He Self-Funded His Entire Feature and Burned His Own Ferrari | Tyler Shields

He Self-Funded His Entire Feature and Burned His Own Ferrari | Tyler Shields

What does it actually take to self-fund an entire feature film, shoot it on every format of film ever made, invent two new cinematic formats in the process— and make a movie so stunning that people think you spent millions? In this episode of The Next Film, Jessica sits down with renowned photographer and filmmaker Tyler Shields, whose indie feature 'Chapter 51' looks nothing like an indie at all. Tyler funded the entire film himself, using money made from his photography career to make more art— and it's one of the most technically audacious indie films ever made. The film stars Abigail Breslin, Colman Domingo, and Emily Alyn Lind. Tyler also won the Kodak Vision Award for his extraordinary dedication to the film medium. Whether you're making your first feature on a shoestring, trying to protect your creative vision, or figuring out how to use what you have access to — this conversation is one of the most inspiring and technically rich we've ever had on the pod. We dive into: • How he self-funded the entire film and burned his own Ferrari for it • Inventing anamorphic IMAX• Collaborating with Giovanni Ribisi, Kodak, IMAX, and Panavision • How scanning technology for IMAX went from taking 9 months to 9 days— because of this film • Shooting with a maximum crew of 7 people • Making the IMAX camera quiet and shooting dialogue scenes • Why time is the real difference between a $100K and a $1M movie • Using film stocks from the 1970s and unreleased Kodak stocks that haven't come out yet • His advice for filmmakers shooting on film for the first time The Next Film follows the real-time journey of making a second feature, documenting what it actually takes to level up in scope, budget, and craft. Each episode features candid, craft-focused conversations with filmmakers who have done it, are doing it, or are experts in the process.Hosted by award-winning filmmaker & actor Jessica Michael Davis New episodes premiere every week on YouTube, Spotify, and Apple Podcasts. Subscribe and join the journey, we'd love to have you! @thenextfilmpodcast For partnership inquiries, please contact: TheNextFilmpodcast@gmail.com Let us know in the comments what stage you’re at in your filmmaking journey, what advice resonated most from this episode, or what topics you’d love us to cover next. Produced by Casey Geraghty Support The Next Film:If you value these conversations and want to help keep them free and accessible to filmmakers everywhere, you can make a tax-deductible donation at the link below. Simply select The Next Film from the dropdown menu. https://www.allianceofwomendirectors.org/fiscal-sponsorship/

What Paul Feig, Bella Thorne & Working Directors Taught Me | AWD Back to Set

What does it actually take to level up as a director, and what can two days inside a room full of working directors teach you about making your next film? In this episode, The Next Film goes live! Jessica covered the Alliance of Women Directors' Back to Set Working Directors Intensive— a two-day symposium bringing together working directors and industry leaders for workshops, masterclasses, and panels. Jessica sat in on every panel and got access to some of the most accomplished directors working today. Whether you're making your first film, your next one, or trying to figure out how to keep going in an industry that doesn't make it easy, this episode is packed with honest, unfiltered insight from the people who have actually done it. We dive into: • Paul Feig on why story always beats technical and why he sees the studio as his ally • Bella Thorne on longevity, vulnerability on set, and what it really means to keep getting up • Katie Aselton on going back to scrappy indie filmmaking • The one question to ask before pitching your project • The writer/director and DP behind Sundance Grand Jury Prize winner Josephine • A behind-the-scenes look at directing stunts and action • A hot take on the filmmaking advice we keep hearing, and why it's time to retire it • What the community of Back to Set does that no online course or YouTube video can replicate Featured voices: Paul Feig (Bridesmaids, A Simple Favor), Bella Thorne, Katie Aselton (Golden Hour, Mack & Rita), Tina Mabry (The Supremes at Earl's All-You-Can-Eat, Pose, Insecure), Beth de Araújo & Greta Zozula (Josephine, Sundance Grand Jury Prize), Zachary Wasserman (VP of Feature Film Development at Mandalay Pictures) and more. The Next Film follows the real-time journey of making a second feature — documenting what it actually takes to level up in scope, budget, and craft. Each episode features candid, craft-focused conversations with filmmakers who have done it, are doing it, or are experts in the process. Hosted by award-winning filmmaker & actor Jessica Michael Davis New episodes premiere every Wednesday on YouTube, Spotify, and Apple Podcasts.Subscribe and join the journey, we'd love to have you! @thenextfilmpodcast For partnership inquiries, please contact: TheNextFilmpodcast@gmail.com Let us know in the comments what stage you’re at in your filmmaking journey, what advice resonated most from this episode, or what topics you’d love us to cover next. 🎙 Produced by Casey Geraghty🎧 Support The Next Film:If you value these conversations and want to help keep them free and accessible to filmmakers everywhere, you can make a tax-deductible donation at the link below. Simply select The Next Film from the dropdown menu. https://www.allianceofwomendirectors.org/fiscal-sponsorship/

