High Vibrational Individuals

Marxist-Verhoevenists

Audrey and Patrick welcome Melanie C. to talk about second chances, disillusionment with electoral politics, and Michael Clayton. Covid lockdown, parental support and medication-assisted treatment helped Melanie find recovery from a fifteen year opiate addiction. Reading Edward Said in college began her education on Palestine and her advocacy for humanity and liberation. We shouldn’t demand that revolution and resistance come in the ideological manner we prefer. We aren’t okay with our comfort coming at the expense of human lives. As a practice, Melanie suggests that when it comes to social and political critique, we also put mirror on ourselves: how are we contributing to our communities, to our civics, beyond posting? Follow Melanie on Twitter: @benzostraydogs Her Letterboxd: https://letterboxd.com/benzostraydogs/ [https://letterboxd.com/benzostraydogs/] Opening quote by filmmaker Paul Verhoeven, about Starship Troopers Anna Scanlon’s Substack: https://substack.com/@rockfoils [https://substack.com/@rockfoils] Main show theme is “Strangers” by Midnight Prisms Music and lyrics by Alicia Beck Music and production by Max Foreman Mastering by Little Castle Sound Please follow and listen to Midnight Prisms on Spotify! https://open.spotify.com/artist/3o5jiLSZMoSXNWL98UBxYI?si=sK-K7IoUSp-QfFKgUwVY7A [https://open.spotify.com/artist/3o5jiLSZMoSXNWL98UBxYI?si=sK-K7IoUSp-QfFKgUwVY7A] Main logo art by Patrick Mitchell and Angelina Harvey (@graffitifucks on Instagram)

High Vibrational Individuals

Nick Casaccio joins us to talk about Benny Safdie’s The Smashing Machine and its twin dynamics of alcoholism and codependency, relating Mark Kerr’s struggles to our own recoveries. Addiction has a habit of migrating, and we discuss how gambling, shopping, and relationships have taken our stories down new rabbit holes. Nick finished school while he was in treatment more than thirteen years ago, and through Covid, bodybuilding, relationship struggles and physical ailments has continually offered himself in fellowship. The ultimate purpose of celebrating recovery milestones is to inspire newcomers and share our experience strength and hope to those who still suffer. Opening clip by Mark Kerr, from a 2009 interview Episode cover art by Perry Kneisel Main show theme is “Strangers” by Midnight Prisms Music and lyrics by Alicia Beck Music and production by Max Foreman Mastering by Little Castle Sound Please follow and listen to Midnight Prisms on Spotify! https://open.spotify.com/artist/3o5jiLSZMoSXNWL98UBxYI?si=sK-K7IoUSp-QfFKgUwVY7A [https://open.spotify.com/artist/3o5jiLSZMoSXNWL98UBxYI?si=sK-K7IoUSp-QfFKgUwVY7A] Main logo art by Patrick Mitchell and Angelina Harvey (@graffitifucks on Instagram)

Highest & Best Good

Audrey welcomes another wounded healer to Outside Issues: spiritual advisor Matthew Blankinship, who helps professionals and peers get stronger in their 11th Step. To become an expert in any field, Matthew believes ten years and ten thousand hours are required, to graduate from “digging the ditches to building the high rise.” After a traumatic brain injury, paralyzed muscles and Vegas nerve severance (among other injuries), Matthew dedicated his life to healing at age 33, beginning his life anew. Divine wisdom - which aided Matthew in his own recovery as it helps Audrey recover from trauma and grief - is something with only light in it. It works for everyone. Our highest and best goods project outward to people and the planet. Politics at their best, can be an extension of this. Mental health care and a spiritual practice give us the tools to keep ourselves in check so we can then help others. Follow Matthew on Facebook: https://www.facebook.com/mattblankinship [https://www.facebook.com/mattblankinship] Opening clip by Brad Dourif and David Milch Main show theme is “Strangers” by Midnight Prisms Music and lyrics by Alicia Beck Music and production by Max Foreman Mastering by Little Castle Sound Please follow and listen to Midnight Prisms on Spotify! https://open.spotify.com/artist/3o5jiLSZMoSXNWL98UBxYI?si=sK-K7IoUSp-QfFKgUwVY7A [https://open.spotify.com/artist/3o5jiLSZMoSXNWL98UBxYI?si=sK-K7IoUSp-QfFKgUwVY7A] Main logo art by Patrick Mitchell and Angelina Harvey (@graffitifucks on Instagram)

