Aikido is Misogi

Aikido is a Matter of the Heart

This is a bit of an experimental bonus…kinda. I told you a few episodes back [https://kitothecity.substack.com/p/ultra-exciting-announcement?r=1f0jsg] (if you’ve been following at home) that I’m creatively engaging with Kayla Feder Sensei on a exciting book project. Well, I’m pleased to say it’s coming along splendidly, and I thought it might be interesting to give you a peek behind the curtain at the creative process. If you’re new to this show, check out this link [https://kitothecity.substack.com/p/open-your-heart?r=1f0jsg] to my previous conversation with Kayla Sensei for all the pertinent background information. Saying I’m enthusiastic about this project, would be an understatement. Kayla Sensei has such a captivating cadence and her wisdom and insight are more than book-worthy. I’m honored to document her unique place in the Aikido and, let’s be ambitious, why not, literary landscape. by the way, if you can think of anyone who you know secretly wants to write a book, but doesn’t think it’s practical or possible, send them my way. thanks… Get full access to Ki to the City at kitothecity.substack.com/subscribe [https://kitothecity.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

Aikido is Misogi

I was supposed to be writing today, or figuring out some “next steps” but I made this video instead. Don’t know why I can’t resist black and white. Amazing energy at the dojo lately, hope it’s a sign of things to come. Get full access to Ki to the City at kitothecity.substack.com/subscribe [https://kitothecity.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

Mastering the pen (and the sword, just in case)

One fateful day, whilst walking past the wrestling room at the University of Wisconsin-La Crosse, a literal flash of light reflecting off a katana caught Michael Weber Sensei’s eye, drawing him into his first Aikido demonstration—and he never looked back. He began his Aikido journey in 1989 with John Boland Sensei. Very soon after, his practice would be fundamentally shaped by a life-changing encounter with Mary Heiny Sensei during a seminar. In our talk, Michael Sensei describes a visceral, mystical reaction to Mary Sensei’s presence—the room’s colors shifted to gold, and he was moved to tears by a profound inner sense of peace. He also described feeling as though he’d been hit on the back of the head. All the while a profound inner voice assuring him that “it’s going to be okay”. This meeting provided the spark he needed to ultimately move beyond his identity as a “hotshot” student and seek a deeper, more internal understanding of the art. Inspired by Mary Sensei’s example as a pioneer who persevered through societal barriers and physical obstacles with “never-say-die” determination, he eventually uprooted his life and moved to Japan to train in the Shingu lineage under Michio Hikitsuchi Sensei. Training at the Kumano Juku Dojo placed him squarely at the center of O-Sensei’s spiritual legacy. In Shingu, Michael Sensei absorbed a philosophy that viewed Aikido techniques not as combat strategies, but as tools to observe one’s interior landscape, emphasizing the subtle ripple of the mind and the discipline of Shugyo training, to move past the limitations of the ego. By serendipitously connecting with Hikitsuchi Sensei, he became part of a direct transmission chain reaching back to O Sensei’s most private and religiously inspired period of development in the Kumano mountains. As a high school teacher, Michael Sensei views the classroom as an extension of the dojo. He shares a brilliant story of walking into a room on the brink of violence, where a hot-tempered student was being relentlessly bullied. Utilizing his extraordinary listening, he bypassed his own panic, and delivered a perfectly timed kiai to freeze the room, breaking the destructive trance of the moment. Then, employing some masterful musubi, he removed the agitated student from his audience, guided him into the hallway, and aligned with his perspective. By challenging the young man to be the “bigger person,” Michael Sensei successfully guided him past his instinctual hardware, transforming a potentially devastating physical brawl into a moment of peaceful de-escalation. He also translates an Aiki inspired ethic into his parallel career as a published author—applying Hikitsuchi Sensei’s mandate of Shugyo (showing up to the dojo every single day, even if only for 10 minutes) by enforcing a strict daily discipline to write at least one sentence, no matter what. I’ve often been brutally honest on this podcast about my own writing foibles, posing as an amateur prose poet attempting to express the metaphysical vastness of Aikido (and life). It can be a daunting endeavor to sit in isolation and attempt to forge something meaningful and positive. Writing, much like dojo practice, sometimes requires an intense internal reckoning with one’s own simultaneous arrogance and self-doubt. This is exactly why the advice Michael Sensei offered me toward the end of our conversation struck such a motivating chord. What did he say? Well, you’ll have to listen for yourself ;) His Current projects: publishing fantasy novels and role playing games for a fantasy world in development since he needed to stay awake in a high school geometry course back in 1984. He’s got two novels out with another release planned for this October. Drafts are in line to release some more over the next several years. Links here for The New Apprentice [https://www.orangehatpublishing.com/product/the-new-apprentice/] and Finish the Mission [https://www.orangehatpublishing.com/product/finish-the-mission/]. And check out his dojo! Aikido of Wales [https://aikidoofwales.com/index.html] Bringing these transformative dialogues to the “airwaves” is a labor of love, buuuut, Ki to the City remains a reader-supported publication. If you draw inspiration from these conversations and wish to help me keep this project alive. I humbly ask for your support. Please consider signing up to be a paid subscriber. If you would prefer to make a one-time contribution, you can email me directly at jondiluca@yahoo.com, and as a token of my immense gratitude, you will receive a complimentary copy of Don Dickie Sensei’s deeply reflective volume of poetry, Silent Winds of Aikido. Get full access to Ki to the City at kitothecity.substack.com/subscribe [https://kitothecity.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

