399 Seth on Curing Colds and Cold Cash

401 Painting Reality From Within

Session 401: Cosmic Art Lessons Welcome to a look at some interdimensional art advice that’s honestly a whole vibe. We are diving into Session 401 from The Early Sessions Book 8 of the Seth Material, recorded on March 27, 1968. This session features Seth (channeled by Jane Roberts) giving some high-level, cosmic tips to Joseph (Robert Butts) on how to stop painting just "things" and start painting the actual energy of the universe. All credit for this mind-bending wisdom goes to the Seth Material and the publisher, New Awareness Network. The Big Picture: Painting from the Inside Out Seth jumps right in with the idea that being an artist isn't about standing back and judging a scene; it’s about jumping into the energy pool. * Energy Over Form: Seth explains that the shapes we see—mountains, trees, your morning coffee—are just temporary. The real "permanency" is the conscious energy that builds them. * No Outsiders Allowed: You can’t actually step outside of reality to get a better view. As Seth humorously notes: "You cannot step outside it for a better view. It is easier to realize that the vision and the ever-alive energy is far more permanent than the forms." * The Artist’s Role: Instead of stepping back to see a landscape, you should "step into it" to feel the "gestalt" or the energy pattern beneath the surface. If you get the energy right, the form follows naturally. The "Stone Power" Exercise If you’re feeling a bit stuck, Seth suggests a chillingly cool exercise for your next outdoor sketching session: * Pick a Target: Find one small thing—a flower, a stone, whatever catches your eye. * The Power Source: Imagine the energy inside that tiny object is perpetual and vital. * Universal Battery: Pretend this one object is the center of the universe, and everything else gets its energy from it. * Feel the Pulse: Do this until you can feel the energy "pulsate within the form." This makes the painting radiate psychically, reminding the viewer of the whole universe you didn't paint. Technical Tips from the Great Beyond Seth gets surprisingly specific about painting techniques, even channeling advice from what seems to be a "Van Elder"—a Danish or Norwegian artist from the 1700s or 1800s. * Transparents vs. Opaques: Use transparent oils for movement, vitality, and "ever-mobile energy." Use opaques for physical heaviness, duration, and dark moods. Seth notes: "transparents should be used also to show that in actuality rocks are as light as air, and to hint at the ever-mobile energy that forms them." * The "Van Elder" Secret: This mysterious artist suggested starting with siennas and a hint of violet for flesh tones, layering with transparent ochre and a muted green, then placing the top complexion tone on lightly "as if a wind could blow it away." * Don't Box in the Fruit: Seth jokes that "Ruburt does not want me to hurt your feelings with apples," but points out that an apple isn't just stuck in a "tight hole of space." It transforms space into an apple. Final Thoughts and Cosmic Homework This session reminds us that nothing exists in isolation. Whether it's a portrait or a bowl of fruit, the energy of the personality or the object should radiate outward. * Study the Material: If you want to get your head around more of this, go study the Seth Material books. You can visit the New Awareness Network website and bookstore at sethcenter.com/the-early-sessions [https://sethcenter.com/the-early-sessions]. * Podcast Notice: This podcast is distributed free of charge on all major platforms for educational purposes. Stay cosmic!

