E76 (SEASON 3!) • The Stories Closest to Us Are the Hardest to Tell • DANIEL BLAKE SCHWARTZ, dir. of "Cotton Fever", Best Narrative Feature WINNER at Tribeca

E76 (SEASON 3!) • The Stories Closest to Us Are the Hardest to Tell • DANIEL BLAKE SCHWARTZ, dir. of "Cotton Fever", Best Narrative Feature WINNER at Tribeca

Daniel Blake Schwartz breaks down how Tribeca Best U.S. Narrative Feature winner Cotton Fever grew out of years spent collecting stories during his own experience with addiction and recovery, ultimately transforming those fragments into a deeply personal debut feature. Drawing inspiration from filmmakers like Andrea Arnold and Hirokazu Kore-eda, Schwartz pursued a style rooted in realism, empathy, and lived experience rather than conventional dramatic structure. The film evolved from a self-funded short into an award-winning feature through grassroots fundraising, community support, a first-time filmmaker grant from Panavision, and the eventual attachment of actors Kyle Gallner and Sosie Bacon. Along the way, Schwartz navigated the uncertainty of first-time feature directing, discovering that some of the film's strongest moments emerged from vulnerability, collaboration, and instincts that couldn't always be explained on the page. At its core, Cotton Fever is a reminder that the most powerful stories often come from the experiences we're most hesitant to revisit. The challenge isn't always finding something meaningful to say. It's having the courage to tell the story that's already closest to you. What Movies Are You Watching? [https://www.buzzsprout.com/2357245/fan_mail/new] Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.  Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature [https://filmfreeway.com/PastPresentFeature] Revival Hub [https://revivalhub.com/] is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com [https://revivalhub.com/] to see what's playing this week.  Support the show [https://www.buzzsprout.com/2357245/support] Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

E75 • Distribution Starts With Knowing Your Audience • ALAN D’ESCRAGNOLLE, Co-Founder of Filmhub

Alan D’Escragnolle breaks down how his company Filmhub is rethinking distribution, shifting away from gatekeeping toward flexible, film-specific strategies. Instead of a single path, films are matched with what they actually need, whether that’s AVOD, SVOD, or a more hands-on sales and marketing push. The bigger shift is economic. With hundreds of thousands of titles entering the market each year, access is easier than ever, but monetization is harder. Success now comes down to positioning, artwork, and understanding where a film fits in an oversaturated landscape. At its core, the model has flipped. Distributors can get your film out, but they won’t build your audience. The takeaway is simple: know who your film is for, think long-term, and treat distribution as part of the process, not the finish line. What Movies Are You Watching? [https://www.buzzsprout.com/2357245/fan_mail/new] Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.  Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature [https://filmfreeway.com/PastPresentFeature] Revival Hub [https://revivalhub.com/] is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com [https://revivalhub.com/] to see what's playing this week.  Support the show [https://www.buzzsprout.com/2357245/support] Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

E74 • From Prison to Premiere • TAWFIK SABOUNI, dir. of ‘Other Side of the Sun‘ at Berlinale

Tawfik Sabouni breaks down his Berlinale-bound documentary Other Side of the Sun and how it grew out of lived experience, from filming protests during the Syrian revolution to imprisonment, exile, and ultimately shaping that reality into his first feature. He doesn’t separate fiction and nonfiction, approaching cinema as one language built around truth and urgency. The film follows survivors returning to the prison where they were held, using reenactment to access memory rather than spectacle. Built around faces instead of events, it focuses on the human imprint of trauma, with the process itself forcing Sabouni to confront experiences he nearly walked away from. Drawing from filmmakers like Rithy Panh (The Missing Picture) and Joshua Oppenheimer (The Act of Killing), the film blends personal testimony with cinematic form. The takeaway is clear: tell the stories that matter, especially the ones others would rather ignore. What Movies Are You Watching? [https://www.buzzsprout.com/2357245/fan_mail/new] Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.  Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature [https://filmfreeway.com/PastPresentFeature] Revival Hub [https://revivalhub.com/] is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com [https://revivalhub.com/] to see what's playing this week.  Support the show [https://www.buzzsprout.com/2357245/support] Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

E73 • Facing the Future Without Looking Away • CHARLIE TYRELL, co-dir. of ‘The AI Doc: Or How I Became an Apocaloptimist’ Now in Theaters from Focus Features

Charlie Tyrell breaks down how The AI Doc: Or How I Became an Apocaloptimist, this years SXSW Audience Award winner now in theaters from Focus Features, turns an overwhelming, abstract subject into something personal by grounding it in fatherhood. Instead of approaching AI through pure information or fear, the film frames it through the lens of bringing a child into the world, making the stakes immediate, emotional, and human. Co-directed by Daniel Roher, Academy Award winning director of Navalny, and produced by Daniel Kwan, Academy Award winning director of Everything Everywhere All At Once, the filmmaking process was massive and chaotic, built from dozens of interviews, extensive transcripts, and layered animation. The challenge was finding clarity inside that volume while keeping the film engaging and cinematic, reflecting a lineage of documentaries that blend personal narrative with larger ideas. Charlie’s past inspirations include Stories We Tell by Sarah Polley and recent films Weapons and 28 Years Later. At its core, AI is already here, already shaping everything, and the real question is who chooses to engage with it. Don’t assume someone else will shape the future for you. What Movies Are You Watching? [https://www.buzzsprout.com/2357245/fan_mail/new] Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.  Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature [https://filmfreeway.com/PastPresentFeature] Revival Hub [https://revivalhub.com/] is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com [https://revivalhub.com/] to see what's playing this week.  Support the show [https://www.buzzsprout.com/2357245/support] Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

E72 • Feel the Fear, Do it Anyway • FREDERIKE MIGOM, dir. of ‘Everyone’s Sorry Nowadays’ at Berlinale

Belgian filmmaker Frederike Migom breaks down her Berlinale premiere Everyone’s Sorry Nowadays, a coming-of-age story set almost entirely inside a single home and a young girl’s mind. The film explores identity through a tightly contained structure, blending realism with imagined sequences that bring the character’s inner world to life. She talks through her unconventional path into directing, from acting and production work to navigating Europe’s state-funded film system. A key turning point came not from making films, but from receiving funding, the moment she says she finally felt “allowed” to call herself a director. The conversation digs into adapting a novel, working within creative limitations, and why fear is an unavoidable part of the process.  Migom cites films like Boy, Arizona Dream, the work of Céline Sciamma and Andrea Arnold, and Eternal Sunshine of the Spotless Mind as touchstones for balancing realism with subjectivity. She also shares a simple philosophy that carried her through: feel the fear, do it anyway - and trust that the process will lead you where you need to go. What Movies Are You Watching? [https://www.buzzsprout.com/2357245/fan_mail/new] Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.  Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature [https://filmfreeway.com/PastPresentFeature] Revival Hub [https://revivalhub.com/] is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com [https://revivalhub.com/] to see what's playing this week.  Support the show [https://www.buzzsprout.com/2357245/support] Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature