BACKROOMS Made Amy Feel Unsafe In Real Life

Title: Is OBSESSION Too Effective For Its Own Good?

Can a movie be so well done that it's bad for you?vThat's the question at the center of our review of OBSESSION. William thinks the film succeeds at exactly what it sets out to do, but Amy thinks that's precisely the problem. From its relentless tension and disturbing imagery to one of the bleakest horror experiences we've had in a long time, OBSESSION left us completely divided. Is making an audience miserable a sign of great horror, or does a movie eventually become too effective for its own good? Join us for our spoiler-free review, ratings, and full spoiler discussion. Around here, The Fear is Family. Check it out on The Fear Review: https://thefearreview.com/reviews/obsession/ [https://thefearreview.com/reviews/obsession/] ▶ More from The Fear Review: Full Episodes: https://episodes.thefearreview.com [https://episodes.thefearreview.com/] Short Clips: https://shorts.thefearreview.com [https://shorts.thefearreview.com/]

BACKROOMS Made Amy Feel Unsafe In Real Life

BACKROOMS completely caught us off guard. What started as a creepy liminal horror movie slowly turned into one of the most isolating and emotionally draining theater experiences Amy’s had in a long time. This wasn’t just jump scares or creepy hallways. The sound design and hidden footsteps had Amy literally covering her ears and wishing she had noise-canceling headphones. We break down how the distorted spaces, oppressive atmosphere, terrifying audio design, and endless backrooms got so deeply under Amy’s skin that she didn’t even want to walk to the theater bathroom alone afterward. This movie didn’t just stay in the theater... It followed her home. 🎧 Listen & Follow The Fear Review: Spotify: https://spotify.thefearreview.com [https://spotify.thefearreview.com/] Apple Podcasts: https://apple.thefearreview.com [https://apple.thefearreview.com/] Amazon Music: https://amazon.thefearreview.com [https://amazon.thefearreview.com/] 🎬 Watch full video episodes: https://episodes.thefearreview.com [https://episodes.thefearreview.com/] 🎞️ Watch our latest Shorts: https://shorts.thefearreview.com [https://shorts.thefearreview.com/] Around here, The Fear is Family.

Saccharine (2026) | Horror That Gets Under Your Skin

Natalie Erika James returns with one of the most physically uncomfortable horror movies we’ve seen in a long time. In this episode, we break down Saccharine’s disturbing body horror, escalating “hungry ghost” imagery, unsettling sound design, and the deeper emotional themes underneath all of it. What starts as psychologically uncomfortable horror slowly reveals itself as something much heavier about obsession, self-worth, emotional hunger, and the things people consume trying to fill empty spaces inside themselves. We also discuss: • The cadaver and eating sequences • Why the sound design becomes part of the horror • Bertha and the movie’s psychological themes • The shift from psychological horror into supernatural escalation • Whether the ending actually works • Why Natalie Erika James continues to stand out in modern horror The visceral horror in Saccharine gets under your skin, and then what it’s really saying hits you hard. Special thanks to IFC and Shudder for providing us with a screener for review coverage. Around here, The Fear is Family.

Natalie Erika James Interview | Saccharine, Relic & Horror That Feels Physical

Natalie Erika James’ horror films don’t just scare you — they feel physical. After revisiting Relic and Apartment 7A for our Natalie Erika James spotlight week, we sat down with Natalie to talk about Saccharine, sensory horror, body horror, sound design, trauma, and the emotional themes running throughout her films. We also discuss: • the emotional layers behind Relic • building Apartment 7A inside the Rosemary’s Baby universe • the overwhelming food sequences in Saccharine • designing Hana’s transformation • using sound to create discomfort • her upcoming Apple TV+ series Ascension • and the horror films that shaped her love of the genre Huge thank you to Natalie Erika James for taking the time to speak with us. 📺 Watch: Full Episodes: https://episodes.thefearreview.com [https://episodes.thefearreview.com/] Shorts: https://shorts.thefearreview.com [https://shorts.thefearreview.com/] Around here, The Fear is Family.

Apartment 7A (2024) Review | Broadway Horror Meets Rosemary’s Baby

Apartment 7A takes the world of Rosemary’s Baby and filters it through Broadway ambition, bodily discomfort, manipulation, and psychological horror. This week on The Fear Review, William and Amy continue their Natalie Erika James spotlight with Apartment 7A, the psychological horror prequel centered on Terry Gionoffrio before the events of Rosemary’s Baby. Julia Garner and Dianne Wiest deliver incredible performances in a movie that leans less on constant scares and more on dread, manipulation, and physical discomfort. From the brutal ankle injury sequences to the glamorous but unsettling interpretation of the devil, Apartment 7A creates a very different kind of horror experience while still feeling connected to Rosemary’s Baby. Does the movie work better as a prequel… or as its own standalone nightmare? In this episode: • Why the Broadway/fame angle gives the movie its own identity • Julia Garner and Dianne Wiest’s standout performances • The body horror and sound design that made us physically uncomfortable • How the movie handles themes of manipulation, fame, and bodily autonomy • The connections to Rosemary’s Baby • Full spoiler discussion and ending breakdown Around here, The Fear is Family.