Working On A Monologue

Believe Your Choices

After I vent about the Broadway production of Death of a Salesman, where they yelled at the audience for three hours, we look at the necessity of not just making great choices, but believing them. Not just performing them.

Character Traits and Actions

Directors give performance or effect directions. It forces actors to play cliches. Figuring out the nature of a character trait or spine or personality frees an actor to play an action ... or an impulse ... that makes behavior more actable.

Actors Talk Acting

Last week I gave classes in Poland and it was extremely useful to have a fresh perspective on students who were slightly new to this way of working – and also affording an opportunity for actors to talk about their particular problems.

Working On A Monologue

My student, JP, has been working on the Biff and Happy scene from Death of a Salesman. In this episode we work through a place where he was stuck with that feeling of "now I'm performing a monologue."

The Actor's Personal Connection

In coaching an actor this week, I was struck again by what feels obvious—and yet is so often missed: the actor must find a personal connection to the circumstances, or the character’s conflict never becomes a lived experience.