Sid Truelove (Rubella Ballet, Epileptics, Flux of Pink Indians)

Gwen Ever (A Low Life in High Heels)

Gwen Ever from Deal Radio’s A Low Life in High Heels talks to Marie about Holly Woodlawn’s endorsement of the use of the name, the importance of getting new music out into the community, and a memorable moment featuring Steve Ignorant wearing a beehive and then dedicating a cover of David Bowie’s Rebel Rebel to Gwen during an interview. Gwen reflects on coming of age at the dawn of punk, being a huge fan of Rubella Ballet and Poison Girls, and playing a Jayne County-endorsed cover version of one of their songs. The conversation also touches on advice from Bobby Davro, surviving a life-changing head injury, catching pneumonia in a field whilst filming, and even getting stuck down a well. Gwen shares a massive love and admiration for Andy Warhol and the lasting influence of underground art, punk culture, and creative self-expression.

Ruth & Hannah Punktuation Magazine

TRIGGER WARNING : Sexual violence and domestic violence discussed In this episode Marie talks with Ruth and Hannah from Punkuation Magazine. Ruth is the editor-in-chief, while Hannah joins as music writer. Together, they dive into the current punk bands they’re loving right now, including Rage DC, Tape It Shut, and Not The Face. The conversation also covers their appearance on the Griff Griffiths Radio Show and the excitement surrounding the recent Rage DC album launch. As the episode develops, the discussion takes a more serious and important turn, touching on issues of sexual violence and domestic abuse, alongside a wider conversation about women finding and using their voice within the punk scene. Marie, Ruth, and Hannah also discuss how Loud Women continues to champion and support female-led bands within the alternative music community.

Sid Truelove (Rubella Ballet, Epileptics, Flux of Pink Indians)

In this episode we sit down with Sid Truelove from Rubella Ballet for a wide-ranging conversation exploring decades of punk rock creativity, underground culture, and DIY survival. We talk about the legendary mystery of the second missing floating tom, memories of playing with Flux of Pink Indians during the height of the anarcho-punk movement, and the raw energy that shaped the UK underground scene. Sid also discusses working on Zillah Minx’s documentary about women in punk, sharing stories about editing the film, revisiting punk history through archive footage, and the importance of documenting women’s contributions to the scene. The conversation also dives into memories from Triad Studios, songwriting, drum programming, balancing old-school punk attitude with modern technology, and the creative process behind keeping punk music evolving. We also talk about the new Rubella Ballet drummer Kath Edmonds, the future of the band, and what continues to keep the punk spirit alive. A brilliant episode packed with stories, humour, music history, creative inspiration, and pure DIY punk energy.

Peter Coyne (Godfathers)

Peter Coyne of The Godfathers speaks with a clear, stripped-back philosophy rooted in authenticity and directness. He views artwork as an extension of the music—bold, unpretentious, and reflective of the band’s raw energy rather than something overly stylised. Early experiences in The Sid Presley Experience helped shape his commitment to a raw, high-energy sound and an uncompromising approach to making music. He also draws heavily on current affairs and social observation, using real-world issues as a catalyst for lyrical ideas, something reflected in songs like Birth, School, Work, Death. The formation of the band in the 1980s with his brother came from a desire to return to basics—guitar-driven rock with a focus on live performance, attitude, and simplicity over polish. Alongside this, Coyne expresses strong admiration for female vocalists like Dusty Springfield, particularly their emotional delivery and phrasing, which informs his own sense of expression within a rock context. Overall, his outlook centres on keeping music honest, immediate, and connected to real life rather than overproduced or detached.

Hippies Now Wear Black (Rich Cross)

In this episode, we’re joined by writer and anarcho-punk historian Rich Cross to dig into radical music culture, DIY ethics, and the legacy of anarchist art. We talk Vi Subversa and the Poison Girls, exploring her role in shaping anarcho-punk, the fusion of feminism and music in her work, and why her voice still hits today. We also get into AK Press—its roots, its mission, and the ongoing challenge of keeping publishing truly DIY in a corporate world. Plus, we break down the “Bullshit Detector” compilations and their role in amplifying new voices, embodying DIY culture, and inspiring generations of underground artists. It’s a conversation about anarcho-punk’s lasting impact, DIY as both practice and politics, and the importance of keeping radical histories and spaces alive.