I Don't Know You
Description This is a Q&A session following the main conversation with Hyatt and Anne Moore. The group asks questions about marriage, art, finding God in everyday life, managing creative pursuits alongside other responsibilities, and Anne’s role as a creative partner. Hyatt shares stories about God’s creativity and provision, including the miraculous job offer at Surfer Magazine that came on the same day he was fasting and praying about money. Anne opens up about adaptability as her core strength and her role in supporting Hyatt’s work while pursuing her own art. Questions Asked and Summary of Responses 1. Tell us about marriage. (1:11) Hyatt shares that he got married on four days’ notice and it’s been 60 years—”the best thing I ever did” except for accepting the Lord. A job offer came across the country, and he had to decide immediately. He and Anne were best friends and lovers but hadn’t been talking about marriage. When he realized he was leaving, they decided to get married that week, and the next day they moved to Georgia. “Five children, great life. It’s not been all great for her, but it’s been all great for me.” 2. Can you identify one piece of art in this room that means something special to you and share about it? (2:58) Hyatt says there isn’t one piece that stands out over others—”They’re like my children.” He mentions a few he likes: a wide painting of Africans being baptized going to Ethiopia for missions, and a worshiper on the wall that was a commission. His art shows diverse interests—dancers (because he likes figures in motion), flowers (because they’re “God’s color”), and abstract mixed with realism. He gave up trying to be “the artist of such and such” and just explores what interests him. 3. What’s the most interesting thing that the Lord has done with you or that you’ve learned about God? (5:04) Hyatt shares the story of fasting and praying about money when he and Anne were barely making it financially. He went to the hills, got rained out, ended up at the old Surfer Magazine office, and was unexpectedly offered his old art director job back—part-time hours for a full-time salary. The publisher said, “What have you been asking for?” Hyatt said he was asking for money but not a job. God responded, “Well, how do you get money? Usually that’s where it comes from.” The lesson: “God became more open-minded and more creative than I was giving him credit for. I had him in my little religious [box]... God’s bigger than all that. And let him be that way in your life.” 4. How do you practically seek the Lord—like deciding to take a whole week to walk with God? (9:56) Hyatt reflects that while he’s had powerful experiences, he wonders why he doesn’t have them every day—he gets busy with normal life. He thinks “the Lord enjoys what we would call normal life. We want the miracle; he says, you know, the miracles—your body, for example, it’s all working.” He compares it to Jesus healing the maimed—when they’re healed, they’re back to normal, which everyone else has been experiencing all along without thinking about it. “I think normal is pretty special. We just don’t remember it.” As for finding God in special moments: “All of a sudden, we’ve got some stress. That’s when we’ll think, okay, I got it. Then we do it. We start zeroing in on them, and we find the answers one way or another.” He asks for wisdom constantly—even mid-sentence when writing or painting. “Creativity I’ve decided is nothing but problem solving.” Wisdom is promised, so when he asks and God says go ahead, it comes. “When he says seek God and you find it, he never says how to seek God. It’s more of an attitude.” 5. What do you think about pursuing creative endeavors when you don’t have time, when you’re bogged down with other things but have something on your heart you wish you had more time to be creative with? (14:25) Anne responds: She gives herself permission for creative blocks of time only when everything else is taken care of. She tries to set things on a calendar—”OK, I can’t do it today, but if I can put it on a calendar, I’m going to do these days.” She encourages people to take a class where they’re forced to commit. She was impressed by a couple going into missions who determined each would have a hobby and permission to spend time developing it. “I struggle with that all the time. I try to get a block of art ready for a show and it’s hard to give myself permission to do it.” Hyatt adds that twice a year they go away for at least two weeks to an uninterrupted art-making retreat—they drive, bring easels, paints, supplies, a press. “Absolutely love it.” But he acknowledges you can’t always do that in earlier life stages. 6. Anne, how do you manage someone like Hyatt who has such rampant creativity? How do you focus that energy, or work through all his different vast interests and projects? Are you collaborating or a sounding board? (17:28) Anne shares that her main strength (from Clifton StrengthsFinder) is adaptability. “I can change my plans, so that’s a big part of it.” She’s always felt her role was to support Hyatt. Having her own art is harder for her to put at an equal level—not that their art is equal, but giving it equal value in her life. “Keeping things in order so he can work is a big part of my life, which I’m happy [about]—I am a servant. I love that, and he has given me an interesting life for sure.” She feels blessed with kids, grandkids, and all those things. “Art is one area for me, but it’s not my whole life.” Hyatt adds: “It’s easier being a man. You women know what I’m talking about.” Bonus mention: Hyatt shares he’s currently writing a book called Snippets: How to Get Anything Done—one-page pieces of wit and advice about the mind, where “the clutter is and the opposition is.” He writes a little bit every day, whatever comes to mind. It’ll end up being about 31 ways or something similar. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mattheisler.substack.com [https://mattheisler.substack.com?utm_medium=podcast&utm_campaign=CTA_1]
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