Sounds Like
Welcome back to Sounds Like! In this final episode with Mercedes Azpilicueta, she discusses her most recent sound piece, Seized Atelier, a sonic search for her own voice amidst a new phase of unlearning.
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10 jaksot
Episode 10 | Infrasonica
Welcome back to the tenth and last episode of Sounds Like, Infrasonica’s audio show and latest venture. For this episode, we gathered around the team of Infrasonica, editor in chief Pablo José Ramírez, managing editor Sam Simon and project manager Eloisa Travaglini. Close to Infrasonica’s fifth birthday, we gather around a virtual table across countries and time–zones, just as we do every week, and we think of what Infrasonica is today: what does it mean to be a digital platform dedicated to sound in 2025? How does our definition of non Western evolve? What are the new challenges and projections? We hope to share with you a glimpse of Infrasonica’s journey. As always, thank you for listening.
Episode 9 | Julian Abraham Togar
Welcome back to Sounds Like. In the final episode with Julian Abraham ‘Togar’, he speaks about Indonesian concepts of balance and shares what’s behind his sound pieces, titled Malapetaka. Malapetaka is a Malay word that translates to calamity, misfortune, or disaster. It can be human or planetary, personal or general but it always signifies destruction, while its rhythms take us somewhere unexpected.
Episode 8 | Julian Abraham Togar
Welcome back to Sounds Like. In this second chapter of our conversation with Julian Abraham ‘Togar’. After exploring his experience among Yogyakarta and Amsterdam, Julian discusses the agency of sharing space and the experience of sound as the basis of his life and practice.
Episode 7 | Julian Abraham Togar
Welcome to Sounds Like. For this episode, we’re joined by our third and final guest, Julian Abraham ‘Togar’, a cross-disciplinary artist, musician, programer, and self-proclaimed “pseudo-scientist” based in Yogyakarta, Indonesia. For Sounds Like, Julian responded to Infrasonica’s second editorial line, Audible Matter with three sound pieces under the collective title Malapetaka. We start the conversation navigating his youth in Yogyakarta, Indonesia and how it seeded his approach to sound. He then takes us through Amsterdam where he developed his jamming practice as a communal experience.
Episode 6 | Mercedes Azpilicueta
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