A New Romanticism

Filmmaker and humanist Anna K. Scanlon joins the pod to talk about her recovery from hopelessness, which has led to a great period of creative synthesis culminating in “Toss Up,” her recently-completed film inspired by a career working on political campaigns. Anna's recovery came from a lot of places, notably a nudist resort in Mexico where she found herself after Bernie’s 2020 campaign hit the rocks. With her inspiration she pairs a capacity for forming strategies and executing plans. Moreover, her recovery’s focus on “romanticism rather than reason”, on love instead of anger, has given her a new lease on life.  Anna’s Substack: https://substack.com/@rockfoils [https://substack.com/@rockfoils] “25 Propositions about the New Romanticism” by Ted Gioia: https://substack.com/home/post/p-184683172 Opening clip by Wagner Moura via ACLU “You read something which you thought only happened to you, and you discover that it happened 100 years ago to Dostoyevsky. This is a very great liberation for the suffering, struggling person, who always thinks that he is alone. This is why art is important.” ― James Baldwin, Conversations with James Baldwin [https://www.goodreads.com/work/quotes/38237] Main show theme is “Strangers” by Midnight Prisms Music and lyrics by Alicia Beck Music and production by Max Foreman Mastering by Little Castle Sound Please follow and listen to Midnight Prisms on Spotify! https://open.spotify.com/artist/3o5jiLSZMoSXNWL98UBxYI?si=sK-K7IoUSp-QfFKgUwVY7A [https://open.spotify.com/artist/3o5jiLSZMoSXNWL98UBxYI?si=sK-K7IoUSp-QfFKgUwVY7A] Main logo art by Patrick Mitchell and Angelina Harvey (@graffitifucks on Instagram)

Hold the Land, Protect the Village

Audrey and Patrick welcome Minneapolis native and clinician Brian Dyke to talk about community responses to state violence. The joy in working with recovering people in these tough times can be found through helping them discover their inherent sense of individuality. Looking towards the future and continued ICE occupation in Minneapolis and other American cities, we must remember: these things will only continue to happen as long as they’re allowed to happen. Opening clip and quote by Ilhan Omar, U.S. Representative for Minnesota’s 5th Congressional District U.S. Citizens Testify About DHS/ICE’s Use of Violent Force: https://www.youtube.com/live/UagENT1CAP0?si=D2_DhzlAA7Mgvn5Y [https://www.youtube.com/live/UagENT1CAP0?si=D2_DhzlAA7Mgvn5Y] The Paramilitary ICE and CBP Units at the Center of Minnesota's Killings: https://www.wired.com/story/ice-cbp-srt-bortac-units-immigration-operations/?utm_brand=wired&utm_social-type=owned&utm_source=twitter&utm_medium=social&utm_campaign=aud-dev&fbclid=IwY2xjawP048NleHRuA2FlbQIxMQBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeR8OQvx5qLqSWcxMLq9EARy9T9RjzUAlf3hE3z65GFLQVJuMvmX6ySK-Nrn8_aem_jFvtTipjPFexdNQl4BdOJA [https://www.wired.com/story/ice-cbp-srt-bortac-units-immigration-operations/?utm_brand=wired&utm_social-type=owned&utm_source=twitter&utm_medium=social&utm_campaign=aud-dev&fbclid=IwY2xjawP048NleHRuA2FlbQIxMQBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeR8OQvx5qLqSWcxMLq9EARy9T9RjzUAlf3hE3z65GFLQVJuMvmX6ySK-Nrn8_aem_jFvtTipjPFexdNQl4BdOJA] The Execution of Alex Pretti Broke Me: https://youtu.be/nDEAWxG7Bq8?si=uKTHrze3yEn-vRMP [https://youtu.be/nDEAWxG7Bq8?si=uKTHrze3yEn-vRMP] Main show theme is “Strangers” by Midnight Prisms Music and lyrics by Alicia Beck Music and production by Max Foreman Mastering by Little Castle Sound Please follow and listen to Midnight Prisms on Spotify! https://open.spotify.com/artist/3o5jiLSZMoSXNWL98UBxYI?si=sK-K7IoUSp-QfFKgUwVY7A [https://open.spotify.com/artist/3o5jiLSZMoSXNWL98UBxYI?si=sK-K7IoUSp-QfFKgUwVY7A] Main logo art by Patrick Mitchell and Angelina Harvey (@graffitifucks on Instagram)