Sverre Fehn's architecture of memory

Sverre Fehn's architecture of memory

Today we’re in Hamar, Norway, to explore one of the most powerful architectural interventions of the last century: Sverre Fehn’s museum within the ruins of Storhamar Barn. To guide us through it, I’m joined by architect and writer Per Olaf Fjeld, who worked closely with Fehn and has written extensively on his legacy. Storhamar is not a restoration. It’s an architectural conversation across centuries. Rather than rebuilding the medieval barn, Fehn inserted a timber and concrete structure inside its shell - careful not to touch the original stone walls. What emerges is an experience of walking through time: past and present suspended in a single space. Fehn believed that architecture should never erase history. Instead, he asked how we might build beside it - allowing old and new to remain in honest dialogue. In this episode, we discuss: ● Why Fehn’s approach at Storhamar was more subtraction than addition ● The role of contrast — concrete against stone, timber against light — in making materials legible ● How Fehn’s philosophy of presence shaped the spatial choreography of the barn ● The ethics of architectural restraint and how it plays out in this museum Key Themes and Discussion Highlights ● Building in relation to memory and time ● The architectural power of silence and stillness ● Material clarity as a moral stance ● Fehn’s humanistic approach to scale and light ● Storhamar as an example of quiet modernism at its most articulate Guest Info Per Olaf Fjeld is a Norwegian architect, educator, and author. He collaborated with Sverre Fehn early in his career and later became one of the leading interpreters of Fehn’s work, publishing several books and essays that explore his architectural thinking. Resources and Links ● Watch the full film on Storhamar Barn ● Read Per Olaf Fjeld’s writing on Sverre Fehn ● Norwegian Architecture Museum – Archive on Storhamar Quotes from the Episode: - “Fehn didn’t try to finish the building. He tried to listen to what was already there.” - “This is a museum that doesn’t tell you what to think. It asks you to pay attention.” Website: www.jameshamiltonarchitects.com Instagram: @jameshamiltonarchitects Production: OneFinePlay.com

The steely stillness of Skywood House

Welcome back to An Architect’s Perspective. I’m James Hamilton, and in this episode, we explore Skywood House - a landmark of minimalist architecture by Graham Phillips, completed in 1999. Tucked into the English countryside, Skywood House is built entirely from glass, concrete, and steel. But its impact isn’t about materials. It’s about mood. This is minimalism as atmosphere: a house of light and silence. Walking through the house, I reflect on what makes it work. How do you design restraint? What does it mean to frame nature without dominating it? What makes this house - almost 25 years later - still feel contemporary? The film takes you through the architecture with a designer’s eye. The podcast explores what this kind of architecture asks of its occupants - and what it gives in return. Key Moments & Topics of Conversation ● The influence of Mies van der Rohe and the language of precision ● Designing with a limited palette: the discipline of material choice ● The role of reflection, rhythm, and repetition in minimalist design ● Why abstraction doesn’t mean absence — and how this house holds emotion ● Personal reflections on architecture as a framing device, not a container ● Why Skywood is less about minimalism as a trend, and more about architecture as calm Host Info James Hamilton, founder of James Hamilton Architects. Trained at Cambridge and Harvard, James brings a practitioner’s eye to every episode - offering grounded insight, clear storytelling, and a deep respect for the buildings under discussion. Quotes “Minimalism isn’t about less. It’s about focus. And Skywood House gives you nothing to hide behind.” “There’s no ornament. No distraction. What you’re left with is the weight of space — and the clarity of thought behind it.” “It’s a house that doesn’t try to say too much. Which is what makes it say so much.” Website: www.jameshamiltonarchitects.com Instagram: @jameshamiltonarchitects Production: OneFinePlay.com

The modernist buildings of India

I’m James Hamilton, and in this episode, we turn our attention to B. V. Doshi — one of India’s most revered architects, and the first from the country to win the Pritzker Prize. This conversation took place in 2018, at his home in Ahmedabad. What unfolded was more than a professional interview. It was a rare, personal insight into the philosophy and life story of a man who saw architecture not just as construction, but as culture. Doshi speaks about his early years working with Le Corbusier and Louis Kahn, his love of Indian tradition, and his belief in architecture as a social act. We talk about the importance of shade and breeze, the meaning of thresholds, and why life—not form—should always be the starting point for design. This episode isn’t just about buildings. It’s about attention. About values. About how we choose to live, and what architecture can do to support that. Key Moments & Topics of Conversation ● Working under Le Corbusier and how it shaped Doshi’s sensibility ● Founding School of Architecture and CEPT University in Ahmedabad ● Why he believed modernism must be adapted to Indian culture and climate ● Reflections on Aranya Housing, Sangath, and IIM Bangalore ● Architecture as a form of storytelling and spatial choreography ● The body, the senses, and the everyday as foundations of design ● A deep commitment to community, humility, and place Balkrishna Vithaldas Doshi (1927–2023) was an architect, educator, and urbanist whose work defined post-independence architecture in India. Known for combining modernist principles with vernacular sensitivity, his legacy includes over 100 built projects and generations of students. He was awarded the Pritzker Prize in 2018. Host Info James Hamilton, founder of James Hamilton Architects. Trained at Cambridge and Harvard, James brings a practitioner’s eye to every episode - offering grounded insight, clear storytelling, and a deep respect for the buildings under discussion. Links and Resources ● James Hamilton Architects ● Watch the full episode on YouTube ● CEPT University ● Sangath Studio Project Page (Vastushilpa Foundation) ● Aranya Low Cost Housing Quotes “Architecture is not the building. It’s the space between the buildings. It’s the thresholds. The breeze. The possibility of meeting.” “You don’t design from the mind. You design from the body — from the senses, from experience, from life itself.” “What we need is not monuments. We need memories. And memory comes from living well.” Website: www.jameshamiltonarchitects.com Instagram: @jameshamiltonarchitects Production: OneFinePlay.com