The Only Option When Rejection Hits

Rejection is part of filmmaking. But what happens when it actually breaks you? In this solo episode, I get candid about a heartbreaking rejection I experienced just last week for my next feature— and what it took to come out the other side. This isn't a polished "here's the lesson I learned years ago" story. I'm still in it. But I'm forging ahead. Because when rejection hits in this industry, you really only have two options: give up or keep going. And giving up was never an option. We dive into: * The casting rejection that stopped me in my tracks— and why it still ended up being a win * Why I couldn't hear that little voice telling me "something better is coming" and what changed * How losing my dream cast for Escaping Ohio led to something even better * How a "no" from my favorite author in 2019 eventually led to us co-writing a film together * The short film that fell apart over a creative disagreement, and how it became the foundation for my next feature * Why you should never protect yourself from caring too much about your work * The mindset shift that makes rejection survivable Rejection doesn't get easier. What matters is what you do next. The Next Film follows the real-time journey of making a second feature, documenting what it actually takes to level up in scope, budget, and craft. Each episode features candid, craft-focused conversations with filmmakers who have done it, are doing it, or are experts in the process. Hosted by award-winning filmmaker & actor Jessica Michael Davis New episodes premiere every Wednesday on YouTube, Spotify, and Apple Podcasts. Subscribe and join the journey, we'd love to have you! @thenextfilmpodcastFor partnership inquiries, please contact: TheNextFilmpodcast@gmail.com Let us know in the comments what stage you’re at in your filmmaking journey, what advice resonated most from this episode, or what topics you’d love us to cover next. Produced by Casey Geraghty

What Directing 4 Features Taught Her | Mercedes Bryce Morgan

What does it actually take to direct four indie features— and land Awkwafina, Anthony Ramos, and Ken Jeong for your most ambitious one yet? In this episode of The Next Film, Jessica sits down with Mercedes Bryce Morgan, a director whose career spans horror, erotic thriller, and now surrealist dark comedy. Mercedes just wrapped her 4th feature 'Kaet Might Die' and this is the first interview she gets to talk about it. We also dig into 'Bone Lake', her erotic thriller from Bleecker Street, which debuted on the Top 10 when it hit Netflix, and all the lessons she's learned along the way. Whether you're making your first, second, or third feature, trying to level up, or figuring out how to evolve your voice across genres— this conversation is packed with honest, unfiltered insight from a filmmaker who has built her career entirely on her own terms. We dive into: • How she cast Awkwafina, Anthony Ramos, Ken Jeong & more in an indie surrealist dark comedy • What changed in her prep and directing process after four features • Why she stopped over-storyboarding — and what she does instead • Shooting Bone Lake as an erotic thriller and navigating that genre as a female director • The "shoot the inserts later" method that transformed how she works on set • Why she scheduled the hardest scene on day one • How she found her reps— and kept them for 9 years • Her advice for indie directors coming up The Next Film follows the real-time journey of making a second feature — documenting what it actually takes to level up in scope, budget, and craft. Each episode features candid, craft-focused conversations with filmmakers who have done it, are doing it, or are experts in the process. Hosted by award-winning filmmaker & actor Jessica Michael Davis. New episodes premiere every Wednesday on YouTube, Spotify, and Apple Podcasts. Subscribe and join the journey, we'd love to have you! @thenextfilmpodcast For partnership inquiries, please contact: TheNextFilmpodcast@gmail.com Let us know in the comments what stage you’re at in your filmmaking journey, what advice resonated most from this episode, or what topics you’d love us to cover next. Produced by Casey Geraghty. Support The Next Film: If you value these conversations and want to help keep them free and accessible to filmmakers everywhere, you can make a tax-deductible donation at the link below. Simply select The Next Film from the dropdown menu. https://www.allianceofwomendirectors.org/fiscal-sponsorship/

From Actress to Award-Winning DP | Ksusha Genenfeld on Shooting Indie Horror on 16mm

What does it actually take to shoot your first feature on 16mm film, get nominated for cinematography alongside Hoyte van Hoytema, and build a career as one of indie horror's most distinctive visual voices? In this episode of The Next Film, Jessica sits down with cinematographer Ksusha Genenfeld, whose work on the Shudder horror film 'A Wounded Fawn' earned her a cinematography nomination alongside some of the biggest DPs working today— on her very first feature. She's since shot 'Perfect' (SXSW 2026, starring Julia Fox) and 'Motherland' (starring Tony-winner Miriam Silverman) and has seven features under her belt— all while championing 16mm film, all-women camera departments, and a deeply actor-informed approach to cinematography. Whether you're a director trying to understand how to work with your DP, a filmmaker considering shooting on film for the first time, or someone just trying to make something bold on a limited budget, this conversation is packed with honest, craft-level insight from someone doing it at the highest level of indie film. We dive into: • How she got hired to shoot 'A Wounded Fawn' on 16mm— on her very first feature • The visual "rules" she creates for every film • Why she lets actors move first and lights around them • The DP-director relationship• Shooting 'Perfect' and premiering at SXSW 2026 • How color grading can make or break your film— and why she puts it in her contract • Advocating for women behind the camera • Her shooting ratio advice for indie films on 16mm • The tip most indie filmmakers don't know • Why going bold on set beats playing it safe • Her key takeaways from shooting 7 features The Next Film follows the real-time journey of making a second feature — documenting what it actually takes to level up in scope, budget, and craft. Each episode features candid, craft-focused conversations with filmmakers who have done it, are doing it, or are experts in the process. Hosted by award-winning filmmaker & actor Jessica Michael Davis New episodes premiere every Wednesday on YouTube, Spotify, and Apple Podcasts. Subscribe and join the journey, we'd love to have you! @thenextfilmpodcast For partnership inquiries, please contact: TheNextFilmpodcast@gmail.com Let us know in the comments what stage you’re at in your filmmaking journey, what advice resonated most from this episode, or what topics you’d love us to cover next. Produced by Casey Geraghty Support The Next Film: If you value these conversations and want to help keep them free and accessible to filmmakers everywhere, you can make a tax-deductible donation at the link below. Simply select The Next Film from the dropdown menu. https://www.allianceofwomendirectors.org/fiscal-sponsorship/