Macintosh & Maud Haven't Seen What?!

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER [https://plinkhq.com/i/1275938486?to=page] CONTENT WARNING: Discussion of manipulation, religion. It’s time for a new spin around the world of documentaries, and we’re starting things off with a certified gem that David brings from his “important film” days. In 1966, door-to-door sales were almost completely dead, but that didn’t stop Albert and David Maysles from centering their first-ever film on the subject. Their documentary was honed and crafted from 100 hours of footage and four men giving their best pitches for the Greatest Book Ever Written, and completely self-distributed. But the final result is one of the most incisive, thoughtful and honest portrayals of hustle committed to film, and a true breakthrough for documentary filmmaking. We discuss Salesman for our second ever Documentary series this week on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com [macintoshandmaud@gmail.com], or you can connect with us on Instagram [https://www.instagram.com/macintosh.and.maud/], Twitter [https://twitter.com/MacintoshMaud] and Facebook [https://www.facebook.com/macintoshandmaud/]. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) [https://creativecommons.org/licenses/by-nc-nd/3.0/hk/legalcode] license. To hear the full performance or get more information, visit the song page at the Internet Archive [https://archive.org/details/beethoven9/beethoven-9-02-concertgebouw-klemperer-1956-16048.wav]. Excerpt taken from the film Salesman, copyright 1968, 2001 Maysles Films Inc. All rights reserved. Excerpt taken from the piece “Orson’s Theme” from the film F for Fake, written and composed by Michel Legrand. Copyright 1975 Les Films de L'Astrophore.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER [https://plinkhq.com/i/1275938486?to=page] CONTENT WARNING: Discussion of murder, serial killers, gore, blood, childhood trauma, horror, earthquakes, demons, death. Oops, Freddy wasn’t really dead after the final nightmare. But as Wes Craven makes abundantly clear in this film, horror legends never really go away, they always stick around. Wes’ work in this film is admirable, and it’s some of the best storytelling in the series. Yet watching you can’t help but think about the meta-horror classic that Wes would bring to us just two years later, a film that redefined the genre. Everyone here is doing admirable work and “sending off “ Freddy in style, but there’s a lot of missed opportunities that could have made this a sure-fire horror masterpiece. We discuss (Wes Craven’s) New Nightmare this week on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com [macintoshandmaud@gmail.com], or you can connect with us on Instagram [https://www.instagram.com/macintosh.and.maud/], Twitter [https://twitter.com/MacintoshMaud] and Facebook [https://www.facebook.com/macintoshandmaud/]. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) [https://creativecommons.org/licenses/by-nc-nd/3.0/hk/legalcode] license. To hear the full performance or get more information, visit the song page at the Internet Archive [https://archive.org/details/beethoven9/beethoven-9-02-concertgebouw-klemperer-1956-16048.wav]. Excerpt taken from “A New Nightmare Begins,” written and composed by J. Peter Robinson. Copyright 1994 New Line Productions; Milan Entertainment, Inc. Excerpt taken from the theme to the TV show Documentary Now! written and composed by Joshua Mosier.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER [https://plinkhq.com/i/1275938486?to=page] CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, trauma, mental illness, childhood trauma, parental murder, suppressed memories, abuse. There’s been a wide variety of entries in the Freddy Knife Hands series, but finally, finally, we got the entry that makes zero sense and is a bonkers good time. No, this film is not good, and no, it does not appear to have actually employed a competent editor. Although that may be the fault of the studio more than anyone involved in the production. Nevertheless, THINGS HAPPEN in this movie, and it’s beyond weird and messy and hilarious and gory and sometimes, that’s all you really want from your "final” entry in a horror franchise. We discuss Freddy’s Dead: The Final Nightmare this week on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com [macintoshandmaud@gmail.com], or you can connect with us on Instagram [https://www.instagram.com/macintosh.and.maud/], Twitter [https://twitter.com/MacintoshMaud] and Facebook [https://www.facebook.com/macintoshandmaud/]. