Escuchar ESC Insight: Eurovision Song Contest Podcast

Once more, we go around the songs. Once more, we decide on hit, miss or maybe. And once more, a reminder that discussing art is subjective. With that, let’s gather around the podcast microphone before we head to Basel. > Eurovision Insight Podcast: Juke Box Jury #7 > > with SamsnSamantha Ross (12 Points From America [https://12pointsfromamerica.com/]) and Jamie Halliwell (BlueSky [https://bsky.app/profile/shadyeurofreak.bsky.social]). > > > Australia: Milkshake Man, by Go-Jo. > > Poland: Gaja, by Justyna Steczkowska. > > Slovenia: How Much Time Do We Have Left, by Klemen. > > Germany: Baller, by Abor & Tynna. > > Sweden: Bara bada bastu, by KAJ. Stay up to date with all the discussions, news, and reviews as we get ready to travel to Malmö for Eurovision 2024 with ESC Insight. You’ll find the show in iTunes [https://itunes.apple.com/podcast/the-unofficial-eurovision/id369754923], Google Podcasts [https://www.google.com/podcasts?feed=aHR0cDovL3d3dy5lc2NpbnNpZ2h0LmNvbS9jYXRlZ29yeS9wb2RjYXN0L2ZlZWQv], and Spotify [https://open.spotify.com/show/4uNBt1qiXXi1qMxk58HNHe]. A direct RSS feed is available [https://escinsight.com/category/podcast/feed/]. We have a regular email newsletter which you can sign up to here [https://escinsight.com/tour-the-site/the-esc-insight-email-newsletter/]., and you can support us on Patreon here [https://www.patreon.com/escinsight]. The post Eurovision Insight Podcast: Juke Box Jury 2025 #7 [https://escinsight.com/2025/05/02/eurovision-insight-podcast-juke-box-jury-2025-7/] appeared first on ESC Insight - Home of the Unofficial Eurovision Song Contest Podcast [https://escinsight.com].

Artist welfare is becoming an ever-more important part of the Eurovision Song Contest. How can delegations support their artists through multiple sources of pressure during the Song Contest rehearsals and live shows, performances through the preview season, dealing with online reviews and critique, and more? Performance coach Francesca Aaen joined the Luxembourg delegation in 2024 to support artists through the National Final process, and then worked with Tali in the run-up to and during Malmö 2024. She’s still with the delegation, preparing Laura Thorn and the team for the 2025 Contest. Before she heads to Basel, she talks to Ewan Spence on the difference a performance coach can make. They talk about… * Building up a performer’s resilience. * The importance of the preview parties. * Learning how to stay in control and deal with nerves. * Supporting artists through the toxicity of social media and the internet. * Coping with the feelings of a Semi Final victory and defeat, and preparing for the Grand Final. > Eurovision Chat Over Coffee, with Performance Coach Francesca Aaen > > > In the latest Chat Over Coffee podcast, Ewan Spence sits down with Performance Coach Francesca Aaen to talk about the support available to artists and delegations at the Eurovision Song Contest… > > > Stars Studio Andorra [https://starsandorra.com/], Ascenso Coaching [https://ascensocoaching.com/]. Discover more about the Eurovision Song Contest and follow its journey to Basel by listening to the ESC Insight podcasts. You’ll find the show on iTunes [https://itunes.apple.com/podcast/the-unofficial-eurovision/id369754923], Google Podcasts [https://www.google.com/podcasts?feed=aHR0cDovL3d3dy5lc2NpbnNpZ2h0LmNvbS9jYXRlZ29yeS9wb2RjYXN0L2ZlZWQv], and Spotify [https://open.spotify.com/show/4uNBt1qiXXi1qMxk58HNHe]. A direct RSS feed is available [https://escinsight.com/category/podcast/feed/]. We also have a regular email newsletter, which you can sign up for here [https://escinsight.com/tour-the-site/the-esc-insight-email-newsletter/]. The post Eurovision Chat Over Coffee, with Performance Coach Francesca Aaen [https://escinsight.com/2025/05/01/eurovision-chat-over-coffee-with-performance-coach-francesca-aaen/] appeared first on ESC Insight - Home of the Unofficial Eurovision Song Contest Podcast [https://escinsight.com].

