80s Movies: A Guide to What's Wrong with Your Parents

Humorously showing the emotional pain of teenagers aching for true love amid the social expectations of high school, Sixteen Candles turned a teen sex comedy into an pop cultural phenomenon that was watched by every '80s kid. Mentored by National Lampoon, known for its intentionally offensive humor, John Hughes imbued relatable and aspirational three-dimensional characters with racist and misogynistic attitudes. The depiction of a Chinese foreign exchange student nodded to audiences' prejudices that Eastern cultures were a joke, worthy of our disrespect. And, Sixteen Candles bolstered rape culture by depicting an aspirational man who demonstrated that even longtime girlfriends were disposable sex objects. Further, it taught teen girls that their value was in a "hot bod," and that if someone had sex with them when they were passed out, it wasn't rape. Teen film authorities Tara McNamara, Gen X, and Riley Roberts, Gen Z, look back at how Hughes' l teen film greatly impacted a generation in ways we are still trying to correct.

St. Elmo's Fire was a response to the teen films of the 1980s, examining what happens after college.  Joel Schumacher crafted an authentic and progressive story about the emotional lives and professional challenges of seven recent Georgetown grads, reflecting young women focused on career rather than marriage and introducing the idea of a gay lead character (a baby step, but a step). However, as film authorities Tara McNamara, Gen X, and Riley Roberts, Gen Z, discuss, the dramedy also promoted shocking values, including beautiful and fun characters Jules and Billy coking it up and an adorable portrayal of Kirby stalking the object of his obsession.

Before John Hughes, a movie couldn't be made that was just about who was going to take a girl to prom. But with a high school divided into the haves and the have nots, Hughes was able to make a love story of Romeo and Juliet proportions. The relationshp was bigger than working-class Andie and Yuppie son Blane: there was Duckie, the OG simp. Pretty in Pink (1986) was ahead of its time in celebrating emotional males with feminine energy and highlighting a parentified child dealing with a deeply depressed dad. However, it doesn't go far enough. Film authorities Tara McNamara, Gen X, and Riley Roberts, Gen Z, look back at the teen classic with a modern lens and call out the impact it had on a generation.

Wolverines! Red Dawn is one of the few, if only, teen action films of the '80s. It showed that teens were responsible, skilled, and capable enough to save their town and, possibly, the United States. It's a blow 'em up, shoot 'em up, and set them on fire pic. But the intended message never reached its young audience and, and as hosts Tara McNamara (Gen X) and Riley Roberts (Gen Z) identify, the film has continued to inspire in all the wrong ways.

Wolverines! Red Dawn is one of the few teen action films of the '80s -- and definitely the most influential. It showed that teens were responsible, skilled, and capable enough to save their town and, possibly, the United States. It's a blow 'em up, shoot 'em up, and set them on fire pic. But the intended message never reached its young audience and the result, as hosts Tara McNamara (Gen X) and Riley Roberts (Gen Z) identify, is that the film has continued to inspire in all the wrong ways.