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) [https://creativecommons.org/licenses/by-nc-nd/3.0/hk/legalcode] license. To hear the full performance or get more information, visit the song page at the Internet Archive [https://archive.org/details/beethoven9/beethoven-9-02-concertgebouw-klemperer-1956-16048.wav]. Excerpt taken from “Why Was I Born? (Freddy’s Dead)” written by Iggy Pop and Whitey Kirst, and performed by Iggy Pop. Copyright 1991 Metal Blade Records Inc.; New Line Cinema Corporation. Excerpt taken from “A New Nightmare Begins,” written and composed by J. Peter Robinson. Copyright 1994 New Line Productions; Milan Entertainment, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER [https://plinkhq.com/i/1275938486?to=page] CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, trauma, mental illness, pregnancy, teen pregnancy, body changes in pregnancy. You don’t usually expect the worst film of a horror franchise to be followed with one of the most unique entries, but Freddy Knife Hands is a fickle series of movies. It’s a stretch to call this movie “good,” but it’s one of the most visually interesting and cohesive entries since the original 1984 film. Stephen Hopkins has truly interesting, fascinating ideas of body horror and trauma along with some of the biggest stakes we’ve seen so far for Freddy himself. Alas, someone forgot to tell the writers that’s what we were doing, because the dialogue and the story wholesale misses the part of the story that would really make this movie great, and instead we’re left to wonder what might have been. We discuss A Nightmare on Elm Street 4: The Dream Child this week on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com [macintoshandmaud@gmail.com], or you can connect with us on Instagram [https://www.instagram.com/macintosh.and.maud/], Twitter [https://twitter.com/MacintoshMaud] and Facebook [https://www.facebook.com/macintoshandmaud/]. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) [https://creativecommons.org/licenses/by-nc-nd/3.0/hk/legalcode] license. To hear the full performance or get more information, visit the song page at the Internet Archive [https://archive.org/details/beethoven9/beethoven-9-02-concertgebouw-klemperer-1956-16048.wav]. Excerpt taken from “Take Your Daughter to the Slaughter,” written and performed by Bruce Dickinson. Copyright 1989 Zomba Recording Corporation; New Line Cinema Corporation. Excerpt taken from “I’m Awake Now” written and performed by Goo Goo Dolls. Copyright 1991 Metal Blade Records Inc.; Select Records; New Line Cinema Corporation.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER [https://plinkhq.com/i/1275938486?to=page] CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, trauma, child neglect. You never expect 80’s horror movies to be quality cinema. But you do expect there to be some wild, ridiculous stuff that also has enough of an edge to be scary and terrifying. With the 4th installment of Freddy Knife Hands, the writers decided that none of this was necessary. No, instead we kill off the remaining Dream Warriors and tag along with a new heroine who literally does nothing. And we mean that literally - nothing happens in this movie until about the last 10 minutes, except for some intensely goofy Freddy murders and some terrible 80s acting. No, this one is truly dire, and the only hope is they can make it weird again before the end of this series. We discuss A Nightmare on Elm Street 4: The Dream Master this week on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com [macintoshandmaud@gmail.com], or you can connect with us on Instagram [https://www.instagram.com/macintosh.and.maud/], Twitter [https://twitter.com/MacintoshMaud] and Facebook [https://www.facebook.com/macintoshandmaud/]. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) [https://creativecommons.org/licenses/by-nc-nd/3.0/hk/legalcode] license. To hear the full performance or get more information, visit the song page at the Internet Archive [https://archive.org/details/beethoven9/beethoven-9-02-concertgebouw-klemperer-1956-16048.wav]. Excerpt taken from “Anything, Anything (I’ll Give You),” written by John Easdale and performed by Dramarama. Copyright 1985, 1990 Chameleon Records. Excerpt taken from “Take Your Daughter to the Slaughter,” written and performed by Bruce Dickinson. Copyright 1989 Zomba Recording Corporation; New Line Cinema Corporation.