400 You Need Not Be a Saint Overnight

Session 400: Creative Flow, Chill Vibes, and The Art of Letting Go This briefing dives into the cosmic yet surprisingly practical wisdom of Session 400 of The Early Sessions, Book 8 of the Seth Material, recorded on March 20, 1968. Before we get into the heavy lifting, just a heads-up: this podcast is distributed free of charge on all major platforms for educational purposes. Now, grab a drink, kick back, and let’s look at how Seth (channeled by Jane Roberts) tells everyone to stop trying so hard and just enjoy the ride. Ruburt’s Need to Relax (Jane’s Work Habits) Seth starts the session with some much-needed "take it easy" energy for Jane (whom he calls Ruburt). Apparently, Jane was being a bit of a workaholic, and Seth had to step in with some celestial career coaching. * Trust the Inner Self: Seth notes that Ruburt doesn’t need to spend 24 hours a day obsessing over work. Instead, he should "trust the inner self" and focus on the present moment, even during boring household chores. * The Joy of Chores: Seth suggests doing chores joyfully to give the mind a rest. If you're scrubbing a floor, be the best, happiest floor-scrubber in the universe. * The "Too-Much-Too-Soon" Trap: Seth jokes about Jane’s sudden urge to be perfect, noting she wants to "gallop down" the right track just to prove she’s changed. * Get a Hobby: To keep the conscious mind from getting too tangled in psychic matters, Seth recommends dancing, gardening, and painting. * Don't Be a Saint: In a humorous, emphatic delivery, Seth reminds Jane: "Now that he is ‘good,’ in quotes, he need not make a saint of himself overnight." The Psychology of the Artist (Rob’s Painting) The session shifts gears to analyze Rob’s (the notes-taker and Jane's husband) approach to art. Seth gets pretty deep here, linking Rob's technical style to his childhood and emotions. * Technical Ability as a Shield: Seth reveals that Rob’s high technical skill and "precise delineation" were actually protective mechanisms. Because his mother’s emotionalism was frightening, he used sharp lines to keep his feelings at bay. * Mastery via Realism: Recreating physical reality with "supernatural precision" gave Rob a sense of control over a world that felt emotionally unpredictable as a child. * The Vision Leads, The Technique Follows: Seth suggests a total vibe shift: let the inner vision suggest the form, rather than imposing a form on the vision. * Go Big or Go Home: To break free from the fear of "too much feeling," Seth encourages Rob to attempt larger works. * Portraits and Past Lives: In a fascinating tip for portrait artists, Seth suggests looking at a subject and trying to see them as they were in past lives to add "depth and dimension." * The Energy of an Apple: Realism isn't just the surface. Seth says: "Remember in your painting... the vibrating always changing reality within, say, the skin of the apple or the orange." Key Session Quotes * "He is on the right track, but now he wants to gallop down it at once, you see (more humor, eyes wide) to show us all that he has changed." * "He can afford to play. (Humor.) Now that he is ‘good,’ in quotes, he need not make a saint of himself overnight. (Emphatic.)" * "The lines also served to protect you from that which you were painting, and from the feeling involved. It allowed you to feel that you were capturing the subject, and to assure yourself that the subject was not capturing you." * "Realism is more than the surface of things." To study more, visit the source: sethcenter.com/the-early-sessions [https://sethcenter.com/the-early-sessions]

