Buried Lots

Buried Lots

Auction Sleepers, Sotheby's Surprises & Estate Sale Gems

29 min · 29 de abr de 2026
Portada del episodio Auction Sleepers, Sotheby's Surprises & Estate Sale Gems

Descripción

Welcome to Buried Lots, the podcast that unearths the auction lots that are underpriced, overlooked, and underappreciated. Hosts Nico Epstein (art advisor, aka "@nicoknowsart_") and Kenny Thompson (aka "The Bidding Ninja") bring two complementary lenses. Nico's 18 years of art-world expertise and Kenny's sharp, data-driven collector instinct, to surface the buys hiding in plain sight. In this debut episode, the duo digs into six lots across upcoming sales: an Ed Paschke neon-drenched portrait with serious Keith Haring energy, a sleeper Lynn Chadwick print buried in a hard-to-find New York estate auction, a quietly powerful Victor Pasmore constructivist relief at Bonhams, an Olga de Amaral gold-leaf weaving they argue belongs in the evening sale, a magical Carl Priebe figurative work from Wright's Chicago auction, and a Beatriz Milhazes that's punching well below its primary-market weight. Expect honest takes on estimates, provenance, market liquidity, and which works deserve to graduate from the day sale. Not financial advice, just two collectors sharing the good buys before the gavel drops.

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Auction Sleepers, Sotheby's Surprises & Estate Sale Gems

Welcome to Buried Lots, the podcast that unearths the auction lots that are underpriced, overlooked, and underappreciated. Hosts Nico Epstein (art advisor, aka "@nicoknowsart_") and Kenny Thompson (aka "The Bidding Ninja") bring two complementary lenses. Nico's 18 years of art-world expertise and Kenny's sharp, data-driven collector instinct, to surface the buys hiding in plain sight. In this debut episode, the duo digs into six lots across upcoming sales: an Ed Paschke neon-drenched portrait with serious Keith Haring energy, a sleeper Lynn Chadwick print buried in a hard-to-find New York estate auction, a quietly powerful Victor Pasmore constructivist relief at Bonhams, an Olga de Amaral gold-leaf weaving they argue belongs in the evening sale, a magical Carl Priebe figurative work from Wright's Chicago auction, and a Beatriz Milhazes that's punching well below its primary-market weight. Expect honest takes on estimates, provenance, market liquidity, and which works deserve to graduate from the day sale. Not financial advice, just two collectors sharing the good buys before the gavel drops.

29 de abr de 202629 min