Writing Short Films: How is writing for short-form different? (Approaches I)

Last Call: Do all writers get jealous? (with Janice Okoh)

If an hour and a bit wasn't enough Janice for your ears, here's a whole bonus 20 minutes with the brilliant Janice Okoh, as we walk her through the Last Call. Even more laughs, even more candid home truths from one of the UK's most exciting writers! Naturally Tray's connection failed as we got to the final hurdle so we lose him in this bonus ep, but stay tuned for some killer answers and even more love for the iconic Shonda Rhimes. And of course, if you want to follow Janice's career and hear more about her journey, she's @janiceokoh on Instagram 📬 Get In Touch: Email us: TheEmergingPodcast@gmail.com Follow us on Instagram: @theemergingpod Ben is @bmlrobins Martin is @bananabreadfilm Tray is @ByTrayepps ✨ Support the Show: If you enjoyed the episode, please rate and review! And share it with a fellow emerging writer who needs a boost (or a laugh). ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Recognition: Does winning a major award change your career? (with Janice Okoh)

The absolute gold standard of writing guests in today's episode, as we welcome hugely celebrated playwright AND the BAFTA winning creator of BBC's Just Act Normal, Janice Okoh, for a very candid chat about breaking through in a bumpy industry. Janice has done it all, from early radio commissions at Radio 4 to staging her own plays, getting a book deal and even getting fired from her episode of Casualty. She was one of the very first writers on 4Screenwriting, on top of a frankly HUGE amount of other schemes, and has had plenty of kickbacks along the way. So to say her journey is fascinating is an understatement - this is an absolute MUST LISTEN for all emerging writers. Even if it's just to hear what happened to her BAFTA literally minutes after she won it... And of course, if you want to follow Janice's career and hear more about her journey, she's @janiceokoh on Instagram 📬 Get In Touch: Email us: TheEmergingPodcast@gmail.com Follow us on Instagram: @theemergingpod Ben is @bmlrobins Martin is @bananabreadfilm Tray is @ByTrayepps ✨ Support the Show: If you enjoyed the episode, please rate and review! And share it with a fellow emerging writer who needs a boost (or a laugh). ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Writing Feature Films: Should I bother writing a feature on spec? (Approaches III)

And so we reach the marathon of all screenwriting undertakings - the original, arguably the most fun, but certainly the most complex - the feature film. Why is it so hard? Why does it take forever to make it through Act Two? And how do you make it through the whole thing without tossing the entire script out of the digital window because it's just not very good (yet)? In the third and final part of our little trilogy of episodes, we're looking at how each of us in turn approaches writing a feature, from building early mood boards and soundtracks to trying to trick ourselves with treatments. We vary a lot here too, lots of great advice within! 📬 Get In Touch: Email us: TheEmergingPodcast@gmail.com Follow us on Instagram: @theemergingpod Ben is @bmlrobins Martin is @bananabreadfilm Tray is @ByTrayepps ✨ Support the Show: If you enjoyed the episode, please rate and review! And share it with a fellow emerging writer who needs a boost (or a laugh). ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Writing TV Pilots: Is writing a pilot script my best chance of getting noticed? (Approaches II)

TV Pilots are arguably the best bang for your buck as an emerging writer - shorter, lower stakes, highly unlikely to get made anyway, and every competition is positively frothing at the mouth for them. But how does writing an episode of TV differ from writing a feature film? And how does writing specifically a pilot script for your own show differ from writing other TV? In the next on our series about how we approach writing for different mediums, we're going all-in on those 40-page wonders, from how to prep an idea and figure out its home, to how it might differ structurally from some other styles of writing. 📬 Get In Touch: Email us: TheEmergingPodcast@gmail.com Follow us on Instagram: @theemergingpod Ben is @bmlrobins Martin is @bananabreadfilm Tray is @ByTrayepps ✨ Support the Show: If you enjoyed the episode, please rate and review! And share it with a fellow emerging writer who needs a boost (or a laugh). ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.

Writing Short Films: How is writing for short-form different? (Approaches I)

It's one of Martin's favourite bits of advice - go off and make a short. But how do you even begin to start? What makes writing a short film totally different (and arguably, far more flexible) than writing a TV pilot or a feature? Well, in the first of a lil trilogy of episodes about how we approach different mediums, we're digging deep into exactly that. You've got an idea for a short film, now what? Included is quite a bit of tough love (is this going to help your writing career? is a short film script enough to get industry attention?) but also plenty of rock solid advice on how to go from zero to a fully-finished and festival ready short, and of course the ins and outs of why you would even bother with making one in the first place. 📬 Get In Touch: Email us: TheEmergingPodcast@gmail.com Follow us on Instagram: @theemergingpod Ben is @bmlrobins Martin is @bananabreadfilm Tray is @ByTrayepps ✨ Support the Show: If you enjoyed the episode, please rate and review! And share it with a fellow emerging writer who needs a boost (or a laugh). ---------------------------------------- Hosted on Acast. See acast.com/privacy [https://acast.com/privacy] for more information.