Storyboard Artist: James Doh

Storyboard Artist: James Doh

In this episode, Christina sits down with storyboard artist James Doh. James originally studied automotive design before two of his professors, both concept artists, pulled him into the film industry. His first job was at the legendary main title company Imaginary Forces, where he worked on David Fincher's Seven. He's since spent three decades storyboarding for directors including David Fincher, Antoine Fuqua, Justin Lin, James Wan, Nicolas Winding Refn, and David S. Goyer — across horror, sci-fi, action, and drama. He shares his process, the dam-driving stunt in Fast X that started as a simple beat sheet, how Warner Bros built an entire house on a soundstage for The Conjuring 2, and what it took to re-storyboard Furious 7 after Paul Walker's passing. James' credits include: MICHAEL (2026) PLAY DIRTY (2025) THE KILLER (2024) AQUAMAN AND THE LOST KINGDOM (2023) FOUNDATION (2021-2023) FAST X (2023) THE CONJURING 2 (2016) FURIOUS 7 (2015) THIS IS 40 (2012) DRIVE (2011) FANTASTIC FOUR (2007) LIVE FREE OR DIE HARD (2007) And many more... Follow James and his work below: IMDb: https://www.imdb.com/name/nm2568535/

Stop Motion Animator: Sarah de Gaudemar

In this episode, Christina sits down with stop motion animator Sarah de Gaudemar. Sarah grew up in the Midwest, where the entertainment industry felt impossibly far away. She found stop motion in college and broke into the industry on MTV's Celebrity Deathmatch in the mid-90s. She's since animated for some of the most iconic stop motion features and series of the past three decades, including Coraline, Anomalisa, and Wendell & Wild, and now runs her own studio creating animation for clients like Disney, Kaiser Permanente, and hotels.com. Across the conversation, she shares her process, why handmade craft still has a soul that AI can't replicate, and the moment during COVID when her own kids became her animation reference. Sarah's credits include: KEVIN (2026) SPONGEBOB SQUAREPANTS (2009-2024) WENDELL & WILD (2022) RON'S GONE WRONG (2021) SANTA INC. (2021) THE LEGO BATMAN MOVIE (2017) ANOMALISA (2015) CORALINE (2009) ROBOT CHICKEN (2005–2014) GARY & MIKE (2001) CELEBRITY DEATHMATCH (1998–2002) And many more... Follow Sarah and her work below: IMDb: https://www.imdb.com/name/nm1447284/ Instagram: https://www.instagram.com/sarah_de_gaudemar/?hl=en

Production Designer: Fiona Crombie

In this episode, Christina sits down with Oscar-nominated production designer Fiona Crombie. Fiona trained as a theatre designer in Sydney, spent ten years in Australian theatre, then crossed into film through her longtime collaborator Justin Kurzel — first on commercials and music videos, then on his debut feature, The Snowtown Murders. She's since designed films for directors including Yorgos Lanthimos, Jane Campion, Craig Gillespie, Ari Aster, Bong Joon Ho, and Chloé Zhao. Across the conversation, she shares her process, her philosophy on collaboration with auteur directors, and the piece of advice from a cinematographer that changed her trajectory. Fiona's credits include: HAMNET (2025) MICKEY 17 (2025) BEAU IS AFRAID (2023) CRUELLA (2021) THE KING (2019) THE FAVOURITE (2018) MARY MAGDALENE (2018) UNA (2016) MACBETH (2015) SON OF A GUN (2014) TOP OF THE LAKE S1 (2013) DEAD EUROPE (2012) SNOWTOWN (2011) Follow Fiona and her work below: IMDb: https://www.imdb.com/name/nm2356249/ Instagram: https://www.instagram.com/fiona_crombie_/?hl=en

Costume Designer: Blair James

In this episode, Christina sits down with costume designer Blair James. Blair never planned to be a costume designer. She was an acting student dressing a college musical because the production couldn't afford one. The costumes won her a national award. A few years of LA celebrity styling later, she got the call to costume design Obsession — her first feature. She walks us through it all: blind-pitching the entire wardrobe to director Curry Barker the first time they met, why Bear's first look had to feel "really ugly to look at, and really nice to look at," running over a character's clothes in her gravel driveway to age them, and what it feels like to be the entire wardrobe department on a $750K horror film. Blair's credits include: INVERTIGO (2027) OBSESSION (2026) FALL 2: DEADPOINT (2026) SHATTERED (2025) THE PLEDGE (2024) BROKEN BRANCHES (2025) COZUMO ROOT (2025) THE CALLING (2023) And many more… Follow Blair and her work below: IMDb: https://www.imdb.com/name/nm10692673/ Instagram: https://www.instagram.com/blair_james/ Website: https://www.blair-james.com

Gaffer: Julian White

In this episode, Christina sits down with gaffer Julian White. Julian started out as a painter. Thirty years later, he's lit films for Werner Herzog, Ridley Scott, Robert Eggers, and John M. Chu — including The Martian, Crazy Rich Asians, and Rescue Dawn. He walks us through it all: three months of chaos in Thailand with Werner Herzog on Rescue Dawn, what it's like to light fire-only sets for Robert Eggers, Ridley Scott's "tinsel on a fan" trick on The Martian, and why he believes filmmaking (like cooking) should be done by intuition. Julian's credits include: WERWULF (2026) THE MIDNIGHT SKY (2020) ARTEMIS FOWL (2020) CRAZY RICH ASIANS (2018) MURDER ON THE ORIENT EXPRESS (2017) GAME OF THRONES (2016) THE MARTIAN (2015) CINDARELLA (2015) LOCKE (2013) OFFENDER (2012) CONTROL (2007) RESCUE DAWN (2006) And many more… Follow Julian and his work below: IMDb: https://www.imdb.com/name/nm0925030/ Instagram: https://www.instagram.com/bloodandlight66/?hl=en