Out of the Question with Adam Zwar

Tom Hollander is in my top five actors of all time. A rare beast who can do comedy and drama with equal, effortless brilliance. He lands a line so dry you need a glass of water just to recover—then, in the next breath, breaks your heart with those devastatingly eloquent eyes. And now, thanks to The White Lotus, he has also proved himself outstanding at dying. A Napoleon of the screen—compact but commanding, wielding presence like an emperor wields an army—he strode through Season 2, a vision of louche menace and debauched charm, before being so cruelly dispatched that I half-expected him to rise from the waves like some Mediterranean revenant, clutching an aperitivo and a bon mot. But no. Gone. Finished. Season 3 will have to stagger on without him, and be the lesser for it. So, in pre-mourning his absence, I give you two small consolations: a video in which he bemoans sharing a name with a very rich man, and possibly the greatest Life in the Day feature ever published. Read it. Read it twice. Then go and watch Rev. again, because honestly, nobody does it better. This appeared in The Sunday Times [https://www.thetimes.com/culture/tv-radio/article/tom-hollander-on-sleeping-pills-and-hugging-pillows-jrg892zl9?region=global]- Sunday, October 04 2020, I wake up generally at 3 or 4am. Not because I’m like Margaret Thatcher, but because I need to pee. I pee in the darkness using my phone screen to illuminate the target, then often take half a sleeping pill (antihistamine), turn on the World Service very quietly and try to go to sleep again. Sometime between 6 and 8 I wake again, turn up the Today programme gently. If my girlfriend is there we hold each other in different positions. If she isn’t I wrap my arms around a pillow and continue listening to the bad news. Whoever gets up first will go downstairs and start baking porridge. It’s like a savoury flapjack and was recommended to me by a very healthy-looking nutritionist. It takes about 40 minutes to cook and we eat it in such large quantities with olive oil and salt that we negate any nutritional benefits. But we enjoy it. And while it’s cooking it gives us time to look at our phones. Sometimes in this waiting period I try to do three slow sun salutations to stretch myself out, but often I don’t. I brew the first of many coffees. Which mostly involves heating up the stuff in the cafetière left over from the day before. If it’s a slow day I make it in one of those Italian alloy things that students always used to have that involve a lot of assembled parts and washing up. Owing to forces beyond my control, life has not been as busy as it used to be. After we’ve eaten and my girlfriend has gone to work I look at myself in the mirror and try to see what others see. Examine my bald patch, weigh myself and pull my stomach in. Then let it out. Then pull it in again. If I’m feeling positive I might get dressed at this point and go for my second coffee on the street below. I’ve lived in the same flat for 20 years and one of the rewards for this loyalty is that I know all the shopkeepers and stallholders on the street, for whom I have become like a piece of the old furniture they sell. Hello Glen, hello Kris, Ghino!, hello Brendan, hello Fati, wave at Ray, turn the corner, bonjour Raschid, ça va? (keep going ’cause I can’t really speak French), hello Hassan, hello Reg, morning Dave, yup still here Tony, hello Beatrice (she doesn’t notice), slide into Porto: “Maya four-ter take away please” (phonetic Portuguese). Then take it home and leave it on the sideboard with any post that has arrived from my stalker. Then I might call my agent. “Isn’t she? No, no, nothing important… just checking in…” Soon it’s time for my midmorning nap. Followed by the preparation of lunch, which I start at 12.15pm. And at 1pm I turn on the radio again to listen to World at One and hear politicians lying or reports of the world ending. Whatever I make for lunch I eat too much of, which makes me feel a bit lethargic, so I make some more coffee and turn off the radio as The Archers starts so I’m ready to begin the second half of the day. The afternoon is time for hobbies and extracurricular activities. If it’s sunny I might go for a cycle ride down the canal, if it’s raining I might masturbate and doze, or speculate on the extraordinary injustice of Philip Green’s knighthood, or look at that app that tells you which celebrity you most resemble (Tom Hardy). Sometimes I read long-form articles about the collapse of western society and the destruction of the planet. From about 5pm, assuming I haven’t mislaid my house keys or mobile phone, it’s possible to surf through the rest of the day on the news feed while preparing food, eating it and digesting through Newsnight. Then it’s time to go to sleep again. Cracking a little sleeping pill in half in case I need it later, I turn on the radio very quietly. If my girlfriend’s there we hold each other in various shapes. If she’s not I put my arms around a pillow. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thisisthekicker.substack.com [https://thisisthekicker.substack.com?utm_medium=podcast&utm_campaign=CTA_1]

