Anachronism

On this episode, I speak with a young composer of new orchestral music, Hamish Ander.  Hamish joined me from Melbourne, Australia where he uses modern music technologies to bring new orchestral music to life.  He and I met through a mutual friend, and I was immediately impressed by his ability to create convincing simulacra of orchestral performances.  He uses a keen, classically-trained ear to navigate complex modern music technologies.  In addition to creating his own new musical works, he helps other composers get a realistic snapshot of orchestral music without the massive investment of hiring a live ensemble. His is a refreshing and genuine emerging musical voice and I know you will enjoying hearing him share about his journey into classical music on this episode.  For my composer friends, if you'd like to connect directly with Hamish to help with your work, please send me an email at salutations@gustavhoyer.com [salutations@gustavhoyer.com] and I can connect you directly.

In this episode, I am honored to welcome composer Peter Boyer to the Anachronism podcast. Peter and I recorded this interview shortly before the highly successful premiere of his newest work, Balance of Power, upon which we touched in our discussion: https://www.washingtonpost.com/entertainment/music/lang-lang-kennedy-center-nso-concert/2021/09/19/5e146496-1945-11ec-8380-5fbadbc43ef8_story.html Peter and I crossed paths in conservatory at the Hartt School in Connecticut when we were students. He has gone from there to become one of the most frequently performed American orchestral composers of his generation. His works have received over 500 public performances by nearly 200 orchestras, and thousands of broadcasts by classical radio stations around the United States and abroad. He has conducted recordings of his music with three of the world’s finest orchestras: the London Symphony Orchestra, the Philharmonia Orchestra, and the London Philharmonic Orchestra. He has received commissions from several of the most esteemed American institutions and ensembles, including the Kennedy Center for the National Symphony Orchestra, the Boston Pops, Cincinnati Pops, and “The President’s Own” United States Marine Band. Other orchestras which have performed his music include the Philadelphia Orchestra, Cleveland Orchestra, Pittsburgh Symphony, Houston Symphony, Dallas Symphony, Nashville Symphony, and Hollywood Bowl Orchestra. We talk about how he got started writing 'classical' music and he shares some of the human side of his journey with orchestral music.  I know you'll be enriched by our discussion. You can learn more about him and his work at https://propulsivemusic.com [https://propulsivemusic.com] - Photo of Peter Boyer courtesy of Danika Singfield.

We are back with some active listening. In this episode, I share a recent release, Phi. Spotify: https://open.spotify.com/track/1djFGNxniWf98LWVO1w5Wk [https://open.spotify.com/track/1djFGNxniWf98LWVO1w5Wk] Apple: https://music.apple.com/us/album/phi-feat-peter-pejtsik-the-budapest-film-orchestra/1563857077?i=1563857078 [https://music.apple.com/us/album/phi-feat-peter-pejtsik-the-budapest-film-orchestra/1563857077?i=1563857078] This orchestral work derives its name from its structural reliance upon a special mathematical relationship known by the greek letter that denotes it.  This musical ratio has a long history of influence in the arts, and its manifestations in the natural world are ubiquitous. You'll note the nautilus shell in the album art...there's one clue for you. You can read about Phi and the Golden Proportion (aka the Golden Ratio or Golden Mean) here: https://en.wikipedia.org/wiki/Golden_ratio [https://en.wikipedia.org/wiki/Golden_ratio] To help you hear the structure of this piece, I share a poem that is built upon the same structural approach.  You will hear Phi in words and music on this episode. I encourage you to subscribe so that you don't miss some great interviews and discussions coming up.  If you like this podcast, I would be grateful if you would take a minute and leave comments or a review at your favorite podcast location.  You can help me share this experience with others.

On this episode, I share insight into my latest release Terra, the Bringer of Life. It was written for a special series of concerts commemorating the 100th anniversary of Gustav Holst's The Planets. I share snippets of the arrangement and line them up with Terra. Spotify: https://open.spotify.com/track/6CY1MNTjfMqpMWydSthnya?si=16b5984ec28241ad [https://open.spotify.com/track/6CY1MNTjfMqpMWydSthnya?si=16b5984ec28241ad] Apple Music: https://music.apple.com/us/album/terra-the-bringer-of-life-single/1552408114 [https://music.apple.com/us/album/terra-the-bringer-of-life-single/1552408114]

In part two of my conversation with Steve, we turn out attention to his work as a composer and how it was that 'classical' music entered his life. I had the pleasure of co-producing concerts in LA with Steve in 2009-2010. Here's a link to our performance of his work, With You Always [https://www.youtube.com/watch?v=qOSDXOyxgvA] Composer Richard Wagner [https://en.wikipedia.org/wiki/Richard_Wagner]