Signposts on the Path

To say my talk with Matt Fluty Sensei got deep would be an understatement. We waded into some heavy but hopeful, and highly inspiring territory. I always read the transcripts of the interviews before I try to write these intros. For this one I feel like it deserves time (weeks) that unfortunately I don’t have at the moment to even begin to scratch the surface of Matt Sensei’s incredibly acute spiritual acumen. Importantly, we discussed the therapeutic value of Aikido during wartime—a reality that’s eerily becoming more urgent for us—reflecting on how O-Sensei lived through a most perilous era, through two “world wars”, and still had the spiritual genius to produce the miraculous gift of Aikido. If Aikido was developed as a spiritual and physical answer to that calamitous time, it could absolutely hold answers for our current maligned milieu. This is one reason why it’s absolutely vital for us modern practitioners to keep alive what O-Sensei’s art was truly rooted in, Ban Yu Ai Go—the spirit of the loving protection of all things in the universe. Matt Sensei views Aikido practice predominately through the lens of Misogi (purification). I sure am leaning this way myself. He does a masterful job of explaining how untreated trauma creates a rigid “defensive physiology” that could lead individuals (and cultures) towards either withdrawal or hostile contention. By sincerely practicing Aikido, we actively purify the seeds of fear, aggression, and hatred that exist within our own hearts. Perhaps the most inspirational and refreshing perspective Matt Sensei relayed was his answer to the declining numbers in dojo populations. He views Aikido communities as vital models of genuine human interconnectedness. He compares the dojo to a torii—a traditional Shinto gate. Even if classes are small, we must keep these physical portals open so people can step away from a culture of rampant consumption to interface with real life energy. Ki. Matt Fluty Sensei splits his teaching time at Aikido Center Sacramento [https://www.theaikidocenter.com] and Tahoe Mountain Aikido [https://www.tmaikido.com/] and lives in a really cool tree house! I implored him to write some more. After you hear this episode, reach out to him and do the same. His message is important and worth hearing far and wide. “Ki to the City” remains a reader-supported publication. If you draw inspiration from these dialogues and wish to help me keep this podcast alive, I humbly ask for your support. Please consider signing up to be a paid subscriber. If you would prefer to make a one-time contribution, you can email me directly at jondiluca@yahoo.com, and as a token of my gratitude, you will receive a complimentary copy of Don Dickie Sensei’s deeply reflective volume of poetry, Silent Winds of Aikido. Get full access to Ki to the City at kitothecity.substack.com/subscribe [https://kitothecity.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]

Standing in Aiki

Raso Hultgren Sensei, Chief Instructor of Aikido of Missoula [https://www.aikidomissoula.com/raso-hultgren-chief-instructor/], vividly synthesizes and embodies the artistic fluidity, rigorous physicality, and metaphysical mystery of Aikido. Raso Sensei’s Aikido journey began in 1971, taking root in the fertile, (counter)-cultural grounds of Santa Cruz under the guidance of Robert Frager Sensei. The path eventually led her to a direct, intensive apprenticeship with Saotome Sensei, and then some years training deeply with Ikeda Sensei in Boulder. Because of her dedication to O Sensei’s profound teachings, Saotome Sensei named her an original member of the Ueshiba Juku— “Academy of the Founder”—ennobling her with the joyous duty of carrying O-Sensei’s legacy forward into the modern era. Raso Sensei possesses an unparalleled ability to articulate the delicate balance between serious martial intention and “grounded flamboyance”. Before Aikido, she wove a rich tapestry of experience in the performing arts, studying theater, music, and dance. She initially felt so strongly drawn to this world that pursuing it professionally seemed like her clear and unquestionable life path. This artistic foundation deeply informed her early attraction to Aikido, as the art’s flowing movements and focus on the “inner dimension” of life strongly appealed to her sensibilities, allowing her to explore this depth without the need for “an audience”. Although she briefly returned to theater later on and found it exciting to re-engage that creative channel, she ultimately realized that the performing arts interfered with her true calling—Aikido and her inner spiritual path—prompting her to leave it behind and fully dedicate herself to the dojo. I know the feeling… It’s a genuine and incredible honor to be able to share her perspective and wisdom with you. Ki to the City remains a reader-supported publication. If you draw inspiration from these dialogues and wish to help me keep this podcast going, I humbly ask for your support. Please consider signing up to be a paid subscriber. If you would prefer to make a one-time contribution, you can email me directly at jondiluca@yahoo.com. As a token of my gratitude, you will receive a complimentary copy of Don Dickie Sensei’s deeply reflective volume of poetry, Silent Winds of Aikido. Get full access to Ki to the City at kitothecity.substack.com/subscribe [https://kitothecity.substack.com/subscribe?utm_medium=podcast&utm_campaign=CTA_4]