Episode 8: Red Dirt and Dark Skies — Midwestern Gothic

Episode 8: Red Dirt and Dark Skies — Midwestern Gothic

You think of the American Midwest and you think wholesome, honest, and simple. The heartland. But what if all that openness — that enormous sky, that flat horizon that never arrives — isn't reassuring at all? What if exposure is its own kind of dread? In this episode, Annelise draws on her own time living in Oklahoma to explore Midwestern Gothic: the red dirt, the tornado sirens, the ice storms nobody warns you about. And the history sitting underneath all of it: the Trail of Tears, the Dust Bowl, and the 1921 Tulsa Race Massacre — grief that soaked into the soil and never quite left. From Willa Cather to Marilynne Robinson, this is the Gothic tradition that looks at America's heartland myth and asks what's actually buried there. And if you write gothic fiction or you want to, my structural guides and workbooks are over at Gothic Writing Studio on Etsy. Serious tools for serious writers. Gothic Writing Studio — structural guides and workbooks for serious gothic fiction writers: www.etsy.com/shop/GothicWritingStudio [http://www.etsy.com/shop/GothicWritingStudio] Writing Gothic Fiction — From Classic Castles to Southern Shadows: https://a.co/d/00hF844E

Episode 7: Born in the Dark — The American Gothic Tradition

What is the real horror in American Gothic if it's not ghosts and castles? It's the dark history hidden beneath the floorboards? In this episode of Reflections on Gothic Fiction, I step back from regional Gothic traditions like Southern, Appalachian, and Alaskan Gothic to explore the larger tradition they all emerged from: American Gothic itself. Because when Gothic fiction crossed the Atlantic, it had to reinvent itself. America had no castles, no aristocracy, no ancient abbeys slowly rotting in the fog. What it had instead was wilderness, Puritan guilt, violence, dispossession, isolation, and histories people were already trying to bury. From Charles Brockden Brown and Washington Irving to Edgar Allan Poe, Shirley Jackson, Toni Morrison, and Stephen King, this episode traces how American Gothic developed into a tradition obsessed with what refuses to stay hidden. We explore: • why American Gothic feels psychologically different from European Gothic • how guilt and inherited violence shaped the tradition • why the landscape itself became Gothic • the blurred line between Gothic fiction and horror • and how Southern Gothic, Appalachian Gothic, and other regional traditions grew out of these foundations If you’ve ever wondered why American Gothic feels so haunted, even when there are no ghosts, this episode is for you. If you enjoy thinking seriously about writing and storytelling, I have a range of writing guidebooks available in my Etsy shop — https://www.etsy.com/shop/GothicWritingStudio My books are also available on Amazon ⁠⁠⁠Click Here⁠⁠ [https://www.amazon.com/stores/author/B0CLDTH27W/allbooks?_encoding=UTF8&ref_=aufs_ap_ahdr_dsk_ab&pd_rd_w=sxuAX&content-id=amzn1.sym.7e190e19-9f6f-4df8-807a-5a7608594741&pf_rd_p=7e190e19-9f6f-4df8-807a-5a7608594741&pf_rd_r=135-7086956-1259367&pd_rd_wg=Rpxha&pd_rd_r=a2f69975-d129-4966-9d8b-0f1cc1066b2e&ccs_id=109ed912-eff4-4776-a7ff-08bd38befe27]