One of the funnier moments from the Alan Jones era. Warning: It does contain the voice of Mark “Chopper” Read. And the voice and face of Alan Jones. PS: The studio audience was so polite! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thisisthekicker.substack.com [https://thisisthekicker.substack.com?utm_medium=podcast&utm_campaign=CTA_1]

Robert William Hoskins, actor, born 26 October 1942; died 29 April 2014. It didn’t matter that this guy—who left school at 15 to become a bouncer, porter, window cleaner, and fire-eater—went on to become ridiculously famous. He was always down-to-earth: "Actors are just entertainers, even the serious ones. That's all an actor is. He's like a serious Bruce Forsyth." Hoskins could play serious and scary, then turn on a dime to reveal sweetness and a big heart. A chance audition led him to the theatre, which opened the door to roles in BBC dramas and a beloved ad for British Telecom, where he delivered the catchphrase "It's good to talk." Around that time, Francis Ford Coppola cast him in The Cotton Club (1984), and suddenly he was in movies. Brazil followed, then Sweet Liberty, his Oscar-nominated turn as an ex-con in Mona Lisa, the blockbuster Who Framed Roger Rabbit, Heart Condition, Mermaids, Hook, and Oliver Stone's Nixon, where he played J. Edgar Hoover. "You don't go to Hollywood for art," he said in 1999. "And once you've got your fame and fortune—especially the fortune in the bank—you can do what you want to do. It's basically f**k-you money." In 2012, at 69, he announced his retirement after being diagnosed with Parkinson's. Two years later, he died from pneumonia. Miss you, Bob Hoskins. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thisisthekicker.substack.com [https://thisisthekicker.substack.com?utm_medium=podcast&utm_campaign=CTA_1]

This week’s guest on Out of the Question is the comedian and TV host, Tom Ballard. You all know Tom from Triple J, multiple hosting and guesting engagements on the ABC and Channel 10 as well as the iconic Tonightly with Tom Ballard. We talk about that here. There’s also his stand up and his book, I Millennial. And now he’s back with a new Melbourne Comedy Festival Show, It Is I, which is at the Victoria Hotel from March 30 and ALSO Yes/No – A Comedy Lecture, which is also at the Victoria Hotel from April 15. Tickets at the Festival website. Tom on Tonightly being cancelled. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thisisthekicker.substack.com [https://thisisthekicker.substack.com?utm_medium=podcast&utm_campaign=CTA_1]

Too much has happened since Dave O’Neil recorded this episode of Another 10 Questions back in the peak pandemic days of November, 2021. The point of Another 10 Questions was to invite guests back onto the pod as a catch up or check in. And since Dave was on the very first episode of this podcast back in 2015, there was a lot to talk about. Most listeners will be familiar with Dave’s work on Spicks and Specks, Agony, Randling, The Nugget, and more recently, great cameos in Utopia and Fisk. He was also the head writer on Totally Full Frontal, and with the screenwriter, Mark O’Toole, he wrote the feature films Take Away and You and Your Stupid Mate. Catch Dave’s new Melbourne Comedy Festival show Overweight Lightweight at Morris House from March 29 to April 9. Tickets here. [https://www.comedyfestival.com.au/2023/shows/overweight-lightweight] This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit thisisthekicker.substack.com [https://thisisthekicker.substack.com?utm_medium=podcast&utm_campaign=CTA_1]