Hold on to your hats, we’ve got six songs to get through this week on the Jury. Gina Jones and Phil Dore sit with to Ewan Spence in the musical court to talk in-depth about the three minutes each national broadcaster will bring to Basel in May. > Eurovision Insight Podcast: Juke Box Jury #6 > > with Gina Jones (BlueSky [https://bsky.app/profile/itsginajones.bsky.social]) and Phil Dore (BlueSky [https://bsky.app/profile/philjdore.bsky.social]). > > > Albania: Zjerm, by Shkodra Elektronike. > > Ireland: Laika Party, by Emmy. > > Malta: Kant, by Miriana Conte. > > Georgia: Freedom, by Mariam Shengelia. > > Croatia: Poison Cake, by Marko Bošnjak. > > Switzerland: Voyage, by Zoë Më. Stay up to date with all the discussions, news, and reviews as we get ready to travel to Malmö for Eurovision 2024 with ESC Insight. You’ll find the show in iTunes [https://itunes.apple.com/podcast/the-unofficial-eurovision/id369754923], Google Podcasts [https://www.google.com/podcasts?feed=aHR0cDovL3d3dy5lc2NpbnNpZ2h0LmNvbS9jYXRlZ29yeS9wb2RjYXN0L2ZlZWQv], and Spotify [https://open.spotify.com/show/4uNBt1qiXXi1qMxk58HNHe]. A direct RSS feed is available [https://escinsight.com/category/podcast/feed/]. We have a regular email newsletter which you can sign up to here [https://escinsight.com/tour-the-site/the-esc-insight-email-newsletter/]., and you can support us on Patreon here [https://www.patreon.com/escinsight]. The post Eurovision Insight Podcast: Juke Box Jury 2025 #6 [https://escinsight.com/2025/04/25/eurovision-insight-podcast-juke-box-jury-2025-6/] appeared first on ESC Insight - Home of the Unofficial Eurovision Song Contest Podcast [https://escinsight.com].

Once more, we head into the jury viewing room with a bag of hits, misses, and maybes. We’ll be awarding some of those to the five songs that join us before they make their way to Basel. Let’s discuss, debate, and decide on our personal scores. > Eurovision Insight Podcast: Juke Box Jury #5 > > with AJ Clay (The Keep Watching podcast [https://keepdancingpodcast.com/]) and Scott Reid (BlueSky [https://bsky.app/profile/ascottreid.bsky.social]). > > > Cyprus: Ssh, by Theo Evan. > > Greece: Asteromata, by Klavdia. > > Portugal: Deslocado, by Napa. > > Italy: Volevo essere un duro, by Lucio Corsi. > > San Marino: Tutta l’Italia, by Gabry Ponte. Stay up to date with all the discussions, news, and reviews as we get ready to travel to Malmö for Eurovision 2024 with ESC Insight. You’ll find the show in iTunes [https://itunes.apple.com/podcast/the-unofficial-eurovision/id369754923], Google Podcasts [https://www.google.com/podcasts?feed=aHR0cDovL3d3dy5lc2NpbnNpZ2h0LmNvbS9jYXRlZ29yeS9wb2RjYXN0L2ZlZWQv], and Spotify [https://open.spotify.com/show/4uNBt1qiXXi1qMxk58HNHe]. A direct RSS feed is available [https://escinsight.com/category/podcast/feed/]. We have a regular email newsletter which you can sign up to here [https://escinsight.com/tour-the-site/the-esc-insight-email-newsletter/]., and you can support us on Patreon here [https://www.patreon.com/escinsight]. The post Eurovision Insight Podcast: Juke Box Jury 2025 #5 [https://escinsight.com/2025/04/18/eurovision-insight-podcast-juke-box-jury-2025-5/] appeared first on ESC Insight - Home of the Unofficial Eurovision Song Contest Podcast [https://escinsight.com].

