The Shakespeare Fiction Podcast

Episode 8: After the Curtain Falls: Recovering Shakespeare's Women in Joy MacCullough'sEnter the Body

32 min · 6. heinä 2026
jakson Episode 8: After the Curtain Falls: Recovering Shakespeare's Women in Joy MacCullough'sEnter the Body kansikuva

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In this episode of Shakesfic, I review Joy McCullough's Enter the Body, a powerful young adult novel inspired by four of Shakespeare's tragic heroines: Ophelia, Juliet, Cordelia, and Lavinia. Together, we explore how McCullough reimagines these iconic women beyond the moments that defined them in Shakespeare's plays, creating a moving story about friendship, grief, memory, and reclaiming forgotten voices. I also reflect on Whitney White's All Is But Fantasy, discuss the Victorian fascination with Ophelia, and consider why Shakespeare's women continue to resonate with modern readers. Book recommendation: Shakespeare's Sisters: How Women Wrote the Renaissance by Ramie Targoff, an engaging exploration of the remarkable women writers of the Renaissance whose achievements have often been overshadowed. Film recommendation: The Virgin Suicides, directed by Sofia Coppola, a dreamlike and haunting meditation on girlhood, memory, and the stories that survive after young women are gone. Perfect for readers of Shakespeare retellings, literary fiction, young adult fiction, feminist literary criticism, and anyone interested in Shakespeare's women, adaptation, and contemporary book recommendations.

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jakson Episode 8: After the Curtain Falls: Recovering Shakespeare's Women in Joy MacCullough'sEnter the Body kansikuva

Episode 8: After the Curtain Falls: Recovering Shakespeare's Women in Joy MacCullough'sEnter the Body

In this episode of Shakesfic, I review Joy McCullough's Enter the Body, a powerful young adult novel inspired by four of Shakespeare's tragic heroines: Ophelia, Juliet, Cordelia, and Lavinia. Together, we explore how McCullough reimagines these iconic women beyond the moments that defined them in Shakespeare's plays, creating a moving story about friendship, grief, memory, and reclaiming forgotten voices. I also reflect on Whitney White's All Is But Fantasy, discuss the Victorian fascination with Ophelia, and consider why Shakespeare's women continue to resonate with modern readers. Book recommendation: Shakespeare's Sisters: How Women Wrote the Renaissance by Ramie Targoff, an engaging exploration of the remarkable women writers of the Renaissance whose achievements have often been overshadowed. Film recommendation: The Virgin Suicides, directed by Sofia Coppola, a dreamlike and haunting meditation on girlhood, memory, and the stories that survive after young women are gone. Perfect for readers of Shakespeare retellings, literary fiction, young adult fiction, feminist literary criticism, and anyone interested in Shakespeare's women, adaptation, and contemporary book recommendations.

6. heinä 202632 min
jakson Episode 7: We That Are Young: Language, Power, and the Afterlife of Lear kansikuva

Episode 7: We That Are Young: Language, Power, and the Afterlife of Lear

What happens when King Lear is reimagined through the lens of postcolonial India? In this episode of The Shakesfic Podcast, Koel explores We That Are Young by Preti Taneja—a bold, unsettling adaptation that doesn’t just retell Shakespeare, but actively reshapes him. This is a novel about language, inheritance, and power. Koel looks at how Taneja reworks King Lear through corporate dynasties, fractured narration, and code-switching—and how her version of Sita draws on both Shakespeare and the Ramayana to complicate ideas of silence, endurance, and resistance. Koel also reflects on what it means to inherit Shakespeare as a British Asian writer, and how this novel sits within a wider tradition of adaptation, performance, and cultural negotiation.

20. huhti 202626 min
jakson Episode 3: Margaret Atwood’s Hag-Seed and the Joy of Talking Back to Shakespeare kansikuva

Episode 3: Margaret Atwood’s Hag-Seed and the Joy of Talking Back to Shakespeare

In today’s episode, we trade the magic staff for a prison ID badge. We’re doing a deep dive into Margaret Atwood’s 2016 reimagining of The Tempest. We explore how the protagonist, Felix, mirrors the vengeful Prospero and how a group of inmates at a correctional facility find their own voices through the character of Caliban. From the "no-cursing" rule to the haunting presence of a ghostly Miranda, we break down why this is one of the most successful Shakespearean retellings of the century. 📚 Key Themes Discussed * Performance as Therapy: Can Shakespeare actually rehabilitate? * The Power of Language: The "Shakespearean Insults" only rule. * Internal Prisons: Grief as the ultimate "island." * Technology vs. Sorcery: How modern special effects replace Prospero’s staff.

20. tammi 202632 min