The Edinburgh University Press Podcast

Marta Dominguez Diaz, "Tunisia's Andalusians: The Cultural Identity of a North African Minority" (Edinburgh UP, 2025)

Tunisia’s Andalusians: The Cultural Identity of a North African Minority [https://bookshop.org/a/12343/9781474428019] (Edinburgh UP, 2025) tells the captivating story of those Andalusians, descendants of Muslims expelled from Spain in the seventeenth century, who sought refuge in Tunisia. Rather than simply replicating Iberian traditions, Andalusian culture in Tunisia stands as a vibrant and evolving phenomenon, shaped by complex dynamics of interaction and adaptation over four centuries. The book dismantles the romanticised view of Andalusian culture as a mere transplantation of al-Andalus, analysing distinctive cultural features that distinguish Andalusians as an ethnic group within Tunisia’s diverse social fabric. Drawing on historical records and contemporary ethnographic data, including personal accounts and family archives, the book sheds light on how Andalusians navigate their unique cultural position amidst a Tunisian national narrative often focused on Arabo-Muslim homogeneity. By examining the complexities of cultural preservation and assimilation, the book offers a nuanced perspective on Andalusian identity, revealing its dynamism and resilience in the face of changing social, political, and economic circumstances.

Charles J. Stivale, "Unfolding the Deleuze Seminars, 1970–1987: Summaries and Commentary" (Edinburgh UP, 2025)

From the inside flap: “A rich resource of Deleuze’s research that is unavailable in his published writing * Includes summaries of 216 seminar sessions available in transcripts and recordings * Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators * Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze’s writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze’s teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching. From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze’s work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: * Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" [https://newbooksnetwork.com/on-painting#entry:419840@1:url] Machinic Unconscious Happy Hour: * Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" [https://www.patreon.com/posts/deleuze-and-how-138243795] * Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema" [https://www.youtube.com/watch?v=_kjwJHcZXjs]. The Deleuze Seminars: here [https://deleuze.cla.purdue.edu/] Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu [nathan.smith@yale.edu]

Benjamin Dalton, "Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity" (Edinburgh UP, 2026)

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity [https://bookshop.org/a/12343/9781399540551] (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration.

Edith Szanto, "Twelver Shi'i Self-flagellation Rites in Contemporary Syria: Mourning Sayyida Zaynab" (Edinburgh UP, 2025)

Edith Szanto’s Twelver Shi'i Self-Flagellation Rites in Contemporary Syria: Mourning Sayyida Zaynab  [https://bookshop.org/a/12343/9781399548281](Edinburgh UP, 2025) is a striking and deeply immersive ethnographic study that takes the reader into the shrine town of Sayyida Zaynab in Syria. This town was a vibrant center of Shi‘i life, pilgrimage, and healing, especially for Iraqi refugees until the 2011 Syrian uprising. By combining meticulous fieldwork conducted between 2004 and 2010 with rich historical and social context, Szanto shows how these contested rituals served as both spiritual expression and pathways to worldly and psychological healing. The book examines controversial Muharram practices, especially self-flagellation, not simply as ritual acts but as deeply meaningful responses to trauma, displacement, and the search for justice and healing. In doing so, Szanto pays close attention to how people actually live their religion: through relationships with saints, engagement with religious authorities, media, ritual performance, and forms of spiritual healing. In this conversation, Szanto and I explore specific Muharram practices, including self-flagellation, the wedding of Qasim, and other ritualized forms of mourning, as well as gendered dynamics in who participates and why. We discuss what these practices looked like on the ground—what Muharram in Sayyida Zaynab felt like, how different communities understood and debated these rituals, and what purposes they served for those who participated in them. We talk about the Zaynabiyya seminary and how changes in its physical and institutional structure reshaped how knowledge was taught and who held authority. We also discuss relationships with saints, spiritual healers like Shaykh Abu Ahmad, and the ways that media, music, and ritual performance mediate piety. Szanto also treats us to reflecting on some of her experiences observing and engaging with these rituals. This book is essential reading for anyone interested in Islamic studies generally, Shi‘i studies, Middle Eastern religious life, or the ways that communities navigate devotion, trauma, and healing through ritual.

Leslie Barnes, "Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film" (Edinburgh UP, 2025)

In Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film [https://bookshop.org/a/12343/9781399532884] (Edinburgh UP, 2025), Leslie Barnes examines the ambivalences that mark Southeast Asian sex industries under global imperialism. She explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates concerning the status of transactional sex, Sex Work in Southeast Asia explores the symbolic force and concrete conditions of sex work in Cambodia and Vietnam, considering how these debates and the figures they ensnare are mediated by fiction and creative nonfiction. The book’s scenes of ambivalence show how the aesthetic treatment of sex work stretches the paradigms we use to make sense not only of sex work, but also of art, the evidentiary status of testimony and the spectacles of pleasure and suffering. Contesting essentialism and authenticity, and working to suspend judgement, these scenes encourage a re-examination of what we think we know about sex work, how we know it and what we do with that knowledge. Leslie Barnes is an Associate Professor of French Studies at the Australian National University. She is author of Vietnam and the Colonial Condition of French Literature (2014) and co-editor of The Cinema of Rithy Panh: Everything Has a Soul [https://newbooksnetwork.com/the-cinema-of-rithy-panh#entry:106725@1:url] (2021). We previously chatted on New Books about her work on the great Cambodian film director Rithy Panh, so was excited to speak with her again about Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film.