Alison Reid wants you to put down your phone—and go on an adventure

Sara Wylie on why capitalism is the worst

Sara Wylie got her filmmaking start in her late twenties, dipping her toe into documentary through her work as a political organizer after making anti-Stephen Harper comedy videos. Soon, her passion for storytelling developed into a heightened curiosity about how she processes her own life and experiences as someone experiencing complex chronic illness. In this personal inquisition, Wylie fell upon the concept of Crip Time, contemplating how able-bodied versus disabled bodies relate to time. In a capitalist society, we are forced to bend to our clocks to keep up with the rapid pace of life. Crip time offers a new, radical approach worth considering: time should bend to disabled bodies and minds instead. Shot on Super 8 and primarily eco-processed with plant materials by hand, in this episode of the VIFF Podcast, we talk with Wylie about her journey creating her short, Resistance Meditation. She describes it as "a weird little movie" — but Resistance Meditation is a lot more than that. It emphasizes the urgent need to resist capitalism, the demands on our precious time, and how folks with disabled bodies hold the keys to what a meaningful alternative could look like. This podcast is brought to you by the Vancouver International Film Festival. Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Durian and Decision-making with Solara Thanh Bình Đặng

Solara Thanh Bình Đặng's ripe follows lead character Lệ, on the cusp of a life-altering decision. At this crossroads, she must consider an arranged marriage that is sure to support her family, but yields a profound uncertainty. Representative of a crossroads many women face, ripe represents the experience of facing a dilemma, symbolized by a durian fruit. In this work, Đặng emphasizes not the decision itself, but the spiritual and psychological journey in moving through it, a nod to her love of magical realism, and employing levity when creating a dramatic narrative. In this episode of the VIFF podcast, Đặng discusses why the durian acts as a catalyst for this story, representative of not only a female's anatomy, but also our ancestral ties to nature and the universe. A short film packed with kaleidoscopic visuals and sound effects, shot entirely on 16 mm, Đặng speaks to the power of the short film form and why using it to experiment is an integral step in every filmmaker's journey. This podcast is brought to you by the Vancouver International Film Festival. Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Nicole Bazuin on the Modern Whore

Nicole Bazuin first encountered Andrea Werhun on the set of a music video she was directing, in search of Go Go Dancers who'd be willing to participate. At first meet, the two developed what Bazuin calls "a creative crush," compelled to work together on several projects since. What resulted from this affinity for each other's art was a self-published book titled "Modern Whore" based on Werhun's experiences as a sex worker in Toronto. But their collaboration didn't end there. With more story to tell, Bazuin and Werhun teamed up once again, bringing their feature film adaptation of their first collaboration to life. "Modern Whore" the movie centres Werhun's story in this hybrid documentary, where she acts as both narrator and the lead, re-enacting her journey in a field that society exclusively villainizes or victimizes.  On this episode of the VIFF Podcast, we speak with Bazuin (who wrote, directed, and edited the project) on creating a new feminine archetype. Not a femme fatale, but a femme vitale, a woman whose life is sexy, but contains multitudes in self-love and community. A movie that is told through a specific lens, being Andrea Werhun's first-hand accounts in sex work, Bazuin speaks to the beauty of how conversations evolve once the lens is up, getting Sean Baker on board during the height of the "Anora" fandom as Executive Producer, and how cinema has the power to change the conversation. This podcast is brought to you by the Vancouver International Film Festival. Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Alison Reid wants you to put down your phone—and go on an adventure

The urge to escape the mundanities of everyday life is hard to ignore. And yet, so many of us remain tethered to our routines, our homes, our comforts. In 1957, Robert Bateman and Bristol Foster resisted that pull. Instead, they packed their belongings into a Land Rover and set off on a 30,000-kilometre journey across Africa, India, Southeast Asia, and Australia—an adventure that would shape the course of their lives. Driven by a shared reverence for the natural world, Bateman—one of Canada’s most celebrated wildlife artists—and Foster, a conservation biologist and filmmaker, are the subjects of the celebrated documentary, The Art of Adventure. Drawing from rare and deeply personal archival footage, the film invites us to be fully present in the landscapes we move through. In this episode of the VIFF Podcast, Director Alison Reid reflects on the legacy of Bateman and Foster as Canadian icons, her own career as a stunt performer, and why the spirit of adventure matters—at any age. This podcast is brought to you by the Vancouver International Film Festival. Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.

Brian Daniel Johnson and Dide Su Bilgin on community and Vancouver's avoidance culture

In a city plagued by social isolation, Brian Daniel Johnson and Dide Su Bilgin found a story to tell. In their film, A Welcome Distraction, lead character, Ernest, looks for answers amidst grief and heartbreak in this unapologetic portrayal of how disconnected Vancouver can be. Soon, he becomes entangled with a wellness enclave led by a charismatic leader (Adriana Marchand). A true ensemble film, A Welcome Distraction showcases the pursuit of community, as told by a friend group itself. Longtime collaborators, Johnson and Bilgin, met in film school at UBC. Over the years, they cultivated a group of what Bilgin calls "cinematically intertwined" collaborators. Their first feature together depicts the coming-of-age pains they know to be true in a city that challenges them. In this episode of the VIFF Podcast, Johnson and Bilgin talk about their experience finding your friends in film, pushing each other to create work, and how film itself is its own language.  This podcast is brought to you by the Vancouver International Film Festival. Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.