Claire Parnell, "Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era" (U Massachusetts Press, 2025

Lauren W. Westerfield, "Woman House: Essays and Assemblages" (U Massachusetts Press, 2026)

A compelling and inventive memoir exploring how pain and pleasure are passed down through generations of women For years, Lauren W. Westerfield looked back at her childhood as an imaginative playscape lovingly crafted by her artist mother. But in truth, theirs was always a fraught relationship, close yet turbulent. It wouldn’t be until her mid-twenties that Westerfield would learn that her mother was assaulted while living as a single woman in 1970s Los Angeles, or until her mid-thirties when caretaking for her now chronically ill mother during pandemic lockdown would reveal how that earlier incident and its ripple effects had shaped both their lives. The essays and assemblages in this book plumb the depths of two women’s experiences, exploring the pain and pleasure they find in their bodies, in culture, and in their own art. Violence, beauty, and love reverberate and dissipate and shape the forms and psyches of these two profoundly connected family members. At once raw and refined, narrative and lyrical, nostalgic and blunt, the stories and images presented here explore Westerfield’s life—from childhood to adulthood—passing through innocence, self-discovery and familial tethers. In unpacking her mother’s history and the complexities of their relationship, Westerfield finds herself confronted with her own story: one grounded in a yearning for agency and individuation, of a body and mind groomed to be at odds with one another, of a feminist politics examining deeply rooted patriarchal understandings of beauty, control, and power. Part memoir, part critical sense-making, part reckoning with family, identity, illness, addiction, art, and inheritance, Woman House [https://bookshop.org/a/12343/9781625349231] (U Massachusetts Press, 2026) draws on diverse inspirations in an attempt to recontextualize the female body—in danger, in pleasure, in portraiture, in proximity, in resistance—and challenge the structures that silence and restrict female expression. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]

David Faflik, "Segregation Games: Boston, Busing, and the Making of Red Sox Nation" (U Massachusetts Press, 2026)

A cultural history of race, resistance, and representation in a city divided by politics and play When outfielder Bernie Carbo joined the Red Sox in 1974, he brought with him a toy gorilla named Mighty Joe Young that became the team’s unofficial mascot for several players and many in the local press. This seemingly innocent stuffed animal was introduced within a baseball team notorious for its stubborn discrimination, and during a particularly fraught era of racial discord in Boston. That June, after years of activism from the city’s Black community, Judge W. Arthur Garrity Jr. ruled that Boston must address the segregation of its schools through redistricting and busing. The ensuing racial animus to these policies led some of the city’s white residents to throw bananas and chant monkey sounds at African American students as they integrated the predominantly white South Boston High School. In this agitated atmosphere, cultural symbols like the Red Sox’s Mighty Joe Young mirrored and amplified the heightened racial tensions of Boston’s busing crisis. Situated at the intersection of US cultural and social history, Segregation Games: Boston, Busing, and the Making of Red Sox Nation [https://bookshop.org/a/12343/9781625349286] (U Massachusetts Press, 2026) examines the surprising ties in 1970s Boston between the racial segregation of the city’s schools and the racial controversies expressed on and off the field of “Red Sox Nation.” “I found out in the black community why they don’t come out [to Fenway Park],” explained Black player Reggie Smith of his experiences with the Red Sox and the city during this period. “The team was the last to get Black players, and some of the things I hear out in the stands make me sick.” To understand these connections, Faflik erases the lines between politics and sport, which routinely blurred in a city suffused with an anti-Black racism that was both deceptively subtle and fiercely overt. Drawing upon deep archival research from sources that have largely been ignored, such as the Black press of the time, Faflik offers a carefully nuanced portrait of Boston’s cultural life at a pivotal moment in the city’s history. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]

Nicholas W. Gentile, "Enemies to Their Country: The Marblehead Addressers and Consensus in the American Revolution" (U Mass Press, 2025)

Nicholas W. Gentile complicates our understanding of the American Revolution through a microhistory of one Massachusetts town in his new book, Enemies to Their Country: The Marblehead Addressers and Consensus in the American Revolution [https://bookshop.org/a/12343/9781625348968] (U Mass Press, 2025). In 1774, a group of elite men in the town of Marblehead, Massachusetts, just outside Salem, wrote an address to the royal governor thanking him for his service to the colony, even as town residents began demanding independence from Great Britain. Town meeting records reveal how the town’s patriot majority pressured the signers to withdraw their support for the governor and demanded public recantations and issued damning reports, even forcing some of the signers into exile. Enemies to Their Country tells the story of the year following the Address, chronicling the town’s struggle to achieve consensus even as the war for American independence started. This microhistory of one vitally important town, the second largest in Massachusetts at the time, with a thriving local economy based on fishing and a robust community of religious and civically engaged citizens, complicates simplistic ideas of the American Revolution. Through compelling stories of neighboring individuals and families, many of which have not been told, it also provides an example of a politically polarized constituency struggling to find consensus at a time of great conflict. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]

Gerald F. Goodwin, "Race in the Crucible of War: African American Servicemen and the War in Vietnam" (U Massachusetts Press, 2023)

When African American servicemen went to fight in the Vietnam War, discrimination and prejudice followed them. Even in a faraway country, their military experiences were shaped by the racial environment of the home front. War is often viewed as a crucible that can transform society, but American race relations proved remarkably durable. In Race in the Crucible of War: African American Servicemen and the War in Vietnam [https://bookshop.org/a/12343/9781625346841] (U Massachusetts Press, 2023), Gerald F. Goodwin examines how Black servicemen experienced and interpreted racial issues during their time in Vietnam. Drawing on more than fifty new oral interviews and significant archival research, as well as newspapers, periodicals, memoirs, and documentaries, Goodwin reveals that for many African Americans the front line and the home front were two sides of the same coin. Serving during the same period as the civil rights movement and the race riots in Chicago, Detroit, and dozens of other American cities, these men increasingly connected the racism that they encountered in the barracks and on the battlefields with the tensions and violence that were simmering back home. Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at omariaverette@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]

Claire Parnell, "Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era" (U Massachusetts Press, 2025

The average reader need not go far in a bookstore before, knowingly or not, they encounter authors who started their careers by self-publishing prior to achieving commercial success. Examples include Margaret Atwood, Andy Weir, Colleen Hoover, Anna Todd, E. L. James, Scarlett St. Clair, and many more. Such stories of self-made writers are compelling and seem more attainable to others with the accessibility of modern publishing platforms such as Amazon, Apple, Google, Kobo, Wattpad, Webtoon, Radish, Inkitt, Qidian, Tapas, and Swoon Reads. However, in Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era  [https://bookshop.org/a/12343/9781625349057](U Massachusetts Press, 2025) Claire Parnell uncovers in her examination of the two most popular—Amazon and Wattpad—these services in fact perpetuate systemic racial, gender, and sexual bias against authors of color and queer authors through their technological, economic, social, and cultural structures. At a time when there is a real reckoning with the discrimination that has resulted in publishing opportunities for only relatively few privileged authors—who are often White, upper class, and male—self-publishing presents itself as an equalizer of sorts. Exploring that idea, Parnell shows that these platforms are not just intermediaries for information; they structure content and users in multiple, often inequitable, ways through their ability to set market conditions and apply algorithmic sorting. Combining original interviews, walkthrough method, metadata analysis, and more, Parnell finds that self-publishing platforms reproduce challenges for authors from marginalized communities. Far from equalizing the market, the new platforms instead frequently perpetuate the stubborn barriers to mainstream success for BIPOC and queer authors. Learn more about your ad choices. Visit megaphone.fm/adchoices [https://megaphone.fm/adchoices]