Episode 16 | Eugenio Caballero on Designing Roma, Pan’s Labyrinth and more

Episode 18 | François Audouy on Designing Euphoria, A Complete Unknown and more

Listen in as PDC member François Audouy chats about his work on Euphoria Season 3, A Complete Unknown, Ghostbusters: Afterlife, and more. Hosted & Produced by Alexander Whittenberg Produced by Gavin Mosier Original Score by Nathan Avakian

Episode 17 | Jamie Morgan Lapsley on Finding the Story Beneath the Design

Listen in as PDC member Jamie Morgan Lapsley (Grow, Bodyguard, Dinosaur) chats with host Alexander Whittenberg about designing prehistory, diving deep into research and weaving a tapestry of cinematic inspirations over time. Hosted & Produced by Alexander Whittenberg Produced by Gavin Mosier Original Score by Nathan Avakian

Episode 16 | Eugenio Caballero on Designing Roma, Pan’s Labyrinth and more

Listen in as PDC member Eugenio Caballero (Roma, Pan’s Labyrinth) chats with host Alexander Whittenberg about recreating nature, the architecture of catastrophe and the power of memory. Hosted & Produced by Alexander Whittenberg Produced by Gavin Mosier Original Score by Nathan Avakian

Episode 15 | Sarah Greenwood & Katie Spencer on Creating the Worlds of Barbie, Darkest Hour and More

In the first episode of Apotheosis: On Collaboration, PDC Member Sarah Greenwood and her longtime Set Decorator Katie Spencer reflect on their years of collaboration across many acclaimed films including Barbie, Anna Karenina, Beauty and the Beast and Darkest Hour. Check out the episode on Spotify and Apple Podcasts. Don't forget to rate and subscribe! Hosted & Produced by Alexander Whittenberg Produced by Gavin Mosier Original Score by Nathan Avakian

Episode 14 | Grace Yun talks Beef, Past Lives and Hereditary

In Episode 14 of Apotheosis, PDC member Grace Yun (Beef, Hereditary) chats about the sets of Beef, designing for horror in a non-traditional manner and the power of negative space. Hosted & Produced by Alexander Whittenberg Produced by Gavin Mosier Original Score by Nathan Avakian