What SHAKESPEARE really teaches us about how to listen | Prof Kent Lehnhof

What does Metamodern Architecture look like?

Are our buildings changing because we are changing? In this episode of The Scholar’s Armchair, I speak with Amritt Flora, Course Leader for the MA Interior and Spatial Design at Chelsea College of Arts, about the emergence of a possible metamodern shift in architecture and design. Our conversation begins with a simple observation. Over the last decade, design students seem to be approaching the world differently. Questions of identity, feeling, sincerity, uncertainty, and meaning have become increasingly important. Could these changes be part of a broader cultural movement that scholars have called metamodernism? Together we explore: What metamodernism means in practice The journey from modernism to postmodernism and beyond Why architecture is always designing for a future that does not yet exist The move from certainty and fixed rules toward complexity and contradiction Why contemporary designers are increasingly concerned with emotion, experience, and interior life Whether architecture can foster connection, meaning, and belonging How today's students are reshaping the way we think about design What the built environment reveals about wider cultural change Along the way we discuss oscillation between sincerity and irony, the fragmentation of styles in contemporary culture, the changing role of architects, and whether we are witnessing a renewed search for meaning after the postmodern age. If you've enjoyed our previous conversations on metamodernism, philosophy, literature, and culture, this episode extends the discussion into the spaces we inhabit every day. Can a building be sincere? Can a room express hope? And what does the architecture of the twenty-first century tell us about who we are becoming? ====================• Links: The MA course in interior and spatial design: https://www.arts.ac.uk/subjects/architecture-spatial-and-interior-design/postgraduate/ma-interior-and-spatial-design-camberwell Work showcase: https://ualshowcase.arts.ac.uk/c/camberwell-college-of-arts-ma-interior-and-spatial-design?query=%21nullquery&collection=ual-showcase&num_ranks=12&sort=dmetasortKey&meta_hideFromCollege_sand=0&meta_college_sand=Camberwell+College+of+Arts&f.Courses%7Ccourse=MA+Interior+and+Spatial+Design&start_rank=25#about YouTube video: https://www.youtube.com/watch?v=HJ_HubX0o9Y&t=9s Course Instagram page: https://www.instagram.com/maisdccw ======================= #Metamodernism #Architecture #Design #SpatialDesign #InteriorDesign #Philosophy #Culture #TheScholarsArmchair #AmrittFlora #Postmodernism #Modernism #Meaning #ArchitectureTheory #ContemporaryCulture #UniversityoftheArtsLondon

What RILKE can teach us about attention

Have we lost the inner life? In this episode of The Scholar’s Armchair, I speak with author and cultural critic Lesley Chamberlain about her book Rilke: The Last Inward Man and the enduring relevance of one of Europe’s greatest poets, Rainer Maria Rilke. Chamberlain argues that Rilke stood at the end of a long tradition of inwardness: a tradition that saw the inner life as a source of meaning, creativity, and spiritual depth. At a time when religion was losing its authority and modernity was transforming society, Rilke sought to discover whether poetry and art could preserve a sense of transcendence in an increasingly fragmented world. In our conversation, we discuss Rilke’s childhood, his relationship with Lou Andreas-Salomé, his transformative journeys to Russia, the influence of Auguste Rodin, the Duino Elegies, the Sonnets to Orpheus, and whether art can replace religion as a source of meaning. Most importantly, we explore a question that feels increasingly urgent today: What happens when a culture loses faith in the value of the inner life? ⸻ Topics discussed: * Rilke and the meaning of inwardness * Attention, solitude, and modern distraction * Poetry, spirituality, and transcendence * Lou Andreas-Salomé and Russia’s influence on Rilke * Rodin and the discipline of attention * The Duino Elegies and Sonnets to Orpheus * Art after the decline of religion * Why Rilke still matters today ⸻ Links: Lesley’s book Rilke: The Last Inward Man: https://pushkinpress.com/book/rilke-the-last-inward-man/ Lesley’s Novel The Mozhaisk Road: Russian Heart of Darkness: https://www.austinmacauley.com/book/the-mozhaisk-road _____ If you enjoyed this conversation, please like, subscribe, and share the video. It helps more people discover thoughtful discussions about literature, philosophy, history, and culture. #Rilke #Poetry #Philosophy #Literature #TheScholarsArmchair #LesleyChamberlain #Reading #Culture #Attention #InnerLife #Books #LiteraryCriticism #Modernity #Spirituality #ArtAndMeaning

