The Greatest Jewish Boxer You've Never Heard Of

From Minstrelsy to Broadway, Part Two

At the turn of the 20th century, African American artists faced a fundamental question: how could they prove their citizenship and claim their place in American culture? Historian and musician David Gilbert traces how the first generation of African American performers to crack Broadway effected this transformation.  Ernest Hogan named himself “the unbleached American.” Bert Williams and George Walker, marketed themselves as "the two real coons." Bob Cole and the Johnson Brothers transcended the coon genre entirely by writing sophisticated pop songs for white Broadway stars and crafting songs about Black romance that weren't sung for laughs. Yet Gilbert confronts an uncomfortable truth: this topic is embarrassing, and most Americans would prefer to forget this era entirely. These artists walked an impossible line, and understanding their journey means confronting not just the ugliness of Jim Crow America but the echoes that still reverberate today. Music “Darktown is Out Tonight” - Will Marrion Cook “Overture to ‘In Dahomey’” - Will Marrion Cook “Under the Bamboo Tree” - Robert Cole and J. Rosamund Johnson “You've Been A Good Old Wagon” - Ben Harney, Len Spencer “You’ve Been A Good Old Wagon” - Ben Harney, Bessie Smith Website: www.shogafilms.com; Instagram: shogafilms; Facebook: facebook.com/shogafilms; Twitter: twitter.com/shogafilms

From Minstrelsy to Broadway, Part One

In 1896, Ernest Hogan's "All Coons Look Alike to Me" became the first song to sell a million copies in America, making him a star and setting off the "coon song craze"—an era in which African American performers and composers achieved unprecedented professional success while trafficking in the very stereotypes designed to undermine their citizenship. David Gilbert, a historian and musician, traces how coon songs emerged at the intersection of ragtime's rhythmic innovations and post-Reconstruction racial anxieties. At its core, this is a story about the impossible bargains that Black artists had to make in an era of virulent racism—some of them achieving wealth, respect, and cultural influence by mastering the very forms designed to humiliate them, and finding within those constraints the seeds of a creative revolution that would eventually transform Broadway and American popular culture. Music “All Coons Look Alike To Me” – Kylan / ragtimerev “Bully of the Town” – Holy Modal Rounders “La Pas La Ma” – Kylan / ragtimerev “On Emancipation Day” – William Brown “Save Your Money ‘cause the Winter Am Coming On” – Clarice Vance Website: www.shogafilms.com; Instagram: shogafilms; Facebook: facebook.com/shogafilms; Twitter: twitter.com/shogafilms

The Jewish Roots of John Garfield

This episode explores the life and legacy of actor John Garfield (born Julius Garfinkel), focusing on how his Jewish roots shaped his identity, artistic choices, and political stance. Journalist Robert Nott, author of He Ran All the Way: The Life of John Garfield, recounts Garfield’s upbringing on New York’s Lower East Side, among Jewish immigrant poverty, and strict religious expectations. Rejecting his Orthodox father’s path, Garfield turned to acting, eventually joining the leftist Group Theater—a hub of Jewish-American creativity and political activism. Garfield’s performances in the play Golden Boy and the movies Body and Soul, and Gentleman’s Agreement reflect recurring themes: the immigrant struggle, the lure of the American Dream, and resistance to systemic injustice. Body and Soul—produced independently—blended his real-life experiences with a fictional reworking of the biography of the famous Jewish boxer Barney Ross. Despite facing the Hollywood blacklist and pressure from HUAC during the Red Scare, Garfield refused to name names, an act of integrity that prematurely ended his acting career and possibly his life (he died at the age of 39)  but one that was rooted in his cultural and moral upbringing. Garfield, though not religiously observant, remained culturally Jewish, embodying a complex, deeply American Jewish identity in both life and art. Host Info Hosted by Dr. Robert Philipson Robert is a former professor of African-American studies with a passion for jazz and art. A published author and Harlem Renaissance historian, he has produced multiple films about the intersectionality of race, music, and sexuality. Guest Info Robert Nott, Author, “He Ran All the Way: The Life of John Garfield (2003)” Robert Nott is an arts and entertainment writer for The Santa Fe New Mexican Resources Books Nott, Robert. He Ran All the Way: The Life of John Garfield. [https://www.amazon.com/He-Ran-All-Way-Garfield/dp/0879109858] Plays and Movies Odets, Clifford. Waiting for Lefty [https://archive.org/details/waitingforlefty00odet] Odets, Clifford. Awake and Sing [https://www.goodreads.com/book/show/871200.Awake_and_Sing_] Odets, Clifford. Golden Boy [https://en.wikipedia.org/wiki/Golden_Boy_(play)]. 20th Century Fox, Gentleman’s Agreement (1947) [https://www.imdb.com/title/tt0039416/] Hollywood Backstories: Gentlemen’s Agreement [https://www.youtube.com/watch?v=vxSZn8u6Uvc&ab_channel=DanielS.Vodenitcharov%2CEsq.] Music “Body and Soul” - Sarah Vaughan “Happy Days are Here Again” - Barbra Streisand Connect With Us: Website: shogafilms.org [https://www.shogafilms.org/] Instagram: @ [https://www.instagram.com/shoga_films]shogafilms [https://www.instagram.com/shogafilms/#] Facebook: facebook.com/shogafilms [https://www.facebook.com/shogafilms] Twitter: twitter.com/shogafilms [https://www.twitter.com/shogafilms] Sign up for our newsletter at shogafilms.org [https://www.shogafilms.org/] Website: www.shogafilms.com; Instagram: shogafilms; Facebook: facebook.com/shogafilms; Twitter: twitter.com/shogafilms

