Wide Awake at 3am: Allison Winn Scotch on The Insomniacs

She Remembers a Life That Wasn't Hers: Lauren Oliver on The Girl in the Lake

Lauren Oliver joins us to talk about The Girl in the Lake, a novel that asks one of the most unsettling questions in suspense: what if the key witness to a decades-old disappearance is a six-year-old who wasn't even born when it happened? We dig into Lauren's fascination with places where the things we can't define and understand intersect with the psychological, what it means to write characters trapped inside systems — institutions, grief, memory — that they can't fully see or escape, and how she built a story that straddles psychological suspense and something far harder to explain. Plus, Lauren gets into why reincarnation and consciousness aren't just plot devices here — they're the whole question. Download and listen today — because sometimes creepy kids have secrets to share.

Wide Awake at 3am: Allison Winn Scotch on The Insomniacs

Allison Winn Scotch joins us to talk about The Insomniacs — and the genre pivot that ten novels of commercial fiction finally led her to. We get into why she crossed over to the dark side of suspense, how she landed on a story about four strangers who can't sleep, and what it means to write characters who are each standing at the edge of their own lives — one injury, one empty nest, one disappearance away from becoming someone else entirely. Plus, Allison gets personal about what actually keeps her up at 3am, and we promise it's more relatable than you'd expect from someone this accomplished. Download and listen today — because some of the most honest conversations happen after midnight, with people you never planned to know.

They Called It Murder. She Called It Justice: Sally Hepworth on Mad Mabel

Sally Hepworth joins us to talk about Mad Mabel, and the character at the center of it — Elsie Mabel Fitzpatrick, 81 years old, gloriously grumpy, desperately lonely, and Australia's youngest convicted murderer. We get into what it takes to write a woman this prickly and make readers root for her anyway, how Sally mined her own mother's memories to bring the 1950s timeline to life, and why this book — for all its murder and suspense — is really a story about friendship. Plus, Sally shares the wildest thing she's ever done in the name of research, and we can confirm: the Killers did NOT see it coming. Download and listen today — because some women spend a lifetime being underestimated, and some of them are just getting started.

New Face, New Name, New Nightmare: Deborah Goodrich Royce on Best Boy

Deborah Goodrich Royce joins us to talk about Best Boy, a thriller built on one of the most chilling questions in suspense: what if the past you buried comes back — and you can't even remember it? We get into the real-life story that sparked the novel, how Royce uses debilitating migraines and memory lapses not just as symptoms but as weapons of plot, and why Hitchcock kept showing up as she wrote. Plus, Deborah draws on her decade as a working actress in Hollywood to bring an insider's eye to a world where reinvention isn't just possible — it's survivable. Until it isn't! Download and listen today — because some identities are borrowed, some secrets are buried, and some best boys never forget a face.

No Way Out: Will Dean on Adrift

Will Dean joins us to talk about Adrift, a thriller that proves you don't need a deserted island or a locked room to feel utterly, terrifyingly trapped. We explore the creative challenge of confining an entire story to a narrowboat in rural Illinois and why a villain who controls through manipulation and psychological abuse can be far more menacing than one with a knife. Plus, we dig into how Dean transforms a cramped, deteriorating boat into a pressure cooker that's equal parts domestic nightmare and psychological thriller, and how Dean’s own life deep in a Swedish forest seeps into every page he writes. Download and listen today — because on an isolated narrowboat, there's nowhere to run, nowhere to hide, and no one on shore to hear you scream.