Why we are still telling the Odyssey story | Prof Joel P Christensen

What makes Odysseus the most enduring figure in all of literature? In this episode of The Scholar’s Armchair, I’m joined by Joel P. Christensen to explore one of the most fascinating characters ever created: Odysseus. From Homer’s Odyssey to modern films, novels, and even war narratives, Odysseus has never stopped changing. He is a hero, a liar, a survivor, a strategist, and perhaps one of the first true antiheroes in Western literature. But why has this figure endured when so many others have faded? We explore how Odysseus has been reimagined across history, from ancient Greece to Dante Alighieri, and into modern culture, where he increasingly appears as a traumatised veteran struggling to return home. Along the way, we ask whether the Odyssey is not just a story about adventure, but one of the earliest explorations of identity, storytelling, and survival. If Achilles represents glory, Odysseus represents something closer to us: adaptability, contradiction, and the cost of making it back alive. Why do we keep returning to Odysseus? And what does that say about us? Topics include: The meaning of “the man of many ways” Odysseus as hero vs antihero How different cultures reinvent him Trauma, nostalgia, and the idea of home Why the Odyssey feels more modern than the Iliad Subscribe for more conversations with leading scholars bringing great literature to life. ================== Links: Joel's book Why Odysseus?: https://link.springer.com/book/9783032209863 Joel's profile page: https://www.gc.cuny.edu/people/joel-p-christensen

Why the Victorians Needed Jane AUSTEN | Prof Cheryl Wilson

What did the Victorians really think of Jane Austen — and how did they reshape her legacy? In this episode of The Scholar’s Armchair, I speak with Prof Cheryl A. Wilson, author of *Jane Austen and the Victorian Heroine*, about the surprising afterlife of Austen in the nineteenth century. We often think of Austen as timeless — but as Dr Wilson shows, the Victorians didn’t just admire her. They *used* her. Through the figure of the heroine, Austen became a tool for thinking about reading, gender, class, and even national identity. We explore how Victorian writers: * turned Austen into a guide for “good reading” and moral taste * rewrote and adapted her heroines for a changing world * struggled with complex characters like Emma * used Austen in debates about femininity and the New Woman * transformed her into a cultural icon: “England’s Jane” We also discuss Dr Wilson’s fascinating work on *Persuasion*, where she argues that Austen structures the novel like a dance — even without a ballroom scene — revealing new insights into desire, movement, and social mobility. This conversation reveals a different Austen: not fixed, but constantly reinterpreted — and still shaping how we read today. --- Links: Cheryl's book Jane Austen and the Victorian Heroine: https://link.springer.com/book/10.1007/978-3-319-62965-0 Cheryl's article on dance and Persuasion: https://jasna.org/persuasions/printed/number25/wilson.pdf --- **Subscribe for more conversations with leading literary scholars exploring the big ideas behind classic literature.** #JaneAusten #VictorianLiterature #LiteraryCriticism #Persuasion #ClassicLiterature #Books #TheScholarsArmchair

Virginia WOOLF’s Philosophy of Reality | Prof Thomas Nail

What did Virginia Woolf really mean by her famous “moments of being”? Were they simply flashes of heightened consciousness… or was Woolf trying to reveal something deeper about reality itself? In this episode of The Scholar’s Armchair, I’m joined by philosopher Thomas Nail to discuss his fascinating new book The Philosophy of Virginia Woolf: Moments of Becoming. Nail argues that Woolf was not just a novelist of inner life, but a philosopher in her own right — one who saw reality not as made of fixed things, but of movement, flow, and interrelated processes. Together we explore: * Woolf’s “moments of being” * Why Nail calls them “moments of becoming” * Time, perception, and the unstable self * Mrs Dalloway, To the Lighthouse, and The Waves * Woolf’s relevance to modern philosophy and new materialism * Whether literature can actually change how we perceive reality If you enjoy Virginia Woolf, modernism, philosophy, literary theory, or process thought, this conversation offers a fresh and deeply thought-provoking way into her work. ======================== Links: Thomas’s book: https://www.bloomsbury.com/uk/philosophy-of-virginia-woolf-9781350526051/ Thomas’s university profile: https://liberalarts.du.edu/about/people/thomas-andrew-nail #VirginiaWoolf #Modernism #Philosophy #Literature #LiteraryTheory #ThomasNail #MrsDalloway #TheWaves #ToTheLighthouse #TheScholarsArmchair