76. We Made Our Own Oscars… Here Are the Winners

77. Revisiting Innerspace: Peak 80s Chaos

"Scene Weekly" Dennis Quaid gets miniaturized and accidentally injected into Martin Short—yeah, it’s that kind of movie. This week we revisit Innerspace, a wildly chaotic 80s sci-fi comedy that somehow still holds up. We break down what works, what doesn’t, and why this weird little movie still rules.

76. We Made Our Own Oscars… Here Are the Winners

This week on Scene Weekly, Jonathan and Stephen are handing out their own Oscars — and yes, things get a little weird. Looking back at the best films of the past year, the guys make their picks for the classic categories like Best Picture, Actor, and Director… but they also invent a few awards of their own along the way. Expect passionate defenses, questionable logic, and at least one category the Academy would absolutely never approve. The red carpet is imaginary — the opinions are not. Press play.

75. Blue Moon - Ethan Hawke's Best Work?

"Scene Weekly" Jonathan and Stephen head backstage with Blue Moon (2025), Richard Linklater’s intimate drama starring Ethan Hawke as lyricist Lorenz Hart on the night his former partner’s Oklahoma! premieres without him. It’s one long, boozy evening of ego, envy, and artistic legacy — with Hawke delivering a sharp, aching performance as a genius watching the spotlight drift away.

74. Why Joker: Folie à Deux Deserves a Second Look

"Scene Weekly" Everyone decided Joker: Folie à Deux was a disaster—almost immediately. But what if that reaction missed the point? We revisit the most divisive sequel in recent memory, unpack its bold musical swing, bleak humor, and intentional discomfort, and make the case that Folie à Deux deserves way more respect than it got.

73. A Nightmare on Elm Street

"Scene Weekly" Step back into your dreams—and your nightmares—as Jonathan and Stephen take a fun, deep dive into A Nightmare on Elm Street. This week, the hosts slice into the legacy of Freddy Krueger, exploring what makes this horror classic so iconic, terrifying, and endlessly rewatchable. From Wes Craven’s razor-sharp concept to the film’s unforgettable kills and dream logic, they break down the scares, the themes, and the cultural impact—with plenty of laughs along the way.