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The Magic in Stopping to Draw Pt 1: Howard Hull and the wisdom of John Ruskin

43 min · 13 de mar de 2026
portada del episodio The Magic in Stopping to Draw Pt 1: Howard Hull and the wisdom of John Ruskin

Descripción

John Ruskin is a fascinating figure from the 19th century. He wished for a fairer society, and advocated strongly for social reform. He was also concerned by what he recognised as harmful effects of the industrial revolution - not only seeing how the emissions might harm the environment, but how the ever-increasing pace of life could inhibit us from really seeing and appreciating the wonder and beauty in nature and art. In this episode, I talk with Howard Hull, the director and curator of Brantwood, the beautiful house which was home to John Ruskin throughout the second half of his life. I ask what Ruskin might have taught me, if I had attended one of his drawing classes at the Working Men's College in the 1850s, as well as more of Ruskin's views on society and how we live our lives, which are possibly even more relevant now than they were when he was alive. https://www.brantwood.org.uk/ https://www.theguardian.com/culture/2018/aug/30/john-ruskin-artists-victorian-social-critic

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episode The Magic in Stopping to Draw Pt 1: Howard Hull and the wisdom of John Ruskin artwork

The Magic in Stopping to Draw Pt 1: Howard Hull and the wisdom of John Ruskin

John Ruskin is a fascinating figure from the 19th century. He wished for a fairer society, and advocated strongly for social reform. He was also concerned by what he recognised as harmful effects of the industrial revolution - not only seeing how the emissions might harm the environment, but how the ever-increasing pace of life could inhibit us from really seeing and appreciating the wonder and beauty in nature and art. In this episode, I talk with Howard Hull, the director and curator of Brantwood, the beautiful house which was home to John Ruskin throughout the second half of his life. I ask what Ruskin might have taught me, if I had attended one of his drawing classes at the Working Men's College in the 1850s, as well as more of Ruskin's views on society and how we live our lives, which are possibly even more relevant now than they were when he was alive. https://www.brantwood.org.uk/ https://www.theguardian.com/culture/2018/aug/30/john-ruskin-artists-victorian-social-critic

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