and treat it as a gift, not as work.

Paulie B: More empathy, more time. Less gear, less POV

n this episode of Eyeshot 50mm, Paulie B discusses street photography, shooting strangers, ethics, New York, Walkie Talkie, visual clichés, and why he is not trying to be Daniel Arnold. Paulie B is a photographer, filmmaker, and creator of Walkie Talkie, the YouTube series that has opened up the process of street photography to a wider community. In this conversation, he reflects on what it means to photograph in public today: when to approach, when to disappear, how to deal with confrontation, and why being a street photographer requires more than one way of seeing. From the pressure of photographing New York to the responsibility of making images of strangers, from social media comparison to the clichés of contemporary street photography, this episode is a direct and honest conversation about process, fear, ethics, community, and the future of street photography.

Melissa O’Shaughnessy: Meyerowitz, Diane Arbus & Women in Street Photography

In this episode, Melissa O’Shaughnessy shares her journey from darkroom to digital, from shyness to confidence, and from family snapshots to internationally acclaimed street photography. Known for her vibrant color and human-centered compositions, Melissa reflects on building her philosophy on photography, and what it means to find your voice on the street. As the cover artist of Eyeshot’s sold-out limited edition all-women issue “No Man’s Land: Women Reclaiming the Streets”, Melissa dives into the challenges and strengths of photographing as a woman in a historically male-dominated genre. In this in-depth interview, we talk about identity, ethics, color vs. black and white, the influence of Joel Meyerowitz, and how one photograph can hold an entire story.

Richard K. Hernandez: A Deep Conversation on AI and the Future of Photography

In this episode of Eyeshot 50mm, Richard Koci Hernandez reflects on photography, AI, Instagram, visual journalism, and what it means to make images in a world already overflowing with them. A photographer, visual storyteller, educator, and one of the most influential voices in contemporary image-making, Hernandez moves through the major shifts that shaped his career: film photojournalism, the digital transition, multimedia journalism, mobile photography, Instagram, and now AI-assisted visual culture. Rather than treating new tools as threats, he argues that photographers must understand them before they can criticize, reject, or use them with clarity. The conversation explores photography’s unstable relationship with truth, the future of photojournalism, the role of transparency, the limits of AI-generated imagery, and why this may be one of the most important moments for a new generation of visual journalists and image-makers.