Auntie Mame (1958) Review | Rosalind Russell's Greatest Role | MNWD Ep. 42

Auntie Mame (1958) Review | Rosalind Russell's Greatest Role | MNWD Ep. 42

Rosalind Russell doesn't play Auntie Mame so much as she detonates in every scene she's in. She originated the role on Broadway, then brought it to the screen in 1958, and the result is one of the great comic performances in classic Hollywood. This week we take on a film about a woman who's decided that living timidly is the only real failure. And Mark's got a personal way in — he played Beau on stage, so he's breaking down the role from the inside. New episodes every Sunday at 5PM CT.

Don't Drink the Water (1969) Review | The Worst Movie We've Covered? | MNWD Ep. 41

Every week we find something to love. This week we didn't. Don't Drink the Water (1969) stars Jackie Gleason as an American tourist trapped in an embassy behind the Iron Curtain, and it may be the roughest film we've sat through in 41 episodes. But Mark played Krojack in a stage production of this — and the play works. So what happened between the stage and the screen? New episodes every Sunday at 5PM CT.

On Golden Pond (1981) Review | Henry Fonda's Final Masterpiece | MNWD Ep. 40

On Golden Pond gave Henry Fonda the only Oscar of his career — and he died just five months later. Katharine Hepburn won her fourth. Jane Fonda produced it as a way back to her own father. It's a quiet film about aging, distance, and the things fathers and children never quite manage to say to each other. This week Mark and Riley dig into all of it — but with a twist you won't get anywhere else: Mark directed On Golden Pond, so he's breaking this one down from the director's chair, not the actor's.

The Odd Couple (1968) Review | A Comedy That Still Holds Up | MNWD Ep. 39

The Odd Couple (1968) pairs Jack Lemmon's neurotic, freshly divorced Felix against Walter Matthau's slovenly, exasperated Oscar, and the chemistry between them is the entire engine of the film. Neil Simon wrote the script, and more than fifty years later the comedic timing still lands. This week continues our Summer from the Stage series, and Mark played Murray the cop, one of the regulars at Oscar's poker table, in a theatrical production of the show. Riley and Mark get into what makes Lemmon and Matthau's pairing feel so effortless, whether Felix or Oscar is genuinely the harder roommate, and what changes in the conversation when you've actually performed inside this world. New episodes every Sunday at 5PM CT. Find us on YouTube, Spotify, Apple Podcasts, and everywhere you listen.

Brighton Beach Memoirs (1986) Review | Reviewed by Someone Who Played Jack | MNWD Ep. 38

Brighton Beach Memoirs (1986) adapts Neil Simon's own semi-autobiographical play about a cramped, struggling Brooklyn household during the Great Depression. Jonathan Silverman plays Eugene, the teenage narrator caught between adolescence and his family's hardships, and Bob Dishy plays Jack Jerome, the father quietly exhausted from trying to hold everything together. This week's episode continues our Summer from the Stage series, and Mark played Jack in a theatrical production of the show, bringing firsthand experience inside the role to the conversation. Riley and Mark get into what Neil Simon's voice does differently on screen versus on stage, how Bob Dishy keeps Jack sympathetic even while barely holding it together, and what it means to watch someone else perform a role you've lived inside yourself. New episodes every Sunday at 5PM CT. Find us on YouTube, Spotify, Apple Podcasts, and everywhere you listen.