S3: E4 Roxi Power Chats with Josh Brahinksy about Speaking in Tongues and Poetry

S3: E4 Roxi Power Chats with Josh Brahinksy about Speaking in Tongues and Poetry

En•Trance Journal's contributing editor, Roxi Power, chats with Josh Brahinksy about the relationship between speaking in tongues and poetry. Josh Brahinsky is a psychological anthropologist at McGill's Department of Transcultural Psychiatry and Stanford's Religious Studies department studying contemplative practices like prayer, meditation, psychedelics and breathwork using ethnography, brain imaging and detailed accounts of experience. His work examines how these practices cultivate surrender—emotionally, mentally, and physically— and how they change people's behavior.  Josh teaches at UC Santa Cruz.  His research can be found in podcasts [https://www.google.com/search?q=Josh+Brahinsky+podcasts&num=10&newwindow=1&sca_esv=e701aa2a750b70d5&sxsrf=ANbL-n6XZQSqqZH9PAefJOHhlGiYuMQP5A%3A1775252275541&ei=MzPQaevfIJnV1e8P69OO4Q8&biw=1440&bih=778&ved=0ahUKEwirxZSK0tKTAxWZavUHHeupI_wQ4dUDCBE&uact=5&oq=Josh+Brahinsky+podcasts&gs_lp=Egxnd3Mtd2l6LXNlcnAaAhgCIhdKb3NoIEJyYWhpbnNreSBwb2RjYXN0czIFECEYoAEyBRAhGKABMgUQIRigATIFECEYoAEyBRAhGKABSIISUIoDWKAPcAF4AJABAJgBmwGgAYoJqgEDMC45uAEDyAEA-AEBmAIKoAK6CcICFBAuGIAEGLADGIsDGPgFGKgDGJoDwgIHEAAYHhiwA8ICCxAAGIAEGKIEGLADwgIIEAAY7wUYsAPCAgYQABgWGB7CAggQABiABBiiBMICCBAAGIkFGKIEwgIFECEYqwKYAwCIBgGQBgWSBwMxLjmgB9gUsgcDMC45uAeuCcIHBTEuNi4zyAcZgAgB&sclient=gws-wiz-serp] as well as academic journals [https://mcgill.academia.edu/JoshBrahinsky⁠) (⁠https://www.theprayerstudy.com/podcasts⁠)] and in his book Tongues of Fire: How Charismatic Prayer Changes Evangelical Brains and Inspires Spirit-Filled Activism [https://www.bloomsbury.com/us/tongues-of-fire-9798765163207/], the book we discuss in this podcast.

S3 E3: Danusha Laméris Reads and Discusses her Poem "U-Pick Orchards"

Danusha Laméris [https://www.danushalameris.com/] is a poet and essayist raised in Northern California. Her work has appeared in The New York Times, The Kenyon Review, and Ploughshares, among others. She is a Pushcart Prize recipient, a winner of the 2021 Northern California Book Award in Poetry, and a 2020 Lucille Clifton Legacy Award honoree. Her collections [https://www.danushalameris.com/books] include The Moons of August (2014), chosen by Naomi Shihab Nye as winner of the Autumn House Press Poetry Prize; Bonfire Opera (University of Pittsburgh Press, 2020); and Blade by Blade (Copper Canyon Press, 2024). She teaches in Pacific University's low-residency MFA program.and leads the  on line Litfield Writing Community.

S3: E2 Jane Hirshfield Reads and Discusses Her Poem: "And if you like numbers, I will tell you that here on Earth--"

Jane reads her poem "And if you like numbers, I will tell you that here on earth." The poem is a wonderful window into the presence that poetry can bring, even as it recounts and counts the many terrors of the world. They discuss the many portals of poetry and its service to us in difficult times. Neither Jane nor Dion could remember the words to Yeats's poem, "Easter, 1916," but here's the poem [https://www.poetryfoundation.org/poems/43289/easter-1916] for your reading pleasure: Award-winning poet, essayist, and translator  Jane Hirshfield  [https://www.poetryfoundation.org/poets/jane-hirshfield]is the author of ten collections of poetry, [https://www.amazon.com/s?k=jane+hirshfield&crid=2MO3UMJV6ICP&sprefix=jane+hirshfield%2Caps%2C182&ref=nb_sb_noss_1] including The Asking: New and Selected Poems (2023); Ledger (2020); The Beauty (2015), longlisted for the National Book Award; Come, Thief (2011), a finalist for the PEN USA Poetry Award; and Given Sugar, Given Salt (2001), a finalist for the National Book Critics Award. Hirshfield is also the author of two collections of essays, Nine Gates: Entering the Mind of Poetry (1997) and Ten Windows: How Great Poems Transform the World (2015), and has edited and co-translated four books collecting the work of world poets from the past: The Ink Dark Moon: Poems by Ono no Komachi and Izumi Shikibu, Women of the Ancient Court of Japan (1990); Women in Praise of the Sacred: Forty-Three Centuries of Spiritual Poetry by Women (1994); Mirabai: Ecstatic Poems (2004); and The Heart of Haiku (2011).

S3 E1 Cornelius Eady talks to Paul Nelson about his poem "Proof"

Editor-at-large Paul Nelson and poet Cornelius Eady discuss "Proof," [https://www.poetryfoundation.org/poetrymagazine/poems/1761421/proof] an occasional poem written for the inauguration of mayor Zohran Mamdani in New York City. Read the poem here [https://www.poetryfoundation.org/poetrymagazine/poems/1761421/proof]. Poet and cofounder of Cave Canem Cornelius Eady’s [https://www.poetryfoundation.org/poets/cornelius-eady] published collections [https://bookshop.org/beta-search?keywords=cornelius+eady]include Victims of the Latest Dance Craze (Omnation Press, 1986), winner of the Lamont Poetry Prize from the Academy of American Poets; The Gathering of My Name (Carnegie Mellon University Press, 1991), nominated for a Pulitzer Prize; Brutal Imagination (G.P. Putnam’s Sons, 2001), a National Book Award finalist; and Hardheaded Weather: New and Selected Poems (G.P. Putnam’s Sons, 2008). He is a recipient of the 2023 Pegasus Award for Service in Poetry. In 1996, Eady and poet Toi Derricote [https://www.poetryfoundation.org/poets/toi-derricotte] founded Cave Canem, a nonprofit organization that supports emerging African American poets through summer retreats, regional workshops, first-book prizes, annual anthologies, and events and readings across the country.

S2: E2 Pauls' Corner: Paul Nelson Chats with Sharon Thesen

Sharon Thesen grew up in small towns across Western Canada, and for many years she taught English and Creative Writing at Capilano College in North Vancouver and was an active member of the poetry scene in the Lower Mainland.  Since 2003 she has lived in the Central Okanagan and is Emeritus Professor of Creative Writing at UBC’s Okanagan campus.  She is the editor of two editions of  The New Long Poem Anthology, and was an editor of The Capilano Review and co-editor of Lake: A Journal of Arts and Environment.   She has also co-edited, with Ralph Maud, two editions of the correspondence between Charles Olson and Frances Boldereff.  Her recent poetry books include A Pair of Scissors, The Good Bacteria, and Oyama Pink Shale, from House of Anansi in Toronto, and The Receiver, from New Star in Vancouver.