Private Life x Dialogues: The David Zwirner Podcast

“Radiant, Angry Caravaggio“ by Ingrid D. Rowland

In the May 27, 2010, issue of The New York Review of Books, Ingrid D. Rowland wrote “Radiant, Angry Caravaggio,” [https://www.nybooks.com/articles/2010/05/27/radiant-angry-caravaggio/] a look at the tempestuous life and brilliant art of the painter Michelangelo Merisi da Caravaggio. For this episode of Private Life, Rowland’s essay is read by the artist Lisa Yuskavage. Yuskavage has shown her paintings in solo exhibitions at galleries and museums around the world, including the Baltimore Museum of Art, the Morgan Library and Museum, and the Museo Tamayo Arte Contemporáneo. Through June 26, her show “Lisa Yuskavage” will be on view at David Zwirner Gallery in New York. This reading accompanies the Private Life episode featuring Rowland in conversation with host Jarrett Earnest. Read “Radiant, Angry Caravaggio” and other essays with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963.

Ingrid D. Rowland on Art History, Raphael, and Disegno

In this episode of Private Life, the art historian Ingrid D. Rowland joins Jarrett Earnest for an in-depth discussion about art history and disegno, an Italian word for “design” that was also a Renaissance-era concept describing some artists’ ability simultaneously to draw and to conceive of a grander scheme in their work. Rowland also talks about the lives and work of some of the Italian Renaissance’s most significant figures: Raphael; Caravaggio; Giorgi Vasari, a sixteenth-century artist and writer from Florence; and Agostini Chigi, a banker and art patron.     Rowland is Professor Emerita of History at the University of Notre Dame. Her most recent book is The Lies of the Artists: Essays on Italian Art, 1450–1750 (2024). In 2017, she cowrote the biography The Collector of Lives: Giorgio Vasari. She has been a contributor to The New York Review of Books since 1994, writing extensively on art, art history, architecture, and theater. Her debut in our pages was “Character Witnesses, [https://www.nybooks.com/articles/1994/12/01/character-witnesses/]” an essay about Renaissance portrait medals. Other articles have included “Caravaggio Lost and Found [https://www.nybooks.com/articles/2025/03/13/caravaggio-lost-and-found-ecce-homo-unveiled/],” about two rediscovered Caravaggio paintings, “Roman Rivalries [https://www.nybooks.com/articles/2017/08/17/michelangelo-sebastiano-roman-rivalries/],” about Michelangelo and Sebastiano, and “The Virtuoso [https://www.nybooks.com/articles/2020/08/20/raphael-the-virtuoso/],” a rapturous review of a 2020 Raphael exhibition in Rome.   Read the essays discussed in this episode and many others with a subscription to The New York Review of Books, which, in addition to twenty issues a year, gives you access to our full archive since 1963, searchable on our website.

Private Life x Dialogues: The David Zwirner Podcast

Private Life presents a bonus episode from our friends at Dialogues: The David Zwirner Podcast. Produced by the eponymous art gallery, Dialogues brings together artists, creatives, and intellectuals in conversation about what it means to make things today.     In this episode, host Helen Molesworth is joined by the art historian Lisa Saltzman to discuss Walter Benjamin’s final days. Molesworth and Saltzman discuss philosophy, World War II Europe, and the network of intellectuals who saved Benjamin’s most prized possessions, including Angelus Novelus, the Paul Klee drawing that helped inspired one of his most well-known texts, the Theses on the Philosophy of History.     Saltzman is the inaugural Emily Rauh Pulitzer ’55 Chair of Modern and Contemporary Art at Bryn Mawr College. She is currently working on a book, To Make Whole What Has Been Smashed, that explores how one passage from Benjamin’s posthumously published writingscame to transform Klee’s etching of an angel into the “angel of history,” a postwar icon of our seemingly impotent witness to historical catastrophe.    You can find Dialogues: The David Zwirner Podcast [https://www.davidzwirner.com/podcast] on Apple Podcasts, Spotify, and YouTube.     This Spring, The New York Review of Books announced a new column, “At the Galleries”, featuring sharp, timely reviews of a wide variety of exhibitions, with a particular focus on contemporary art. The column debuted in the magazine’s May 2026 Art Issue.   Read “At the Galleries” with a subscription to The New York Review of Books, which, in addition to twenty issues a year, gives you access to our full archive since 1963, searchable on our website.

“Ghosts in the House” by Martin Filler

In the October 21, 1999, issue of The New York Review of Books, Martin Filler wrote “Ghosts in the House,” [https://www.nybooks.com/articles/1999/10/21/ghosts-in-the-house/]about Frank Gehry’s life and work at the turn of the century, including the architect’s own house in Santa Monica, his celebrated Guggenheim Museum Bilbao, and the Walt Disney Concert Hall. In this episode of Private Life, Filler’s essay is read by Maya Lin. Best known for designing the Vietnam Veterans Memorial in Washington D.C. while she was still an undergraduate student, Lin’s forty-year career has also included the Civil Rights Memorial in Montgomery, Alabama, and the landscape architecture project Wave Field in Ann Arbor, Michigan.   This reading accompanies the Private Life episode featuring Filler in conversation with host Jarrett Earnest. Read “Ghosts in the House” and other essays with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963.

Martin Filler on Writing, Frank Gehry, and the Dramatic World of Architecture

In this episode of Private Life, Martin Filler joins Jarrett Earnest for a conversation about architecture criticism, Frank Gehry, and the art that makes us weep.  Martin Filler is a longtime contributor to The New York Review of Books. His first article for the Review, “Tall Stories [https://www.nybooks.com/articles/1985/12/05/tall-stories/],” about the Pulitzer Prize–winning architecture critic Ada Louise Huxtable, appeared in our December 5, 1985 issue. In the forty years since, Filler has written about, among many other subjects, Richard Meier’s design for the Getty Center in Los Angeles [https://www.nybooks.com/articles/1997/12/18/the-big-rock-candy-mountain/], Michael Arad’s National September 11 Memorial [https://www.nybooks.com/articles/2011/10/27/masterpiece-ground-zero/], and the lost beauty and significance of department stores [https://www.nybooks.com/articles/2025/09/25/what-joys-lie-in-store-american-fashion-department-stores/], alongside the opening of the new Printemps New York. Filler also frequently wrote about Frank Gehry—his Fondation Louis Vuitton [https://www.nybooks.com/articles/2015/01/08/frank-gehry-paris/], the Walt Disney Concert Hall [https://www.nybooks.com/articles/2003/10/23/victory-at-bunker-hill/], the Guggenheim Museum Bilbao [https://www.nybooks.com/articles/1999/10/21/ghosts-in-the-house/]—and eulogized “his boldly original approach…the architectural equivalent of punk rock [https://www.nybooks.com/online/2025/12/12/the-liberator-frank-gehry/]” when Gehry died this past December. (This episode was recorded prior to Gehry’s death.) Three volumes of Filler’s collected essays, Makers of Modern Architecture [https://www.nyrb.com/collections/martin-filler], have been published by New York Review Books.   Read the essays discussed in this episode and many others with a subscription to The New York Review of Books, which, in addition to twenty issues a year, gives you access to our full archive since 1963, searchable on our website.