399 Seth on Curing Colds and Cold Cash

Session 399: Cosmic Vibes and Cold Cash Welcome to the breakdown of a truly chilling and insightful meeting of the minds. We are diving into Session 399 of The Early Sessions, Book 8 of the Seth Material, recorded on March 13, 1968. This session is a fascinating mix of practical life advice, cosmic predictions, and some seriously deep relationship dynamics. Before we get into the cosmic weeds, please note: this podcast is distributed free of charge on all major platforms for educational purposes. Now, let’s get into the vibes. The Highlights: Money, Trance, and No Spiritual Fogies This session captures a moment where Seth—the "energy personality essence" channeled by Jane Roberts—really opens up about what’s coming down the pipeline for Jane (Ruburt) and her husband Robert (Joseph). * Financial Freedom is Coming: Seth dropped some heavy hints that the couple's financial worries were nearing an end. He predicted that within about six months, events would set them on a path where their "pockets will always be filled." He even joked about the "immediate effects of the cold cash," promising a future free of financial stress. * The Power of the Gestalt: One of the coolest takeaways is the idea that Jane and Rob aren't just a couple; they are a "gestalt." Seth explains that they have more knowledge and ability together than they do separately. He describes them as a "fuse" that was lit to bring this material to the world. * Jane’s Deepening Trance: Jane was starting to feel "more and more like Seth and less like Jane" during sessions. She was worried about losing herself, but Seth offered some humorous reassurance. As he put it: "He will not turn into me... He is not going to give up fun, and become a long-faced spiritual fogy. Even I am not that." * A Global Movement: Seth revealed that the work they were doing—the books and the art—wasn't just for them. He predicted it would transform the lives of millions and start a movement that would outlive them both. Talk about a heavy legacy! * The Last Reincarnation: In a major "mic drop" moment, Seth told them this was their last reincarnation. They came back specifically to contribute "individually and jointly" to human consciousness. * Sexuality and Soul History: Seth got real about their relationship, describing it as a "bisexual love" because they’ve known each other in different sex roles across many lifetimes. Their decision not to have children was seen as a way to focus their primary energy on their creative and psychic "issue"—the Seth Material itself. * The Open Door for Help: Seth invited Rob to ask for help mentally, even outside of sessions. He promised to introduce information or answers directly into Rob's mind when requested. Wisdom from the Source To give you a taste of the atmosphere, here is a brief look at how Seth views the importance of this work: "These communications are not important because they are mine, nor because they come through you, but because they are messages from other dimensions, telling man of his own nature." (Session 399, Seth Material) Closing Thoughts This session is a reminder that we are more than just physical creatures. Whether it’s about manifesting "cold cash" or understanding our joint purposes, the vibe here is all about empowerment and expansion. --------------------------------------------------- All credits for this profound material go to the Seth Material and the publisher, New Awareness Network. If you’re looking to get your hands on the full transcripts, you’ve got to check out the New Awareness Network website and bookstore at sethcenter.com/the-early-sessions. Trust us, the deep study is where the real magic happens.

398 Reincarnation Glitches and Borrowed Life Force

Session 398 The Cosmic Moving Sale and Psychic Side-Hustles Session 398 of The Early Sessions, Book 8 of the Seth Material, recorded on March 11, 1968. Grab a drink, relax, and let's break down how consciousness actually operates when it’s halfway out the door or hogging the psychic spotlight. The Great Physical Disappearing Act Ever wonder why some people seem to "check out" mentally as they get older? Seth breaks it down for us. It isn’t that the personality is falling apart; it’s just that they’ve started moving their furniture into the next reality. * The Gradual Exit: Personalities like Joseph's father or the recently departed Miss Callahan aren't "less" conscious; they just have less control over their physical bodies. They might be bored with the physical system, or they’ve already decided to leave and are doing it in stages. * The Next System: While the body is still here, the personality is already "gathering its energy" in the next system. It’s like having a month-long overlap on two different apartments. * The Birth Glitch: Sometimes, at birth, a past self refuses to let go. Seth compares this to an artist who keeps painting the same old picture over a new canvas. The ego is so stubborn it clings to the new life, causing a "lack of understanding" of its new role. Family Ties and Psychic Vitality Loans Seth gets into some heavy family business regarding Joseph's father. Apparently, the man Joseph knew wasn't "all there" because he had better things to do in other dimensions. * The Passive Father: Joseph’s father "left" subconsciously when Joseph was only two years old. He didn't leave out of cruelty; he just couldn't fully materialize in this reality. His love for photography and machinery was his way of trying to feel "physical" since he couldn't quite stick the landing. * The Vitality Loan: In a wild twist of spiritual accounting, the father "loaned" some of his energy to a cousin's son who needed the extra vitality. Once the father’s physical body finally dies, that energy gets pulled back to the main entity. * Spiritual Bridges: Personalities aren't "closed units." They make alliances and mergers. Seth explains that your father is a "rung on a ladder," connected to everything above and below him. The Mechanics of the Soul If you think you’re just one person in one body, Seth is here to tell you that’s just cute. * Psychic Gestalts: Personalities are always "becoming." They aren't static or neatly packaged "one to a body" like psychologists think. They are constantly changing, growing, and making new alliances. * The Value of Struggle: Even the difficult lessons Joseph's mother faced are described as "victories" in the long run. It’s all about development and learning how to relate to reality. * Multi-Dimensional Living: Seth mentions he is in the room but also in another place and time. Similarly, the father is "in several dimensions at once." Talk about a busy schedule. Direct Wisdom from Seth To give you a taste of the raw energy from this session, here are a few choice quotes: "Personalities are not static things. Entities are eternal. They are not as nicely nor as neatly packaged out, one to a body, as your psychologists believe. They constantly change. They grow." "In a situation such as your father’s... the overall consciousness is not less, but less of it expresses itself in physical terms. It... has already largely decided to leave the system, but does so gradually." "The inner identity does not understand that it is simply taking a different guise, fulfilling different obligations, or using unfulfilled energies." Visit the source: sethcenter.com/the-early-sessions [https://sethcenter.com/the-early-sessions].

