Not Actually Film Critics

The Scarlet Letter (1995): Zootopia Drama, Saudi EA, and Human Robots

This week on NAFC, the gang bounces across movies, games, and geopolitical absurdity like only they can. Mox kicks things off with his thoughts on Zootopia 2, while Izzy and Gibbs have fallen deep into Gloomhaven—cardboard suffering and tactical joy in equal measure. Izzy also compares Immortals Fenyx Rising to Breath of the Wild, confirming once again that Nintendo’s shadow looms over us all. Gibbs brings a shoutout to Unavowed, the indie gem punching far above its weight. Then things take a turn into global insanity: Saudi Arabia’s attempt to buy EA (because sure, why not), Iraqi “robots” that turned out to be… actual humans in suits, and an AI minister caught taking bribes—proving once more that dystopia isn’t coming, it’s already checking email. Finally, they dive into The Scarlet Letter (1995), a movie that took classic literature, tossed it in a wood chipper, and said “close enough.” Support us on Patreon [https://www.patreon.com/nafc]!

Emma (2020): Plur1bus, Stranger Things, and Hong Kong Love Stories

This week on NAFC, the crew bounces between gaming, TV, and movie chaos before diving into the pastel-drenched world of Emma (2020). The gang opens with more talk about Plur1bus—because apparently it’s got its hooks in everyone now—followed by their thoughts on Stranger Things Season 5 and where the show might be headed. Mox shares his experience seeing the CS:GO finals live in Hong Kong, which somehow involved more screaming than a metal concert. Izzy brings a little local flavor with his review of the Hong Kong film Love Lies, and then the crew jumps into their review of Emma (2020): matchmaking, mischief, pastels, and perfect collars. Support us on Patreon [https://www.patreon.com/nafc]!

Frankenstein (2025): Gambling, Gargoyles, and Gripes About Disney

This week on NAFC, the whole gang is here—including Zea! Gibbs opens the episode wrestling with whether he should start gambling (the answer is no, but also… maybe?). Izzy shares updates from his playthrough of Immortals Fenyx Rising, and both he and Gibbs recommend Plur1bus, their latest unexpected obsession. Gibbs also pitches his dream reboot of Disney’s Gargoyles, while Izzy vents about how Twisted Wonderland somehow became the latest anime disappointment in the endless catalog of Disney anime experiments. Finally, the crew dives into Frankenstein (2025)—a fresh spin on the classic monster tale and the centerpiece of this week’s discussion. With Zea back in the mix, expect chaos, debates, and a lot of side-eye. Support us on Patreon [https://www.patreon.com/nafc]!

The Blair Witch Project (1999): Butter, Dinosaurs, and Found Footage Fear

This week on NAFC, the crew kicks things off asking the truly important question: why do we say “smooth like butter”? No one knows, but that doesn’t stop them from overanalyzing it. Gibbs has been on a horror bender with Carrie (the original) and Nightmare on Elm Street, while also checking out the game Absolum. Izzy’s been busy with Primitive War, Chitose Is in a Ramune Bottle, and the absurdly titled Tactical Breach Wizards. Meanwhile, Mox sharpens his skills in Dino Blade, because apparently dinosaurs and swords are all it takes to make a masterpiece. Finally, the gang dives into The Blair Witch Project (1999)—the found footage horror classic that terrified a generation and made everyone afraid of camping forever. Minimal budget, maximum trauma. Support us on Patreon [https://www.patreon.com/nafc]!

Men in Black (1997): 4K Flexing, Dragon Maids, and Dressing Room Discomfort

It’s Halloween on NAFC, and the crew’s dressed in existential dread instead of costumes. The gang kicks things off debating whether gaming in 4K is really worth it—or just another flex for people with too much disposable income. Izzy’s been deep into Full Metal Furies and The Legend of Hei, while Mox takes a surprisingly wholesome detour with Miss Kobayashi’s Dragon Maid. Gibbs, meanwhile, crowns Scream (1996) the godfather of teen slashers before sharing one of the most uncomfortable dressing room encounters imaginable. They also briefly revisit Weapons before speculating wildly about the mysterious upcoming film Him. Finally, the crew dives into Men in Black (1997)—the ultimate mix of sci-fi, deadpan humor, and gooey practical effects. It’s nostalgic, it’s weird, and somehow, it still holds up better than most modern blockbusters. Support us on Patreon [https://www.patreon.com/nafc]!