Artistic director Madeleine Easton is joined by Chris Watson to delve into the world of J.S Bach’s vocal motets

Artistic director Madeleine Easton is joined by Chris Watson to delve into the world of J.S Bach’s vocal motets

In our first podcast for 2026, Artistic Director Madeleine Easton welcomes Chris Watson, the Director of Music at Trinity College as her guest. Chris is a former member of the internationally acclaimed Tallis Scholars and Director of Music at St Edmund Hall, Oxford. He has had an international career spanning 3 decades as a tenor soloists and choir director and now calls Australia home. Madeleine and Chris as Bach Akademie Australia prepare to perform all of these wondrous works throughout one program in February. For text translations and our recommended recording for listening, click the link below  https://static1.squarespace.com/static/5cf8d9ae2e760300019e8752/t/6965d8efb0c80a60b56bdaeb/1768282351673/Bach+Motets+text+and+translations.pdf [https://static1.squarespace.com/static/5cf8d9ae2e760300019e8752/t/6965d8efb0c80a60b56bdaeb/1768282351673/Bach+Motets+text+and+translations.pdf]

The Art of Violin (Part 2)

In this episode of Talking Bach, Artistic Director Madeleine Easton takes listeners on a journey through The Art of Violin—a sweeping exploration of the instrument’s origins, evolution, and enduring allure. From the medieval rabab and rebec to the golden age of Cremonese violin-making, Madeleine traces how the violin rose to prominence as the most expressive and beloved instrument in Western music. Along the way, she highlights the great composers and virtuosi who shaped its voice—Vivaldi, Handel, Bach, Paganini, Kreisler, and many more—revealing how performers and composers worked hand in hand to expand the violin’s technical and emotional possibilities. With vivid historical insights, musical examples, and reflections on performance, this episode celebrates the artistry of both violin makers and violinists, and the timeless music they brought into the world

The Art of Violin

In this episode of Talking Bach, Artistic Director Madeleine Easton is joined by violinists Simone Slattery and Rafael Font to explore The Art of Violin—a program that delves into the origins, evolution, and expressive power of the violin during the Baroque period. Together, they discuss the enduring fascination with this singular instrument, tracing its journey from its earliest incarnations to the virtuosic solo works of Vivaldi, Leclair, Handel, Telemann, and J.S. Bach.   Through personal stories, historical insights, and reflections on performance practice, this conversation offers a deep appreciation for the craftsmanship and creativity of Baroque composers who redefined the violin’s potential. With works that feel like musical time travel, the episode celebrates the violin’s unique voice and its place at the heart of Western music’s past, present, and future.

The Class of '85

In this episode of Talking Bach, Artistic Director Madeleine Easton is joined by soprano Susannah Lawergren and principal flautist Mikaela Oberg to discuss the “Class of ’85.” The odds are slim that three musicians of global significance could be born in the same year, but in 1685, that’s exactly what happened. Domenico Scarlatti, Georg Frideric Handel, and Johann Sebastian Bach—known as the Class of ’85—have had an overwhelming and enduring influence on music.   This program features Handel’s rich Concerto Grosso in B-flat major, Op. 6 No. 7; Domenico Scarlatti’s Salve Regina, performed by mezzo-soprano Hannah Fraser; and J.S. Bach’s magnificent secular cantata Non sa che sia dolore, BWV 209, featuring soprano Susannah Lawergren. Together, these works celebrate the supreme craftsmanship, versatility, and imagination of these three titans of Western classical music.

Join Artistic Director Madeliene Easton and her guest American Countertenor Reginald Mobley in anticipation of our upcoming concert series.

Madeleine Easton’s guest is none other than the Internationally recognised Grammy nominated American Countertenor Reginald Mobley.  In anticipation of Bach Akademie Australia’s first national tour with Reginald as soloist, Mobley talks about growing up in Gainesville Florida, his wanting to be a visual artist before discovering that he had voice which was was to take him all around the world, and finally here to Australia.