Ki to the City
If you’re anywhere near the Tri-state area, or fancy flying on a whim, consider this your official, enthusiastic invitation: Bond Street Dojo will be hosting Melissa Bell Sensei for a special seminar [https://www.bondstreet.org/post/melissa-bell-sensei-seminar-1] this coming weekend, July 17th, 18th, and 19th. Melissa Sensei is Chief Instructor at Sarasota Aikikai [https://sarasotabudokan.com/], a dojo with some pretty immense historical gravity; Sarasota was the very first American city where Saotome Sensei settled upon leaving Japan in 1975 to spread O-Sensei’s vision. Being the custodian of such a lineally vital dojo is a massive responsibility, and Melissa Sensei carries that lineage forward sincerely, with integrity and grace. Her Aikido origin story began in 1992 at the famed Aikido Shobukan Dojo in D.C. During those formative years, Shobukan was the epicenter of ASU in the United States. Saotome Sensei was still in residence at the time. Surrounded by a bevy of influential teachers, Melissa Sensei described the environment as nothing short of extraordinary—like attending a master-level seminar every single night. But what makes Melissa Sensei’s practice so fascinating to me is how she’s augmented this immaculate traditional foundation through passionate, cross-disciplinary research. She brings two seemingly radically different, yet entirely complementary, influences to her Aikido: Argentine Tango and Shotokan Karate. Her dedicated exploration of improvisational Tango fundamentally deepens her understanding of musubi. In Tango, she says, there’s nowhere else to go and nowhere else to be; the follower must stay completely present, maintaining a vertical axis while remaining exquisitely sensitive to the leader’s subtle physical cues. This non-verbal dialogue translates fluently into the dojo, enhancing environmental awareness and the ability to seamlessly blend. On the other end of the spectrum, Melissa Sensei spent years subjecting herself to the rigors of a legit striking art, earning a Shodan in Shotokan Karate under the legendary Rick Hotton Sensei. By studying striking so deeply, she gained a visceral understanding of an attacker’s true biomechanics, velocity, and intent. The synthesis of these diverse disciplines is intriguing to say the least. Tango provides a breathtakingly fluid grace, while Karate ensures a sharp, pragmatic martial reality. The result is an expression of Aikido that is soft, inviting, and effortlessly beautiful, yet contains an enormous wellspring of (gentle) crushing power. It’s a perfect embodiment of balancing the sword that takes life with the sword that gives life. But as they say: you truly have to feel it to believe it. If you want to experience how relational (or is it rotational?) momentum (you’ll get the joke after you hear the episode), attention to posture, and (gentle) crushing power can completely revolutionize your practice, please come join us at Bond Street Dojo this weekend (July 17th-19th) I want to write more, but we just recorded this yesterday and I need to get it out in time… As promised, here is Melissa Sensei’s future Seminar Schedule [https://asu.org/calendar/] Support Ki to the City “Ki to the City” remains a reader-supported publication. If you draw inspiration from these dialogues and wish to help me keep this podcast alive and growing, I humbly ask for your support. Please consider signing up to be a paid subscriber. If you would prefer to make a one-time contribution, you can email me directly at jondiluca@yahoo.com, and as a token of my immense gratitude, you will receive a complimentary copy of Don Dickie Sensei’s deeply reflective volume of poetry, Silent Winds of Aikido. Get full access to Ki to the City at kitothecity.substack.com/subscribe [https://kitothecity.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]
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