397 The Physics of Ghosts and Peeling Paint

Session 397 How to Prepare for the "Big Exit" without panicking This briefing covers the core concepts from Session 397 of The Early Sessions Book 8 of the Seth Material, recorded on March 6, 1968. This session dives into why ghosts are basically just stuck in a bad habit, how to prepare for the "big exit" without panicking, and why being "evil" is really just a case of being an unfinished flower. The Ghostly Focus Fail Ever wonder why ghosts are so glitchy? Seth explains that apparitions aren't exactly "haunting" houses so much as they are failing to change their channel. * Pseudoimages and Habits: Ghosts are often individuals who just can’t stop looking at the physical world. They subconsciously try to build a physical body out of habit, but because they are "out of alignment," they can't make a solid image. * Misdirected Energy: Seth notes that "The personality insists on behaving as if it were in the physical condition however, and out of habit attempts to construct a physical form. He is not imprisoned within this pseudoimage... but the energy used is misdirected and largely futile." * Practice Makes Perfect: If you learn to shift your attention away from the physical world now, you can gain "legitimate firsthand experience" that isn't physical. This makes the eventual transition way smoother. Terminal Illness and the "Bird" Metaphor Transitioning out of a body can be messy if you aren't prepared. Seth uses a pretty vivid analogy regarding Jane (Ruburt) and an injured bird to explain the relationship between the personality and the body. * Cellular Awareness: Every single cell in your body has its own consciousness. When the "I" personality panics during a terminal illness, it "bears down" on the body consciousness like a weight. * The Big Release: Instead of clinging, the personality should bless the body. As Seth puts it: "When the personality understands, it can indeed then will itself to leave the body in an aware state, and as it goes bless the body consciousness... release the tiny birdlike awareness within each cell, and go on to its own transition." The Nature of "Evil" and Cosmic Justice Seth gets pretty philosophical here, basically telling us to chill out about "final judgments." * The Seed vs. The Flower: Evil isn't some dark force; it's just a lack of growth or knowledge. Seth famously states: "You cannot call a seed evil because it is not yet the flower." * No Cosmic Jail: There is no final judgment or punishment for "crimes" after death because everything is in transition toward better understanding. However, you still have to face the consequences of your intent. * Co-Creation: We aren't just characters in a game. We are "co-creators" and part of "All That Is," which is a "god constantly in the process of creation, action acting upon itself." Ruburt’s Commitment and the Alchemy of Art The session concludes with some personal updates on Jane Roberts (Ruburt) and her commitment to the work. * Yoga and Joy: Jane started doing yoga again, which Seth says is a sign that her spirit is regaining its joy and shedding inner resistance. * Writing Alchemy: Jane’s writing career and the Seth Material are merging into a "natural art production." Seth is backing this 100%, noting that her energies are now fully committed to this "alchemy." --- Visit the New Awareness Network website and bookstore at sethcenter.com/the-early-sessions [https://sethcenter.com/the-early-sessions].