RA Exchange

"There's a lack of continuity for FLINTA* individuals." The Chilean artist talks about trans rights and the launch of her new sex party, ABOV. What would genuine visibility, safety and solidarity look like for the trans community? This week's interview with Chilean artist Dominga Huidobro (AKA Föllakzoid) explores this topic in depth. Huidobro began her transition eight years ago. By then, Föllakzoid had already put out a number of releases on Sacred Bones. She's since gone on to totally reinvent the psych rock genre, working with hypnotic loops and percussion, and even crossing over into the world of techno with collaborations and remixes from Atom TM and DJ Nobu. Huidobro opens up about how transitioning changed her artistic identity, and even fed directly into her standout album, V. But it also began to pose problems in her personal life. She was attacked at a queer party in Berlin last September, an incident that reflected an ongoing lack of safety and care for the trans community. Touring as a solo artist, she is still rarely provided safe, pre-arranged transportation to and from venues, and the constant trauma of crossing borders and being left to fend for herself in threatening situations led her to pause her live shows for the rest of this year. In the meantime, Huidobro has started a FLINTA* party, ABOV, with her partner Ariana Paoletti (AKA Volvox). The two end the conversation with a meditation on what the FLINTA* mission means in 2025. Listen to the episode in full. -Chloe Lula

"I want more risks." The French DJ and producer talks about groundbreaking musical practices, musique concrète and her forthcoming album, Juggling Dualities. There's a history of groundbreaking musical practice that's lost in modern dance music, at least according to Hermione Frank, AKA rRoxymore. The French DJ and producer has been questioning the dominant modes of creativity for a long time. First, she learned from the world of free jazz and Afrofuturism as a child—her dad was close friends with pioneering spiritual jazz musician Sun Ra. She then went on to study musique concrète, the avant-garde school of sound collage pioneered by Pierre Schaeffer. Today, Frank makes music that's geared more towards the dance floor, and in this RA Exchange, she uncovers how she brings her background pushing musical boundaries into more "listenable" contexts. She also dives into working with the now-defunct collective Room 4 Resistance—an intersectional feminist party for Berlin's FLINTA community which also hosted workshops dedicated to fostering systems of care—and why she's moved on from Berlin, a city that she once viewed as a hub for creativity, accessibility and as the nucleus of political, risk-taking art. Frank has a new album, Juggling Dualities, out July 17th on !K7. It sits at the fringes of New Age and dub, taking a sideways look at wellness culture by meditating on the importance of self-care while simultaneously poking fun at it. Pre-order a copy here and listen to the episode in full. -Chloe Lula

"I'm ready to bring back gatekeeping." The New Yorker staff writer discusses how to protect the underground, experimenting with drugs and her new book, Health and Safety. Can drugs help us find meaning in music and nightlife? This is a question that today's Exchange guest, New Yorker staff writer Emily Witt, asks in earnest in her new book Health and Safety: A Breakdown. Just released in hardcover in the UK and Europe, the memoir traces Witt's life in her early-to-mid 30s. A journalist living and working in Brooklyn, she began experimenting with psychedelics and club drugs after years of living what she describes as a conservative, straight-and-narrow, middle-class life. She became enamoured with the borough's underground raves, frequenting events like the festival Sustain-Release, the party Unter and sets at Bushwick haunt Bossa Nova Civic Club, all while falling in love with an aspiring DJ and producer she calls Andrew. As the book progresses, Witt documents the growing MAGA movement in America, gun rights rallies and mass shootings. As the country falls apart, she watches her romantic relationship fall apart, too. Drugs and Brooklyn nightlife, she writes, became both an escape and a way to rearrange a world that she starts to feel no longer makes sense. Witt shares critical opinions about the underground scene's capacity to be a utopia and place of belonging in an increasingly hostile world, arguing that there should be more gatekeeping in place to protect a scene that's threatened by capitalism and the mainstream. She also interrogates what she calls "woke identity politics" in Brooklyn, the lack of change that came from the Black Lives Matter movement, empty calls for political protest that dominated the early days of the pandemic and why, despite everything, she's chosen to stay in Brooklyn for good. Listen to the episode in full. -Chloe Lula

"Is the infrastructure working?" The Canadian DJ and producer talks playing Coachella 2025 and the music industry's unequal power dynamics. Is the electronic music industry pay-to-play? This week's RA Exchange with Jamaican-Canadian DJ and producer BAMBII tackles this question, exploring whether innate talent is really enough to become an artist, or if success favours those with privileged socioeconomic backgrounds. BAMBII, a queer club innovator whose exhilarating, rave-ready records exist at the crossroads of jungle, dancehall, drum & bass and UK garage, lives in Toronto. She made waves earlier this year when she posted a viral Instagram story about her set at US festival Coachella, where she said she was forced to play with malfunctioning sound and DJ equipment. As she explains to today's host, British journalist Tara Joshi, the debacle spoke to a broader issue about an economy built on exploitation. BAMBII played the festival for free, paying her way to the gig in exchange for exposure. The music industry, she argues, thrives on unequal power dynamics: her experience was one of countless examples of how many artists are taught to be grateful for anything, and to be silent if they feel otherwise. "The music industry shows us how the world operates when there are no rules," she claims. "There is an assault on ethics and care in this industry. People love to recreate capitalism in the highest form." In the interview, BAMBII also speaks about her forthcoming EP—Infinity Club II, out June 20th—as well as the North American club scene and the local grassroots collectives that she believes are keeping underground nightlife alive. Listen to the episode in full. -Chloe Lula

"I'm an individualist." The Throbbing Gristle co-founder on extreme experimentation, difficult women and her new album, 2t2. As long as underground culture has existed, there have been pockets of resistance—people at the fringes who challenge societal expectations and create work that pushes against societal norms. Cosey Fanni Tutti is one of them. She's a founding member of the defunct British band Throbbing Gristle, a visual artist, pornographic model, solo musician and writer. Tutti, now 73, grew up in the English city of Hull, where she met like-minded performer Genesis P-Orridge. Together, they formed Throbbing Gristle and the collective COUM. Their activations and installations were, unequivocally, shocking. In one show, Tutti urinated on the audience as she swung naked across the stage. In another, the band performed alongside framed displays of her used menstrual pads. Throbbing Gristle's extreme experimentations flirted with the erotic and the grotesque, pushing the limits of sound and frequency. Their outsider approach to making music—and their erasure of the boundary that separates life and art—went on to influence a generation of creatives across genres, especially in early techno. After Throbbing Gristle disbanded, Tutti performed as synth pop duo Chris & Cosey with her husband and ex-band member, Chris Carter. Her work as a solo artist has blossomed in recent years. She published her memoir, Art Sex Music, in 2017. After turning 66, she also wrote two full-length albums and wrote another book, Re:Sisters, which explores the life and legacy of the late composer Delia Derbyshire who faced adversity as a woman in a male-dominated world, like Tutti herself. In this Exchange with with Chloe Lula, Tutti discusses her dedication to living alternatively, expressing herself by any means possible and her forthcoming album, 2t2, composed during a time of extreme difficulty in her personal life. The underground icon also talks about mastering Mongolian throat singing and her upcoming solo art exhibition in New York, which will display the pornographic photos she took as a model in her 20s. Listen to the episode in full.