The Killing of Canada Lee

In this episode, Dr. Robert Philipson interviews Mona Smith, Canada Lee's biographer,  about the rise, political assassination, and virtual erasure of this African American hero. From 1934 to 1951, Canada Lee was the most famous and revered Black actor of his day, associated -- and frequently starring -- with every landmark African American Broadway production. He broke barriers again and again by being cast in non-Black productions. Despite this, Canada Lee is virtually unknown. They discuss how his early death at the age of 45 is tied to the blacklist of the postwar Red Scare which also buried his achievements. Host Info Hosted by Dr. Robert Philipson Robert is a former professor of African-American studies with a passion for jazz and art. A published author and Harlem Renaissance historian, he has produced multiple films about the intersectionality of race, music, and sexuality. Guest Info Mona Smith Mona Smith is the author of Becoming Something: The Story of Canada Lee. She is a playwright, screenwriter, and former newspaper reporter. She is also a consultant to nonprofits and teaches theater and writing. Music “I Can’t Breathe” - H.E.R Connect With Us: Website: shogafilms.org [https://www.shogafilms.org/] Instagram: @ [https://www.instagram.com/shoga_films]shogafilms [https://www.instagram.com/shogafilms/#] Facebook: facebook.com/shogafilms [https://www.facebook.com/shogafilms] Twitter: twitter.com/shogafilms [https://www.twitter.com/shogafilms] Sign up for our newsletter at shogafilms.org [https://www.shogafilms.org/] Website: www.shogafilms.com; Instagram: shogafilms; Facebook: facebook.com/shogafilms; Twitter: twitter.com/shogafilms

The Greatest Jewish Boxer You've Never Heard Of

In this episode of Shoga Speaks, Dr. Robert Philipson interviews author Doug Century about his biography Barney Ross: The Life of a Jewish Fighter, exploring the extraordinary life of Barney Ross—a Jewish boxing champion, World War II hero, and outspoken recovering addict. Born Dov-Ber Rosofsky in an Orthodox household, Ross rose from Chicago’s Jewish ghetto to become a national sports icon in the 1930s, defeating opponents in matches that symbolized resistance amid the rise of Nazi Germany. Century traces Ross’s evolution from the ring to the battlefield at Guadalcanal, where he became a decorated Marine, and later to his public struggle with heroin addiction and advocacy for drug policy reform. The episode also touches on Ross’s Hollywood ties, failed biopic, covert support for Israel’s founding, and his fading place in Jewish American memory—offering a rich portrait of resilience, identity, and legacy. Host Info Hosted by Dr. Robert Philipson Robert is a former professor of African-American studies with a passion for jazz and art. A published author and Harlem Renaissance historian, he has produced multiple films about the intersectionality of race, music, and sexuality. Guest Info Doug Century Doug Century is a journalist and the author of Barney Ross: The Life of a Jewish Fighter. douglascentury.com [https://douglascentury.com/] Music “Echoes of Sinai” - WAYA & Cafe De Anatolia “There’ll Be a Hot Time in the Old Town Tonight” - Bessie Smith “Boogie Boogie Bugle Boy” - The Andrews Sisters “You’se a Viper” - Stuff Smith & His Onyx Club Boys “Hooray for Hollywood” - Johnny Mercer, Dick Powell, Frances Langford, Johnny Davis, Gene Krupa “Kaddish” - Rachel Hyman Connect With Us: Website: shogafilms.org [https://www.shogafilms.org/] Instagram: @ [https://www.instagram.com/shoga_films]shogafilms [https://www.instagram.com/shogafilms/#] Facebook: facebook.com/shogafilms [https://www.facebook.com/shogafilms] Twitter: twitter.com/shogafilms [https://www.twitter.com/shogafilms] Sign up for our newsletter at shogafilms.org [https://www.shogafilms.org/] Website: www.shogafilms.com; Instagram: shogafilms; Facebook: facebook.com/shogafilms; Twitter: twitter.com/shogafilms