Beyond the Practice Room
Janet Horvath is a cellist, musician health advocate, author, best known for her book, “Playing (Less) Hurt.” Janet was associate principal cellist of the Minnesota Orchestra for over 40 years, and received degrees from the University of Toronto and Indiana University, where she studied with Janos Starker. In this episode, we talked about how the field of musician health has changed, Janet’s initial advocacy work in the 1980’s, her own encounters with injury in the school, and how the culture of music making and injury has changed profoundly over the last few decades. We also discuss the importance of “work hardening,” and how musicians can slowly build up the strength and stamina to play full orchestra concerts after an injury or hiatus, which is something many musicians are dealing with now. In her years since leaving the Minnesota Orchestra due to hyperacusis, she received an MFA in writing and has a new book coming out in April: “The Cello Still Sings: A Generational Story of the Holocaust and the Transformational Power of Music” [https://janethorvath.com/books/the-cello-still-sings/] which we also discuss. For more on Janet Horvath, visit her website at www.janethorvath.com [https://www.janethorvath.com] For more on Janice Ying, DPT: www.opuspt.com [https://www.opuspt.com] For more on Kayleigh Miller: www.musicianshealthcollective.com [https://www.musicianshealthcollective.com]
9 episoder
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