Episode 6: Into the Cold — Alaskan Gothic and the Terror of the Vast

Into the Cold — Alaskan Gothic and the Terror of the Vast Alaska doesn’t decay. It preserves. And in Gothic fiction, that changes everything. In this episode of Reflections on Gothic Fiction, I explore why Alaskan Gothic deserves to be treated as its own distinct space, separate from the more abstract tradition of Arctic Gothic. This is a landscape that doesn’t symbolize danger; it is danger. Vast, indifferent, and completely unconcerned with whether you survive it. We trace the roots of this emerging tradition through the Klondike Gold Rush, where extreme conditions exposed the darker edges of human nature, and through the work of Jack London and Robert William Service, who captured the psychological reality of life in the North. I also look at what makes this subgenre so unsettling — scale, isolation, prolonged darkness, and a cold that doesn’t destroy, but preserves. In Alaska, the past doesn’t disappear. It waits. Finally, I touch on contemporary writers like Eowyn Ivey and Jamey Bradbury, and how they continue to shape this evolving Gothic space. If you enjoy thinking seriously about writing and storytelling, I have a range of writing guidebooks available in my Etsy shop — https://www.etsy.com/shop/GothicWritingStudio My books are also available on Amazon ⁠⁠⁠Click Here⁠⁠ [https://www.amazon.com/stores/author/B0CLDTH27W/allbooks?_encoding=UTF8&ref_=aufs_ap_ahdr_dsk_ab&pd_rd_w=sxuAX&content-id=amzn1.sym.7e190e19-9f6f-4df8-807a-5a7608594741&pf_rd_p=7e190e19-9f6f-4df8-807a-5a7608594741&pf_rd_r=135-7086956-1259367&pd_rd_wg=Rpxha&pd_rd_r=a2f69975-d129-4966-9d8b-0f1cc1066b2e&ccs_id=109ed912-eff4-4776-a7ff-08bd38befe27]

Episode 5: The Land Has a Voice — Place as Character in Gothic Fiction

Why do the moors in Wuthering Heights feel as volatile as Heathcliff himself? Why does the Australian wilderness offer a horror more profound than any haunted house? In this episode, Annelise explores the thin line between setting and "place" in Gothic fiction. From the storm-lashed moors of the English North to the suffocating heat of the American South and the indifferent vastness of the Australian Bush, we discover how the landscape watches, waits, and eventually, speaks. Join us as we trace the bones of the Gothic through the works of Brontë, Hawthorne, Faulkner, and Baynton, before looking toward the frozen, absolute darkness of a rising subgenre: Alaskan Gothic. If you enjoy thinking seriously about writing and storytelling, I have a range of writing guidebooks available in my Etsy shop — https://www.etsy.com/shop/GothicWritingStudio My books are also available on Amazon ⁠⁠Click Here⁠⁠ [https://www.amazon.com/stores/author/B0CLDTH27W/allbooks?_encoding=UTF8&ref_=aufs_ap_ahdr_dsk_ab&pd_rd_w=sxuAX&content-id=amzn1.sym.7e190e19-9f6f-4df8-807a-5a7608594741&pf_rd_p=7e190e19-9f6f-4df8-807a-5a7608594741&pf_rd_r=135-7086956-1259367&pd_rd_wg=Rpxha&pd_rd_r=a2f69975-d129-4966-9d8b-0f1cc1066b2e&ccs_id=109ed912-eff4-4776-a7ff-08bd38befe27]

Episode 4: The God-Shaped Dark — Religion, Control, and the Gothic Tradition

This episode was born out of something Annelise feels strongly about. Faith is not the problem. People are. And Gothic fiction captures that like no other tradition. In Episode 4 she traces religion through the gothic tradition, from Matthew Lewis's scandalous The Monk to Flannery O'Connor's violent grace, and introduces one of the most chilling characters in her novel All the River Took: Elder Hiram McBride, a man who has mistaken his own need for power for the voice of God. If you enjoy thinking seriously about writing and storytelling, I have a range of writing guidebooks available in my Etsy shop — https://www.etsy.com/shop/GothicWritingStudio My books are also available on Amazon ⁠Click Here⁠ [https://www.amazon.com/stores/author/B0CLDTH27W/allbooks?_encoding=UTF8&ref_=aufs_ap_ahdr_dsk_ab&pd_rd_w=sxuAX&content-id=amzn1.sym.7e190e19-9f6f-4df8-807a-5a7608594741&pf_rd_p=7e190e19-9f6f-4df8-807a-5a7608594741&pf_rd_r=135-7086956-1259367&pd_rd_wg=Rpxha&pd_rd_r=a2f69975-d129-4966-9d8b-0f1cc1066b2e&ccs_id=109ed912-eff4-4776-a7ff-08bd38befe27]