With the 2025 Eurovision Song Contest just four weeks away, the community’s excitement around Basel is tinged with memories of Malmö. Over the last twelve months, countless discussions and changes have reshaped the Contest. We’ve invited Bakel Walden, the current chair of the Eurovision Song Contest Reference Group, back on the ESC Insight podcast. He joins  Ewan Spence over a digital coffee to explain some of the many complex issues the EBU has been addressing over the last twelve months. They talk about several topics, including… * …the composition of the Reference Group and how representative it is. * …taking feedback from delegations after Malmö 2024. * …the implementation of the Code of Conduct. * …deciding on the eligibility of songs, including Malta’s ‘Serving‘, Georgia’s ‘Freedom‘, and Israel’s ‘New Day Will Rise‘. * …how to address the issue of Governments financing PR campaigns for their national broadcasters’ song. * …the psychological support on offer for performers and delegations. SELECTED QUOTES FROM THE INTERVIEW These have been lightly edited for clarity. ON THE PUBLISHED CODE OF CONDUCT: “Over the years, over the decades, for every case, you had a new rule, and on top, and on top. What we’ve done is really making it more digestible. The code of conduct is a bit more than just a rule book… It’s mostly about agreeing to this, not to say ‘okay, there are some rules and, you know, whatever.’  You’re going to actually sign it. If you participate, we agree to this, and I think this has been helping a lot to be very clear on things.” DISCUSSING THE LYRICS IN GEORGIA’S SONG Ewan Spence: “In mainstream Europe, [Georgia’s song ‘Freedom’] is a straightforward song, but given the political situation that you have in Georgia it could read another way by some of the political parties. How much of that local versus international impact can the EBU consider?” Bakel Walden: “It is not black and white, it is something where it is always open to interpretation, it’s creativity, it’s freedom of expression. What we are trying to do is to have a conversation. If it’s more clear, more profound, or has more of an impact, then we are entering in this discussion… Look, let’s be as creative as possible, let’s also be mindful of some of the feedback we receive from some countries or some people involved and take that seriously as well.” ON GOVERNMENTS INSTRUMENTALISING THE SONG CONTEST Ewan Spence: “We’ve seen reports that the Israeli government is going to be putting in significant advertising funds into the marketing of the song. That’s nothing to do with the broadcaster, but it’s under the Israeli flag. How do you resolve that tension?” Bakel Walden: “I think you don’t resolve the tension, the tension will be there. The rules we have, there is always this discussion on how political the Eurovision Song Contest is? Can it be neutral? …It is not, you know, happening in space or on a different planet… “What we can do is be as reasonable as possible, focusing on a good show. It’s a music event. It will not solve the problems in the world. It should not solve the problems in the world. And everything else, who’s spending marketing money? What is happening with every tweet? It doesn’t make any sense to follow them. Let’s try to really focus on the spirit together. When it’s over the edge, we’ve got to have that discussion, but in the end, everyone should bring something positive to it. It might be a bit naive, but that’s the only way this works; otherwise, we won’t have a Contest in five to ten years if we are not able to have something positive in a complex and sometimes negative world.” ON ARTISTS’ MENTAL HEALTH “There’s the welfare manager who has been talked about. There was great feedback from Junior Eurovision, where there was a dedicated person for the artist. They can come there with problems, with issues, and it’s going to be resolved, it’s going to be discussed. We have that now for the big Contest, and I think this will already take pressure off.” “We have disconnected zones. A concrete example, when you have the delegations in their little wardrobes. This is now in a disconnected zone. There’s no filming, there’s no social media, there’s no posting, nothing. If you are there, if you are in a changing room, you want to practise, whatever, you are going to be offline.” > Eurovision Chat Over Coffee, with Eurovision Reference Group Chair Bakel Walden > > > As the Eurovision Song Contest moves forward and Basel 2025 draws closer, Bakel Walden, the current chair of the Eurovision Song Contest Reference Group, returns to ESC Insight to talk with Ewan Spence about the state of the Song Contest. > > > You can listen to our previous podcast interviews with Bakel Walden; November 2024 [https://escinsight.com/2024/11/05/eurovision-chat-over-coffee-with-eurovision-reference-group-chair-bakel-walden-2/], March 2024 [https://escinsight.com/2024/03/11/eurovision-chat-over-coffee-with-eurovision-reference-group-chair-bakel-walden/]. Discover more about the Eurovision Song Contest and follow its journey to Basel by listening to the ESC Insight podcasts. You’ll find the show on iTunes [https://itunes.apple.com/podcast/the-unofficial-eurovision/id369754923], Google Podcasts [https://www.google.com/podcasts?feed=aHR0cDovL3d3dy5lc2NpbnNpZ2h0LmNvbS9jYXRlZ29yeS9wb2RjYXN0L2ZlZWQv], and Spotify [https://open.spotify.com/show/4uNBt1qiXXi1qMxk58HNHe]. A direct RSS feed is available [https://escinsight.com/category/podcast/feed/]. We also have a regular email newsletter, which you can sign up for here [https://escinsight.com/tour-the-site/the-esc-insight-email-newsletter/]. The post Eurovision Chat Over Coffee, with Eurovision Reference Group Chair Bakel Walden [https://escinsight.com/2025/04/17/eurovision-chat-over-coffee-with-eurovision-reference-group-chair-bakel-walden-3/] appeared first on ESC Insight - Home of the Unofficial Eurovision Song Contest Podcast [https://escinsight.com].