I shop therefore I am // Barbara Krugers

No. 61 (Rust and Blue) // Mark Rothko

Rust, Resonance, Reverie SHOWNOTES * MOCA Los Angeles – Werkseite, No. 61 (Rust and Blue) [Brown Blue, Brown on Blue] Link [https://www.moca.org/collection/work/no-61-rust-and-blue-brown-blue-brown-on-blue] * Wikipedia – No. 61 (Rust and Blue) (Basisdaten, Maße/Medium/Standort) Link [https://en.wikipedia.org/wiki/No._61_(Rust_and_Blue)] * Tate – Glossar: Colour field painting (Begriff & Merkmale) Link [https://www.tate.org.uk/art/art-terms/c/colour-field-painting] * MoMA – Glossar: Color-field painting (Definition) Link [https://www.moma.org/collection/terms/color-field-painting] * Art UK – “How to look at Mark Rothko” (u.a. Betrachtungsdistanz/Viewing advice) Link [https://artuk.org/discover/stories/how-to-look-at-mark-rothko] * The Art Story (PDF) – Rothko-Synopsis & Zitat zu „big emotions“ Link [https://resources.saylor.org/wwwresources/archived/site/wp-content/uploads/2012/02/ARTH208-5.1.2.3-Mark-Rothko.pdf]

The Great Wave off Kanagawa // Katsushika Hokusai

Flood, Fuji, Fearlessness **Sources ** * The Metropolitan Museum of Art, Objektseite: „Under the Wave off Kanagawa“. Link [https://www.metmuseum.org/art/collection/search/45434] * The Met, Essay „The Great Wave: Anatomy of an Icon“. Link [https://www.metmuseum.org/essays/hokusai-great-wave] * British Museum, Description: „Kanagawa-oki nami-ura“. Link [https://www.britishmuseum.org/collection/object/A_1906-1220-0-533] * Wikipedia (Überblicksfakten, Datierung, Pigmentgeschichte). Link [https://en.wikipedia.org/wiki/The_Great_Wave_off_Kanagawa] * The Guardian, Rezeptionsgeschichte & Rekordpreis. Link [https://www.theguardian.com/lifeandstyle/2025/jan/21/the-great-wave-hokusai-why-has-this-become-defining-image-our-era] * Tokyo Updates, neues 1000-Yen-Banknotendesign. Link [https://www.tokyoupdates.metro.tokyo.lg.jp/en/post-1436/] * MetPublications (PDF): „The Great Wave – The Influence of Japanese Woodcuts on French Prints“. Link [https://resources.metmuseum.org/resources/metpublications/pdf/The_Great_Wave_The_Influence_of_Japanese_] * Smarthistory, Kontext & Technikübersicht. Link [https://smarthistory.org/hokusai-under-the-wave-off-kanagawa-the-great-wave/] * My Modern Met, konservatorische Hinweise/Präsentation. Link [https://mymodernmet.com/the-great-wave-chicago/]

The Hallucinogenic Toreador // Salvador Dalí

Matador, Myth, Metamorphosis SHOWNOTES: * Dalí Museum – “Dalí’s Masterworks: A Closer Look." Link [https://thedali.org/dalis-masterwork-a-closer-look/] * Fundació Gala-Salvador Dalí – Catalogue entry. Link [https://catalogues.salvador-dali.org/catalogues/en/heritageobject/351/] * Wikipedia overview (useful for motif map & exhibition anecdote). Link [https://en.wikipedia.org/wiki/The_Hallucinogenic_Toreador] * Emerging Infectious Diseases (CDC) essay on the painting’s double-image genesis. Link [https://wwwnc.cdc.gov/eid/article/6/5/ac-0605_article] * Dalí Museum – Collection record. Link [https://collection.thedali.org/MDetail.aspx?db=objects&dir=DALIART&rID=2000.22]

I shop therefore I am // Barbara Krugers

consumer credo confrontation Quellen * Der Podcast "GARANTIERT GENERIERT": Link [https://podcasts.apple.com/de/podcast/deep-dive-art-der-kunst-podcast/id1780601480] Link [https://open.spotify.com/show/7tYXQqAgrYjVUFcnahMJ2H?si=32ce7efa88944261] * Phaidon: „Anatomy of an Artwork – Untitled (I Shop Therefore I Am) (1987/2019)“ Link [https://www.phaidon.com/en-eu/blogs/stories/anatomy-of-an-artwork-untitled-i-shop-therefore-i-am-1987-2019] * Artsy / Hirshhorn (Werkdaten, Medium): Link [https://www.artsy.net/artwork/barbara-kruger-untitled-i-shop-therefore-i-am] * Pinault Collection (Werkbeschreibung, Maße): Link [https://lesoeuvres.pinaultcollection.com/en/artwork/untitled-i-shop-therefore-i-am] * The Broad (Neufassung als LED-Video, 2019): Link [https://www.thebroad.org/art/barbara-kruger/untitled-i-shop-therefore-i-am] * MoMA (Shoppingbag-Edition 1990): Link [https://www.moma.org/collection/works/64897] * LACMA Unframed (Retrospektive & Aktualität): Link [https://unframed.lacma.org/2022/01/19/discover-timeless-visual-language-barbara-kruger-major-new-exhibition] * The New Yorker (Kontext & Praxis): Link [https://www.newyorker.com/magazine/2022/07/25/barbara-krugers-trenchant-critiques] * Artnet News (Kruger vs. Supreme): Link [https://news.artnet.com/art-world/art-bites-barbara-kruger-told-off-supreme-2527030] * Graphéine (Logo-Herkunft & Typografie): Link [https://grapheine.com/en/magazine/barbara-kruger-supreme-who-is-hijacking-whom/] * SUPERFLEX, „I Copy Therefore I Am“: Link [https://superflex.net/works/i_copy_therefore_i_am]

Les Demoiselles d’Avignon // Pablo Picasso

Body, Break, Boldness Shownotes: * MoMA, Objekteintrag inkl. Maße, Medium, Provenienz: Link [https://www.moma.org/collection/works/79766] * MoMA, Galerie-Text / „502: Picasso’s Les Demoiselles d’Avignon“: Link [https://www.moma.org/calendar/galleries/5696] * MoMA, Conservation-Projekt (Geschichte, Analysen, Frühstudien): Link [https://www.moma.org/research/conservation/demoiselles/] * MoMA, Study for Les Demoiselles d’Avignon (Seemann & Medizinstudent mit Schädel): Link [https://www.moma.org/collection/works/79551] * Encyclopaedia Britannica, Werkartikel: Link [https://www.britannica.com/topic/Les-Demoiselles-dAvignon] * The Met, Essay zu Picasso (Cézanne/„Primitivismus“): Link [https://www.metmuseum.org/essays/pablo-picasso-1881-1973] * Khan Academy/Smarthistory, Video-Artikel (Früchte-Deutung): Link [https://www.khanacademy.org/humanities/art-1010/cubism-early-abstraction/cubism/a/picasso-les-demoiselles-davignon] * Salon d’Antin 1916, Titel durch André Salmon (Überblick): Link [https://en.wikipedia.org/wiki/Les_Demoiselles_d%27Avignon]