The most radical cricket stadium in India

This is a conversation about more than just sports architecture. It’s about the intersection of land, politics, and public life. Correa’s stadium doesn’t dominate its site—it rests lightly on it, more pavilion than monument. It invites people in, rather than fencing them out. And it’s shaped as much by the climate as it is by the culture. We’re in Ahmedabad, at the Sardar Vallabhbhai Patel Stadium, designed by Charles Correa in the early 1980s. It’s one of his most radical works—at once minimal, monumental, and deeply democratic. To unpack this building’s meaning and its legacy, I’m joined by architect, urbanist, and professor Rahul Mehrotra. Rahul brings an insightful and generous reading of the project, drawing connections between Correa’s design principles and broader questions of civic space in India today. If you’ve ever thought stadiums were all about scale and spectacle, this episode might just change your mind. Key Moments & Topics of Conversation ● The design logic and spatial strategy of the Patel Stadium ● How Correa subverted conventional stadium typologies ● The relationship between the architecture and the Ahmedabad landscape ● Rahul’s personal experiences at the stadium growing up ● Shade, breeze, and climate as structuring forces in tropical architecture ● Civic architecture as a platform for democracy and inclusion ● Correa’s legacy as seen through the lens of the stadium Guest Info Rahul Mehrotra is an architect, urbanist, and educator. He is the founder of RMA Architects and Professor of Urban Design and Planning at Harvard GSD. Rahul’s work spans design, research, and activism, with a deep commitment to the built environment of India and the global South. Links and Resources ● James Hamilton Architects ● RMA Architects ● Charles Correa Foundation ● Sardar Patel Stadium Project Page ● Watch the full episode on YouTube Quotes “It’s a building that breathes with the land. Not something you arrive at, but something you’re already in.” “There’s a generosity to the design—a refusal to monumentalise, a willingness to serve.” “This is a stadium where cricket is an event, yes, but it’s also a gathering, a celebration of community.” Website: www.jameshamiltonarchitects.com Instagram: @jameshamiltonarchitects Production: OneFinePlay.com

Nondita Mehrotra on Correa's living legacy

I’m James Hamilton, and in this episode, we explore a building that transcends architecture to touch on something far deeper: dignity, restraint, and national memory. We’re in Ahmedabad, India, at the Gandhi Ashram - designed by Charles Correa, one of the most influential figures in tropical modernism. And joining me is Nondita Mehrotra, an architect and academic whose life and work intersect closely with Correa’s legacy. What does it mean to build a space that honours a life like Gandhi’s? How do you design without ego, while still creating something resonant and lasting? In this conversation, Nondita helps unpack the nuanced genius of Correa’s ashram - a building that manages to be both modest and monumental. Together, we explore themes of cultural memory, architecture’s role in healing, and the ethics of representation. This is not just a story about one building. It’s about architecture as a form of empathy - and about what modernism can look like when it’s rooted in context, not ideology. So let’s step inside this space of quiet power. Key Moments & Topics of Conversation ● Charles Correa’s design philosophy and lifelong commitment to human-centric architecture ● The Gandhi Ashram as a case study in restraint, symbolism, and architectural humility ● Nondita’s perspective on working with legacy and place as an Indian woman architect ● The spatial rhythm of the ashram, and how it shapes visitor experience ● Reflections on climate, materiality, and spiritual atmosphere in Correa’s work ● What it means to design for national memory without monumentality ● The evolving relevance of tropical modernism today Guest Info Nondita Mehrotra is an architect and educator whose work focuses on contemporary architecture in India, with a special interest in cultural institutions and the legacy of post-independence modernism. She is the daughter of Charles Correa and works actively to advance his architectural and civic vision. Links and Resources ● James Hamilton Architects ● Charles Correa Foundation ● Gandhi Ashram, Ahmedabad ● An Architect’s Perspective on YouTube Quotes “He didn’t try to replicate Gandhi’s life in the form. He let the light, the air, the silence do the work.” “It’s one of the only national memorials I know that doesn’t feel like it’s trying to impress you.” “The building never says ‘look at me.’ But somehow, you do.” Website: www.jameshamiltonarchitects.com Instagram: @jameshamiltonarchitects Production: OneFinePlay.com